Koruto wa ore no pasupôto
- 1967
- 1h 24m
ÉVALUATION IMDb
7,4/10
2,4 k
MA NOTE
Ajouter une intrigue dans votre langueA hit man is hired to kill a mob boss. After the deed is done, he and his driver are wanted dead by rival gangs who joined forces.A hit man is hired to kill a mob boss. After the deed is done, he and his driver are wanted dead by rival gangs who joined forces.A hit man is hired to kill a mob boss. After the deed is done, he and his driver are wanted dead by rival gangs who joined forces.
Jô Shishido
- Shûji Kamimura
- (as Joe Shishido)
Histoire
Le saviez-vous
- AnecdotesThis film is included in, "Eclipse Series 17: Nikkatsu Noir", released by Criterion.
- ConnexionsFeatured in Tueur à gages (2023)
Commentaire en vedette
While watching a large variety and volume of titles allows one to better appreciate all that cinema has to offer, sometimes the other side of the coin is that a title can do everything right and still struggle to make a major impression out of everything one has seen. I feel that this counts among the latter.
The stunts and effects result contribute to sharp bursts of violence, and Nomura Takashi's direction is impeccably tight. Mine Shigeyoshi's cinematography is smartly dynamic, and crisp and vivid, making the viewing experience a real pleasure. The cast give strong performances. Ibe Harumi's score is a minor joy as it blends flavors of the spaghetti western with those more typical of contemporary crime flicks. With rich, terrific writing, even each scene in turn is a blast, so complete, vibrant, and fulfilling from one to the next that it's almost like we're getting a long series of short films. Characterizations are just as splendid, with the result that supporting character Mina, brought to life with welcome vitality by Kobayashi Chitose, threatens to upstage the hard-boiled, cool-headed yakuza protagonists. The story at large is firmly compelling and engrossing as hit men Kamimura and Shiozaki flee from their enemies following a successful assassination. Some bits and bobs throughout are rather brilliant, really, and the viewing experience is a great time all around.
From front to back 'A Colt is my passport' is an excellent picture. The thing is, even as I'm in the midst of watching, I'm fully aware that I'm unlikely to remember anything about it even two hours from now. Even the costume design, hair and makeup, production design and art direction, and filming locations are lovely, yes, and the climax and ending are exciting. I genuinely have no criticism to level. It's through no fault of anyone involved that the sum total doesn't specifically resonate with me; no doubt other viewers will find it altogether revelatory, and I'm glad for them. This is absolutely worth checking out if one has the opportunity, and anyway, there's nothing particularly wrong with a feature that comes and goes just as easily in our purview. It just means that the lasting value is up in the air. The long and short of it is that if you're in the mood for a fine crime movie regardless of whether or not it sticks in your memory, 'A Colt is my passport' earns a solid recommendation, and let's just leave it at that.
The stunts and effects result contribute to sharp bursts of violence, and Nomura Takashi's direction is impeccably tight. Mine Shigeyoshi's cinematography is smartly dynamic, and crisp and vivid, making the viewing experience a real pleasure. The cast give strong performances. Ibe Harumi's score is a minor joy as it blends flavors of the spaghetti western with those more typical of contemporary crime flicks. With rich, terrific writing, even each scene in turn is a blast, so complete, vibrant, and fulfilling from one to the next that it's almost like we're getting a long series of short films. Characterizations are just as splendid, with the result that supporting character Mina, brought to life with welcome vitality by Kobayashi Chitose, threatens to upstage the hard-boiled, cool-headed yakuza protagonists. The story at large is firmly compelling and engrossing as hit men Kamimura and Shiozaki flee from their enemies following a successful assassination. Some bits and bobs throughout are rather brilliant, really, and the viewing experience is a great time all around.
From front to back 'A Colt is my passport' is an excellent picture. The thing is, even as I'm in the midst of watching, I'm fully aware that I'm unlikely to remember anything about it even two hours from now. Even the costume design, hair and makeup, production design and art direction, and filming locations are lovely, yes, and the climax and ending are exciting. I genuinely have no criticism to level. It's through no fault of anyone involved that the sum total doesn't specifically resonate with me; no doubt other viewers will find it altogether revelatory, and I'm glad for them. This is absolutely worth checking out if one has the opportunity, and anyway, there's nothing particularly wrong with a feature that comes and goes just as easily in our purview. It just means that the lasting value is up in the air. The long and short of it is that if you're in the mood for a fine crime movie regardless of whether or not it sticks in your memory, 'A Colt is my passport' earns a solid recommendation, and let's just leave it at that.
- I_Ailurophile
- 7 sept. 2024
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- A Colt Is My Passport
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 24 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
- 2.45 : 1
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By what name was Koruto wa ore no pasupôto (1967) officially released in India in English?
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