L'infirmier Greg Focker rencontre les parents de sa petite amie avant de la demander en mariage, mais le père se méfie de lui et lui en fait voir de toutes les couleurs.L'infirmier Greg Focker rencontre les parents de sa petite amie avant de la demander en mariage, mais le père se méfie de lui et lui en fait voir de toutes les couleurs.L'infirmier Greg Focker rencontre les parents de sa petite amie avant de la demander en mariage, mais le père se méfie de lui et lui en fait voir de toutes les couleurs.
- Nommé pour 1 oscar
- 7 victoires et 15 nominations au total
Tom McCarthy
- Bob Banks
- (as Thomas McCarthy, Tom McCarthy)
Histoire
Le saviez-vous
- AnecdotesRobert De Niro wanted "Mr. Jinx" to appear in more scenes than he was supposed to because De Niro liked the cat so much. Apparently, De Niro would also play with the cat between filming scenes.
- GaffesWhen Greg is at the drug store counter he asks if they have any nicotine patches. He is told that they don't but that they do have the gum. When the store associate takes the gum off the shelf, it is next to boxes of Nicorette patches.
- Citations
Dina Byrnes: I had no idea you could milk a cat!
Greg Focker: Oh yeah, you can milk anything with nipples.
Jack Byrnes: [He reacts] I have nipples, Greg, could you milk me?
- Générique farfeluDuring the opening logos, the singers in the theme music are lyrically commenting "Look at the light coming out of the earth" during the Universal logo, and "Look at the boy sitting on the moon" during the Dreamworks logo.
- Autres versionsIn the version that airs on Freeform, the scene near the end in which Greg gets into an argument with the airline stewardess and his subsequent interrogation by an airline official removes all references to the fact that Greg mentioned the word "bomb" on the airplane.
- ConnexionsEdited into Meet the Parents: Deleted Scenes (2001)
- Bandes originalesA Fool in Love
Music and Lyrics by Randy Newman
Opening Title Performed by Randy Newman
End Title Duet Performed by Randy Newman and Susanna Hoffs and Produced by Mitchell Froom
Randy Newman appears courtesy of DreamWorks Records
Commentaire en vedette
Funny as well as touching, `Meet the Parents' blazes forth as one of the outstanding comedies of recent years.
Co-writers Greg Glienna and Mary Ruth Clarke, along with director Jay Roach, have managed to make a film that is often laugh-out-loud hilarious without ever becoming overbearing or obnoxious, the style of choice for far too many other comedies made in this day and age. Although the film overflows with madcap situations and even outright slapstick at times, these comic elements are always tethered to the reality of the premise and to the emotional states of the characters involved.
The foundation for any great comedy must, first and foremost, be its ability to connect with its audience on a personal level. `Meet the Parents' does so from the very start by tapping into the universal dilemma we all face at one time or another of desperately trying to make a good impression on someone we feel holds nothing less than the fate of our lives in their own two hands. For some of us this person might come in the form a boss or a potential employer or, as in poor Greg Focker's case, those most dreaded figures of all the prospective in-laws. The comedy arises from seeing the chain of ever more preposterous events and circumstances that come along to sabotage his efforts. Greg is a goodhearted, well-meaning nebbish who wants nothing more out of life than to marry Pam, the girl he loves. First, however, he must climb over the rather formidable barrier of her eccentric father, Jack Byrnes, played to perfection by Robert De Niro, who certainly has his own offbeat way of looking at the world.
The triumph of this film is that it never overdoes anything. The people in Pam's family and in their coterie of friends are all twisted it's true, but twisted in sly, subtle ways that knock both Greg and us slightly off our balance. Like Greg, we never quite know where these people are coming from and this greatly enhances the comedic quality of the film. Tone is everything in comedy and here the tone is just right. Byrnes can seem at one moment to be a reasonable loving father, then turn immediately around and make the most unbalanced comments about the most trivial matters. Even when the movie is at its most outrageous in terms of plot complications and slapstick, it never veers off the scale into incredibility. Part of the reason is that we feel so much empathy for Greg, the best Everyman character I have seen in a movie in a long time. Ben Stiller gives a beautifully understated comic performance in the main role. Greg's completely understandable feelings of nervousness, intimidation and growing frustration help to keep the film anchored in reality, even as the story threatens to spiral off into undisciplined absurdity. Luckily, the filmmakers never let this happen. They are also blessed with the genius of Mr. De Niro, who never makes a false move as the seemingly crazy ex-CIA agent who may or may not be harboring a few secrets of his own. Above all, De Niro never lets us bank on the extent of his character's eccentricity, which brilliantly enhances this `weekend from hell' scenario. For crazy and maddening as he can be at times, we can't help loving this character.
