Un chinois se rend dans le Far West pour essayer de retrouver une princesse qui a été enlevée. Après s'être associé à un voleur de train, le duo improbable affronte un traitre chinois et son... Tout lireUn chinois se rend dans le Far West pour essayer de retrouver une princesse qui a été enlevée. Après s'être associé à un voleur de train, le duo improbable affronte un traitre chinois et son patron corrompu.Un chinois se rend dans le Far West pour essayer de retrouver une princesse qui a été enlevée. Après s'être associé à un voleur de train, le duo improbable affronte un traitre chinois et son patron corrompu.
- Prix
- 1 victoire et 7 nominations au total
- Imperial Guard
- (as Rong Guang Yu)
- Imperial Guard
- (as Cui Ya Hi)
- Imperial Guard
- (as Eric Chi Cheng Chen)
- Blue
- (as P. Adrien Dorval)
- Sioux Chief
- (as Russel Badger)
Histoire
Le saviez-vous
- AnecdotesAccording to the commentary: the fight scene with the horseshoe was nearly impossible to do with a fake horseshoe, as it was too light. Jackie Chan, however, refused to strike any of the stuntmen with a real horseshoe, saying it was too dangerous.
- GaffesIf Chon Wang is an Imperial Guard, then that means that PeiPei is an imperial princess (i.e. Emperor's daughter). In the movie, the guards all call her "Gong Zhu", but that refers to a king's daughter. An imperial princess is supposed to be called a "Ge Ge."
- Citations
Roy O'Bannon: Ooooh... who's the pretty lady?
Chon Wang: That's my wife!
Roy O'Bannon: How long you been in this country?
Chon Wang: Four days.
Roy O'Bannon: Nice work.
- Générique farfeluOuttakes from the filming of the movie.
- Autres versionsIn the US television version, the subtitled line "This is some pretty powerful shit" has been changed to "This is some pretty powerful herb".
This is essentially a mismatched buddy movie transferred to the American West and in that respect it is not exact an original plot, there aren't any great twists to grab you and a lot of the plot drivers are forced or predictable. However let's be honest - we're not hear for the plot! As with the Rush Hour movies, the plot is secondary to the comedy and the fight scenes. Here Owen Wilson provides the comedy as the laid back train robber while Jackie Chan provides the action and the comedy. The strength here is that this is a little unassuming film that will take you by surprise. The chemistry between Wilson and Chan is effortless and is as comfortable as the Chan/Tucker combo. Wilson's character is hilarious in a very easy way - he is clearly so out of place in the West and partially accepts it but also wants to be more than he is, as one of the bad guys put it "you're terrible. How have it made it this long?"
Chan again shows that he is the closest we have to a modern day Chaplin, he is as good at interacting with Wilson as he is with the physical comedy that is his trademark. One complaint is that, as with Rush Hour, we could probably have done with a few more fight scenes. However the comedy more than fills any voids that are between fights.
Other cast members are little more than excuses for the action. Roger Yuan and Xander Berkeley provide good baddies (Berkeley especially) but Lucy Liu is almost in her own little 'serious' movie and doesn't have much to do except be rescued (although she does show some of her "Charlie's Angels" potential in a fight scene towards the end).
Overall a gentle enjoyable comedy that is made all the more enjoyable by the ease by which it succeeds at making you laugh. Chan's fights are a little less impressive than other films but he excels in the comedy stakes. One very good thing is the customary outtakes at the end - unlike Rush Hour 2 they are NOT funnier than the rest of the film.
- bob the moo
- 28 oct. 2001
- Lien permanent
Meilleurs choix
- How long is Shanghai Noon?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Shanghai Noon
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 55 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 56 937 502 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 15 607 034 $ US
- 28 mai 2000
- Brut – à l'échelle mondiale
- 99 274 467 $ US
- Durée1 heure 50 minutes
- Mixage
- Rapport de forme
- 2.39 : 1
- 2.35 : 1