ÉVALUATION IMDb
6,3/10
4,5 k
MA NOTE
Désabusée par un mariage raté, à l'approche de la cinquantaine Angèle consomme un peu n'importe comment des hommes qu'elle lève dans des bars ; chair triste, mal d'amour et mal de vivre, sur... Tout lireDésabusée par un mariage raté, à l'approche de la cinquantaine Angèle consomme un peu n'importe comment des hommes qu'elle lève dans des bars ; chair triste, mal d'amour et mal de vivre, surtout ne pas se laisser blesser encore, ne pas espérer de l'autre. [255]Désabusée par un mariage raté, à l'approche de la cinquantaine Angèle consomme un peu n'importe comment des hommes qu'elle lève dans des bars ; chair triste, mal d'amour et mal de vivre, surtout ne pas se laisser blesser encore, ne pas espérer de l'autre. [255]
- Prix
- 8 victoires et 3 nominations au total
Hélène Fillières
- La fiancée d'Antoine
- (as Hélène Filières)
Histoire
Le saviez-vous
- AnecdotesRemains as of 2020 the only film directed by a woman to have won a César Award for Best Director (the French equivalent of an Oscar).
- GaffesHélène Fillières is correctly credited in the opening titles but mistakenly listed in the end credits as "Hélène Filières"
- Générique farfeluHélène Fillières is correctly credited in the opening titles but mistakenly listed in the end credits as "Hélène Filières"
- ConnexionsFollowed by Vénus & Apollon (2005)
- Bandes originalesNuit de Noël
Written by l'abbé Zurfluh
Performed by Camille Maurane (baritone), Marie-Claire Alain (organ) with Les Petits Chanteurs de Saint Laurent
(Edition Erato Disques S.A.)
Commentaire en vedette
This story revolves around the employees of a beauty shop in Paris. It's not quite an ensemble piece because there is a main character.
Nathalie Baye plays a 40-year-old woman, Angèle, who is going from one fling to another. Angèle doesn't believe in love anymore. She thinks it only brings pain and that love is a form of slavery. She's a very attractive woman but looks sad all the time and her friends notice.
Audrey Tautou plays Marie, another worker at the salon, and she's a plain country girl who starts having an affair with a much older man. Mathilde Seigner plays Samantha, who is tough on the outside and has lots of boyfriends, but is hurting inside (she tries to kill herself on Christmas Eve).
But Angèle is the focus of this film. We see her sitting with a man in a train station cafe at the beginning of the film, confident that he's enamored with her, but he brushes her aside, saying it was just an affair, and walks away. Then Madame Nadine, the beauty shop owner, tells her she needs to fix her appearance and apply more makeup, which only adds to her depression.
Along comes Antoine, a much younger man, who saw the spat at the train station and who follows Angèle back to where she works. He approaches her and professes his love for her, really his obsession for her. Angèle isn't interested in a relationship and Antoine isn't interested in casual sex, so things don't look good for the pair. But as the story progresses, she opens up to him and by the end they're both in love with each other.
I would have liked the film more than I did if the character of Antoine had been different. He's got a good physique and is much younger than Angèle, so I can see why she'd be attracted to him, and she's a good-looking woman, so I can see him being attracted to her, but as two people, I didn't really see the chemistry between them. Antoine seemed a bit too immature to make this romance seem true. But he is open and tender, and Angèle is vulnerable and needs some extra care, so maybe that's the key.
Anyway, the characters were all interesting and the acting well-done. There was a tender poignancy in the relationships between the people in the beauty shop and their customers, as well as some pretty funny scenes, and the film explores some adult themes about the nature of love and relationships, so I would definitely recommend this one even if it might have been better.
Nathalie Baye plays a 40-year-old woman, