Maître à bord: De l'autre côté du monde
Titre original : Master and Commander: The Far Side of the World
Pendant les guerres napoléoniennes, un capitaine britannique impétueux pousse son bateau et son équipage à bout à la poursuite d'un formidable navire de guerre français en Amérique du Sud.Pendant les guerres napoléoniennes, un capitaine britannique impétueux pousse son bateau et son équipage à bout à la poursuite d'un formidable navire de guerre français en Amérique du Sud.Pendant les guerres napoléoniennes, un capitaine britannique impétueux pousse son bateau et son équipage à bout à la poursuite d'un formidable navire de guerre français en Amérique du Sud.
- A remporté 2 oscars
- 23 victoires et 90 nominations au total
Histoire
Le saviez-vous
- AnecdotesRussell Crowe learned to play violin for the film and referred to it as the hardest thing he'd ever done for a film.
- GaffesDuring the Storm when the Surprise is chasing the Acheron around Cape Horn, Barrett Bonden is shown alone at the wheel. It was customary on a Royal Navy vessel of the time to always have at least two men at the wheel both as a security measure in case one man was injured in battle, and because the rudder itself was extremely heavy and difficult to turn. During any sort of heavy weather there would certainly have been four or more men at the wheel as one man would not be able to control the rudder (which is why the ship has two connected wheels).
- Citations
[Toasting]
Capt. Jack Aubrey: To wives and sweethearts.
Officers: To wives and sweethearts.
Capt. Jack Aubrey: May they never meet.
- Générique farfeluThere are no opening credits.
- ConnexionsEdited into Spisok korabley (2008)
- Bandes originalesGhost of Time
Composed by Iva Davies, Christopher Gordon and Richard Tognetti
Performed by Iva Davies and Icehouse
Featured Violin Performance by Richard Tognetti
Orchestrated by Christopher Gordon
Commentaire en vedette
See this film NOW at the best, state of the art theater you can find. You'll know why five minutes in.
I didn't want to leave the theater when this roller coaster rhapsody to sea soldiery circa 1805 was over. It's stirring entertainment. No love interests needed. This was what it was really like. One ship, 197 men, 4500 miles from home. Chasing a French ship twice her size. No retreat.
Pirates of the Crappy Be-in was a cute romp, but Master and Commander has real ships, real crews, real cannon,convincing characters, historical accuracy and a REAL film director.
Director/ Peter Weir (Witness) has returned big time and, with this one film, revived classic Australian realism, actually surpassing the production values of Peter Jackson's Ring Trilogy. This is not a fantasy film, but history - painstakingly recreated. And rousing history it is, with plenty of action AND robust character development. The adaptation by Weir and John Colley is right on target, brimming with great characters and scenes.
And Russel Crowe? Other than "The Insider", this is his best role ever. Gladiator was just a warm-up. A Beautiful Mind? Well, nice acting from the neck up. Go see this if you want to see both his athleticism and his formidable acting chops! And he decent musical gifts as well (RC studied violin for the role).
I've always thought Weir was one of our great directors. Now he's been given all the toys Peter Jackson enjoys. And Weir uses them to great effect - recreating a nautical reality that lacks nothing except the need to wipe your face every ten seconds. The cutting of Russel Boyd's fabulous photography is perfect. You get to know every inch of the ship, topside and down below. You also get a strong sense of the social dynamics on board - how men got along with each other for so many months. I felt swept along in a perfect mix of virile action and characters I could get to know and care for. One thing I loved was the constant caring between many of the men along the rank and file. There's a strong sense of honor and decency in the film. Yet enough grog flows to keep things loose.
This is vigorous stuff and my most thrilling two hours in a theater for a while. Congratulations to everyone involved.
For now, the best director Oscar goes to Peter Weir over Clint Eastwood (Mystic River)in 2004. Master and Commander is my pick for best picture, just because it is so masterfully realized. A stunning, exhilarating, and - at last - realistic action saga.
I didn't want to leave the theater when this roller coaster rhapsody to sea soldiery circa 1805 was over. It's stirring entertainment. No love interests needed. This was what it was really like. One ship, 197 men, 4500 miles from home. Chasing a French ship twice her size. No retreat.
Pirates of the Crappy Be-in was a cute romp, but Master and Commander has real ships, real crews, real cannon,convincing characters, historical accuracy and a REAL film director.
Director/ Peter Weir (Witness) has returned big time and, with this one film, revived classic Australian realism, actually surpassing the production values of Peter Jackson's Ring Trilogy. This is not a fantasy film, but history - painstakingly recreated. And rousing history it is, with plenty of action AND robust character development. The adaptation by Weir and John Colley is right on target, brimming with great characters and scenes.
And Russel Crowe? Other than "The Insider", this is his best role ever. Gladiator was just a warm-up. A Beautiful Mind? Well, nice acting from the neck up. Go see this if you want to see both his athleticism and his formidable acting chops! And he decent musical gifts as well (RC studied violin for the role).
I've always thought Weir was one of our great directors. Now he's been given all the toys Peter Jackson enjoys. And Weir uses them to great effect - recreating a nautical reality that lacks nothing except the need to wipe your face every ten seconds. The cutting of Russel Boyd's fabulous photography is perfect. You get to know every inch of the ship, topside and down below. You also get a strong sense of the social dynamics on board - how men got along with each other for so many months. I felt swept along in a perfect mix of virile action and characters I could get to know and care for. One thing I loved was the constant caring between many of the men along the rank and file. There's a strong sense of honor and decency in the film. Yet enough grog flows to keep things loose.
This is vigorous stuff and my most thrilling two hours in a theater for a while. Congratulations to everyone involved.
For now, the best director Oscar goes to Peter Weir over Clint Eastwood (Mystic River)in 2004. Master and Commander is my pick for best picture, just because it is so masterfully realized. A stunning, exhilarating, and - at last - realistic action saga.
- mediahombre2
- 24 nov. 2003
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Master and Commander: The Far Side of the World
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 150 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 93 927 920 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 25 105 990 $ US
- 16 nov. 2003
- Brut – à l'échelle mondiale
- 211 622 535 $ US
- Durée2 heures 18 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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What was the official certification given to Maître à bord: De l'autre côté du monde (2003) in India?
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