Ajouter une intrigue dans votre langueA false accusation leads the philosopher Socrates to trial and condemnation in 4th century BC Athens.A false accusation leads the philosopher Socrates to trial and condemnation in 4th century BC Athens.A false accusation leads the philosopher Socrates to trial and condemnation in 4th century BC Athens.
Photos
Anne Caprile
- Santippe
- (as Anna Caprile)
Giuseppe Mannajuolo
- Apollodoro
- (as Bepy Mannaiuolo)
Antonio Alfonso
- Eutifrone
- (uncredited)
Iván Almagro
- Ermogene
- (uncredited)
Román Ariznavarreta
- Calicle
- (uncredited)
Simón Arriaga
- Servitore della cicuta
- (uncredited)
Bernardo Ballester
- Teofrasto
- (uncredited)
Ángel Blanco
- Efigene
- (uncredited)
César Bonet
- Prete
- (uncredited)
Roberto Cruz
- Un vecchio
- (uncredited)
Jean-Dominique de la Rochefoucauld
- Fedro
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesRoberto Rossellini reconstructed Athens with the use of a mirror/prism, with the Schufftan effect (Metropolis). He also used the Pacino telephoto lens, remote controlled and it had a monitor, so he could control, view and create very intense long shots.
- ConnexionsFeatured in Roberto Rossellini: Il mestiere di uomo (1997)
Commentaire en vedette
THIS is a masterpiece. JEAN SILVERE was a revelation. Also, ANNE CAPRILE, his wife, was superbly wrought. So perfect was SILVÈRE's portrayal, that for me, he became SOCRATES.
I was wary, however, in the beginning, because the conversations went by so quickly. But now I understand what was going on and, as the story progressed, I became absolutely engrossed in this great, tragic story of one of history's great martyrs of truth.
I was moved, and I am not ashamed to say, literally to tears, during the last somber scene. I must now praise ROSSELLINI's direction. It gave me a more solid understanding of those times.
Also, the serious and unobtrusive musical score, which pulsated on had a drone-like quality which disappointed me at first, but again, as the story progressed, I understood why it was composed in this manner. It gave this work of art, the final touch of perfection.
This needs to be seen by a wider audience. I hope it will, in time, be required viewing in all the halls of education, everywhere.
I shall never forget it.
I was wary, however, in the beginning, because the conversations went by so quickly. But now I understand what was going on and, as the story progressed, I became absolutely engrossed in this great, tragic story of one of history's great martyrs of truth.
I was moved, and I am not ashamed to say, literally to tears, during the last somber scene. I must now praise ROSSELLINI's direction. It gave me a more solid understanding of those times.
Also, the serious and unobtrusive musical score, which pulsated on had a drone-like quality which disappointed me at first, but again, as the story progressed, I understood why it was composed in this manner. It gave this work of art, the final touch of perfection.
This needs to be seen by a wider audience. I hope it will, in time, be required viewing in all the halls of education, everywhere.
I shall never forget it.
- Enrique-Sanchez-56
- 23 sept. 2017
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