Ajouter une intrigue dans votre langueAn examination into the nature of 1960s-'70s horror films, the artists involved, and how they reflected contemporary society.An examination into the nature of 1960s-'70s horror films, the artists involved, and how they reflected contemporary society.An examination into the nature of 1960s-'70s horror films, the artists involved, and how they reflected contemporary society.
Photos
- Self
- (as Carol Clover)
- Self
- (archive footage)
- Self
- (archive footage)
- Self
- (archive footage)
- Elevator Mother
- (archive footage)
- Self
- (archive footage)
- Self
- (archive footage)
- (as Bill 'Chilly Billy' Cardille)
- Self
- (archive footage)
- Self
- (archive footage)
Histoire
Le saviez-vous
- AnecdotesPackaged as an extra on the Region 2 release of Wes Craven's The Hills Have Eyes (1977).
- Citations
Wes Craven: I think there is something about the "American Dream", the sort of Disneyesque dream if you will of the beautifully trimmed front lawn, the white picket fence, mom and dad and their happy children, god fearing and doing good whenever they can; that sort of expectation, and the flipside of it, the kind of anger and the sense of outrage that comes from discovering that that's not the truth of the matter, I think that gives American horror films in some ways kind of an additional rage...
- Autres versionsDespite being shown uncut on BBC TV the version released in the UK, as part of The Hills Have Eyes 2-disc by Anchor Bay, was cut by 14 secs by the BBFC. This was to remove scenes from _Last House on the Left, The (1972)_ which had previously been cut by the BBFC.
- ConnexionsFeatures Dracula (1931)
There are long and satisfyingly gruesome clips from Texas Chainsaw Massacre, Night of the Living Dead & Dawn of the Dead, Last House on the Left, Shivers and many others, each accompanied by a look at what was happening in the world at the time they were made, and the bizarre ways in which art imitates life and vice versa. Gore Make-up Master Tom Savini has some amazing stories to tell about his time in Vietnam and how the atrocities he viewed through a camera later inspired his craft. There are also some wickedly clever moments here, as film footage of crazed shoppers are intercut with scenes from the zombie feeding frenzy in Dawn of the Dead. Nausea inducing moments include the rape and sadistic torture scenes from Last House on the Left, and an unflinching look at such real life horrors as Vietnam, the rioting following the King assassination, the Kent State Massacre and the Kennedy Assassination.
The directors interviewed (Romero, Cronenberg, Carpenter, Hooper, Craven, etc) have some great stories to tell about their famous (and infamous) films, not only about how they were made, but also why, how they continue to inspire the current genre, what kind of an effect they had upon being released and how they reflect the times in which they were made.
This is a totally engrossing documentary from start to finish that was sometimes hard to watch but which also seemed much too short. I didn't want it to end! VERY well done and highly recommended for hardcore fans.
- Gafke
- 29 avr. 2004
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Détails
- Durée1 heure 13 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1