Ajouter une intrigue dans votre langueDuring the holidays at a ski resort in Utah run by a Native American tribe, the overworked manager and a widowed woman from the big city overcome mistaken identities and intrusive guests in ... Tout lireDuring the holidays at a ski resort in Utah run by a Native American tribe, the overworked manager and a widowed woman from the big city overcome mistaken identities and intrusive guests in their pursuit of romance.During the holidays at a ski resort in Utah run by a Native American tribe, the overworked manager and a widowed woman from the big city overcome mistaken identities and intrusive guests in their pursuit of romance.
- Prix
- 3 victoires et 4 nominations au total
Histoire
Le saviez-vous
- AnecdotesMajestic Films is donating 100% of box office revenues for the month of November, 2005 to challenged California public schools.
- Citations
Ray Clouds on Fire: He's already dead, you know. You're just, reorganizing the remains.
Earl: I'm perpetuating the cycle.
Ray Clouds on Fire: Earl, you're a chef. Part of your job is cutting up and cooking dead animals.
Earl: They have dreams, you know. Just like us.
- Générique farfeluMouse Nutritionist - Graham Greene
- Bandes originalesThe Warrior
Written by Laura Satterfield, Monty Byrom (as Monty Byron), and Cynthia Dietrich
Performed by Walela: Rita Coolidge, Laura Satterfield, and Priscilla Coolidge
Published by Warner Chappell Music 66, Cindy Dietrich Publishing
Master License: Mitchell Markus at TriLoca Records
Set at a Utah resort that's Indian tribal owned and operated (as was the production of the film), with a majority Indian cast, the plot entanglements and eventual resolution in debut writer/director Kate Montgomery's film are pretty obvious from the first ten minutes, but how the colorful characters get there is fun.
The opening voice over narration is a bit awkward in setting up the situation for the mistaken identities, but the introduction of each eccentric character is quite entertaining. While the plot contrivance in romantic travails probably goes back further than Shakespeare, the dialog that keeps the mistakes going in double entendres is amusing (including her as a NY Mohawk "passing" as NY Italian by using her father's last name).
Amidst the funny running joke about romance novels' depiction of a "savage" lover, Timothy Vahle as "Ray Clouds on Fire" and Mariana Tosca as "Tina Little Hawk" are staggeringly gorgeous, but they each bring a wariness and neediness to their characters that has you rooting for them more than for the vicarious thrill of watching beautiful people kiss on screen. We rarely see in films educated off-the-rez professionals like them back home, having returned to their families for emotional personal reasons (it's inferred that his ex was non-Indian). The parent/child relationships throughout are much warmer than any we've seen before in the few Indian films.
There are jokes throughout on Indian stereotypes in image and language, and that's the term the characters use, not Native American. Here the alcoholic, alienated father is the white guy, M. Emmet Walsh, who is both comic and touching. But none of the whites are played for stereotypes (including a cute flirtation between a British guest and "Ray"s father, played by a solid Sam Vlahos). In another reverse, this may be Wes Studi's only comic performance, in a cameo as a guest bingo caller. Singer Rita Coolidge of the distinctive husky voice also has a brief cameo as "Tina"s mother. Graham Greene is very funny as a vegetarian chef with serious issues about his menu.
There is some contemporary Native American music on the soundtrack and lovely performances of translated Chrismas carols.
The tiny budget is obvious with some continuity errors and background shots with inconsistent snow/no snow, but the Utah scenery is lovely, and this is much more about the people up front than the details in the background.
What a shame that I was the only one in the theater in NYC, when a broad stereotyped ethnic romantic comedy like "Big Fat Greek Wedding" was a hit. While I would enjoy following these characters in a continued life in a sit com, this sweet little film could have an extended life as a holiday staple on cable, like on the Hallmark Channel.
- noralee
- 21 févr. 2006
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Рождество в облаках
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 279 225 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 54 920 $ US
- 6 nov. 2005
- Brut – à l'échelle mondiale
- 279 225 $ US