Un couple se cherche des années après la nuit où ils se sont rencontrés, sont tombés amoureux et se sont séparés, convaincus qu'un jour ils finiraient ensemble.Un couple se cherche des années après la nuit où ils se sont rencontrés, sont tombés amoureux et se sont séparés, convaincus qu'un jour ils finiraient ensemble.Un couple se cherche des années après la nuit où ils se sont rencontrés, sont tombés amoureux et se sont séparés, convaincus qu'un jour ils finiraient ensemble.
- Prix
- 3 nominations au total
Michael Guarino Jr.
- Customer At Bloomingdale's
- (as Michael Guarino)
Victor A. Young
- Mr. Buchanan
- (as Victor Young)
Histoire
Le saviez-vous
- AnecdotesJohn Cusack and Kate Beckinsale filmed only a few days together during the shoot, much like their characters saw each other only for a limited time.
- GaffesWhen Jonathan finds the receipt for the gloves, the receipt has a date in 1990, while he first met Sara in 1994.
- Autres versionsOn the DVD, there are a few deleted scenes:
- An alternate opening of how Jon and Sara meet.
- A scene where Sara asks Jon questions called she calls 'cubing'.
- Their first kiss.
- Jon and Dean talking about fate in the car while Eugene Levy's character is driving.
- Eve explaining how to use the Casanova candle.
- Sara going to see a psychic after she sees the "Cool Hand Luke" poster.
- Sara getting a phone call asking if her building sells cashmere gloves.
- Sara explaining to Eve how she feels about her fiance and a painting she once saw.
- Jon going home and looking out the window after he loses Sara.
- Bandes originalesCool Yule
Written by Steve Allen
Performed by Louis Armstrong
Courtesy of MCA Records
Under license from Universal Music Enterprises
[Played during the opening credits, the last scene and the end credits]
Commentaire en vedette
This charming romantic comedy has all the right ingredients and serves up a bouillabaisse of schmaltzy romance and slapstick fun. Jonathan (John Cusack) and Sara (Kate Beckinsale) meet in Bloomingdales when they both want to purchase the same pair of gloves. The attraction is instant and they spend a romantic evening cavorting around New York City together. At the end of the evening John wants to see her again, but Sara decides that if it is fate that they should be together, they will find each other again. She drives away in a cab and he never sees her again. Well, almost never.
Years go by and both of them are about to be married, but each still has this nagging feeling that the other was his/her one true love. Of course fate conspires to bring them back together (after about a dozen near misses) as they each simultaneously undertake one last attempt to find one another just before they get married to someone else.
The fate angle is plowed mercilessly, almost to the point of nausea, but the skits are funny and the chemistry between Cusack and Beckinsale is enchanting. Cusack is an expert at playing the tortured and neurotic lover, but here he is more haunted and forlorn than dysfunctional, and it plays much better than his previous two characters in `High Fidelity' and `America's Sweethearts'.
Kate Beckinsale rocketed from obscurity to prominence with her performance in `Pearl Harbor' and proves to be a wonderful romantic lead in this film. She is breezy and adorable and spins a delightful web around Jonathan and the viewer. The film also benefits from outstanding comedic support from Jeremy Piven as Jonathan's best friend and devoted Sara sleuth. Piven's zany comedy proves to be the perfect complement to Cusack's wry despondency. Eugene Levy is a scream as the eccentric Bloomingdales salesman, who blackmails Jonathan into buying half the store to give him information from Sara's charge account.
All in all, this is an entertaining comedy that is insubstantial but delectable. I tend to give romantic comedies a little more slack, because I'm a sucker for this slush, and this is one of the better ones I've seen in a while so I rated it a 9/10. This lighthearted romp makes a great date flick, but if serious drama is your preference stay away.
Years go by and both of them are about to be married, but each still has this nagging feeling that the other was his/her one true love. Of course fate conspires to bring them back together (after about a dozen near misses) as they each simultaneously undertake one last attempt to find one another just before they get married to someone else.
The fate angle is plowed mercilessly, almost to the point of nausea, but the skits are funny and the chemistry between Cusack and Beckinsale is enchanting. Cusack is an expert at playing the tortured and neurotic lover, but here he is more haunted and forlorn than dysfunctional, and it plays much better than his previous two characters in `High Fidelity' and `America's Sweethearts'.
Kate Beckinsale rocketed from obscurity to prominence with her performance in `Pearl Harbor' and proves to be a wonderful romantic lead in this film. She is breezy and adorable and spins a delightful web around Jonathan and the viewer. The film also benefits from outstanding comedic support from Jeremy Piven as Jonathan's best friend and devoted Sara sleuth. Piven's zany comedy proves to be the perfect complement to Cusack's wry despondency. Eugene Levy is a scream as the eccentric Bloomingdales salesman, who blackmails Jonathan into buying half the store to give him information from Sara's charge account.
All in all, this is an entertaining comedy that is insubstantial but delectable. I tend to give romantic comedies a little more slack, because I'm a sucker for this slush, and this is one of the better ones I've seen in a while so I rated it a 9/10. This lighthearted romp makes a great date flick, but if serious drama is your preference stay away.
- FlickJunkie-2
- 6 mai 2002
- Lien permanent
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- How long is Serendipity?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Serendipity
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 28 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 50 294 317 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 13 309 241 $ US
- 7 oct. 2001
- Brut – à l'échelle mondiale
- 77 516 304 $ US
- Durée1 heure 30 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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