Marie et Alexia, deux meilleures amies, décident de passer un week-end tranquille dans la ferme d'Alexia. Mais le soir de leur arrivée, l'escapade idyllique des filles se transforme en une t... Tout lireMarie et Alexia, deux meilleures amies, décident de passer un week-end tranquille dans la ferme d'Alexia. Mais le soir de leur arrivée, l'escapade idyllique des filles se transforme en une terrible nuit sans fin.Marie et Alexia, deux meilleures amies, décident de passer un week-end tranquille dans la ferme d'Alexia. Mais le soir de leur arrivée, l'escapade idyllique des filles se transforme en une terrible nuit sans fin.
- Prix
- 6 victoires et 9 nominations au total
Histoire
Le saviez-vous
- AnecdotesThe camera used during the car-attack scene got so much fake blood on it during shooting that when it was being used on another film later on fake blood oozed from it during the focusing of a shot.
- GaffesThe killer takes the ax out of the gas station clerk, so he had to have flipped him over to do so. So it makes sense why the clerk is on his back in a later scene.
- Autres versionsLions Gate was originally going to release the film uncut with an NC-17 rating theatrically but theaters were not too happy with the idea so Lion Gate cut about 2 minutes for the US theatrical release to secure a "R" rating. The changes were:
- Alex's father is graphically decapitated with a bookcase, his headless neck spraying blood. In the R-rated version, the initial killing is implicit rather than explicit, and later, during a flashback, his killing is gone.
- The scene of the killer applying a concrete saw to the stomach of the man driving the car was edited shorter
- When Alex's mother has her throat slashed, the scene is edited short; most of the arterial spurting, as the killer pulls back her head, is gone. The shot of her severed hand also is removed, leaving no indication of what exactly happened to her.
- The scene where Marie strikes the killer's face in with the barbed wire post is shortened and less explicit; Marie hits the killer fewer times, and there are fewer details of the killer's wounds shown.
- Bandes originalesA2
extrait from Célébration
(François-Eudes Chanfrault)
Recorded, Performed and Mixed by François-Eudes Chanfrault
(P) 2002 MK2 Music
Editions: 2002 Ciné Nada Music
Commentaire en vedette
As a horror film fan, I have wanted to see "High Tension" for a while, ever since I saw the delectably violent trailer and clips. It does not disappoint in the gory violence department, but I found it to be too short, with an abrupt ending. Still, the film is a haunting exploration of the darkest corners of the human psyche; a portrait that doubles, or maybe masquerades, as a slasher.
Cécile De France is good in the role of Marie, showing grit, nerve and, dare I say, tension when the role calls for it. Maïwenn Le Besco is also good as Alex, although her role does not demand much from her, except for a few scenes of considerable emotional range.
Two of the best aspects of the film are its cinematography and music. Cinematographer Maxime Alexandre paints the film in bluish, metallic, detached hues, that contribute to the effects of truly unapologetic on-screen violence. Composer François Eudes' score is an audio picture of disturbed peace and chaos brewing in the idyll of normalcy. Had it not been for these two elements, the film would not have been half as effective.
"High Tension" is not a must-see film by any means, but it is a must for art-house and horror film fans.
7/10
Cécile De France is good in the role of Marie, showing grit, nerve and, dare I say, tension when the role calls for it. Maïwenn Le Besco is also good as Alex, although her role does not demand much from her, except for a few scenes of considerable emotional range.
Two of the best aspects of the film are its cinematography and music. Cinematographer Maxime Alexandre paints the film in bluish, metallic, detached hues, that contribute to the effects of truly unapologetic on-screen violence. Composer François Eudes' score is an audio picture of disturbed peace and chaos brewing in the idyll of normalcy. Had it not been for these two elements, the film would not have been half as effective.
"High Tension" is not a must-see film by any means, but it is a must for art-house and horror film fans.
7/10
- LondonOnMyMind
- 22 oct. 2005
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Détails
Box-office
- Budget
- 2 200 000 € (estimation)
- Brut – États-Unis et Canada
- 3 681 066 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 1 897 705 $ US
- 12 juin 2005
- Brut – à l'échelle mondiale
- 6 291 958 $ US
- Durée1 heure 31 minutes
- Couleur
- Mixage
- DTS
- Dolby Digital EX(original version)
- Rapport de forme
- 2.35 : 1
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