Finally, unlike in many other romantic dramas and comedies, the relationship between the young couple in this film is both believable and touching. Greg and Pam are so likable - and the odds against them seem so staggering - that we find ourselves rooting them on from first moment to last. Their moments together are genuinely touching at times, particularly in the film's closing stretches.
Kudos go out to everyone involved for making `Meet the Parents' one of the slyest, wittiest and flat-out funniest movies to come our way in a long, long time.
Co-writers Greg Glienna and Mary Ruth Clarke, along with director Jay Roach, have managed to make a film that is often laugh-out-loud hilarious without ever becoming overbearing or obnoxious, the style of choice for far too many other comedies made in this day and age. Although the film overflows with madcap situations and even outright slapstick at times, these comic elements are always tethered to the reality of the premise and to the emotional states of the characters involved.
The foundation for any great comedy must, first and foremost, be its ability to connect with its audience on a personal level. `Meet the Parents' does so from the very start by tapping into the universal dilemma we all face at one time or another of desperately trying to make a good impression on someone we feel holds nothing less than the fate of our lives in their own two hands. For some of us this person might come in the form a boss or a potential employer or, as in poor Greg Focker's case, those most dreaded figures of all the prospective in-laws. The comedy arises from seeing the chain of ever more preposterous events and circumstances that come along to sabotage his efforts. Greg is a goodhearted, well-meaning nebbish who wants nothing more out of life than to marry Pam, the girl he loves. First, however, he must climb over the rather formidable barrier of her eccentric father, Jack Byrnes, played to perfection by Robert De Niro, who certainly has his own offbeat way of looking at the world.
The triumph of this film is that it never overdoes anything. The people in Pam's family and in their coterie of friends are all twisted it's true, but twisted in sly, subtle ways that knock both Greg and us slightly off our balance. Like Greg, we never quite know where these people are coming from and this greatly enhances the comedic quality of the film. Tone is everything in comedy and here the tone is just right. Byrnes can seem at one moment to be a reasonable loving father, then turn immediately around and make the most unbalanced comments about the most trivial matters. Even when the movie is at its most outrageous in terms of plot complications and slapstick, it never veers off the scale into incredibility. Part of the reason is that we feel so much empathy for Greg, the best Everyman character I have seen in a movie in a long time. Ben Stiller gives a beautifully understated comic performance in the main role. Greg's completely understandable feelings of nervousness, intimidation and growing frustration help to keep the film anchored in reality, even as the story threatens to spiral off into undisciplined absurdity. Luckily, the filmmakers never let this happen. They are also blessed with the genius of Mr. De Niro, who never makes a false move as the seemingly crazy ex-CIA agent who may or may not be harboring a few secrets of his own. Above all, De Niro never lets us bank on the extent of his character's eccentricity, which brilliantly enhances this `weekend from hell' scenario. For crazy and maddening as he can be at times, we can't help loving this character.
Finally, unlike in many other romantic dramas and comedies, the relationship between the young couple in this film is both believable and touching. Greg and Pam are so likable - and the odds against them seem so staggering - that we find ourselves rooting them on from first moment to last. Their moments together are genuinely touching at times, particularly in the film's closing stretches.
Kudos go out to everyone involved for making `Meet the Parents' one of the slyest, wittiest and flat-out funniest movies to come our way in a long, long time.
- Buddy-51
- 18 août 2001
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Meet the Parents
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 55 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 166 244 045 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 28 623 300 $ US
- 8 oct. 2000
- Brut – à l'échelle mondiale
- 330 444 045 $ US
- Durée1 heure 48 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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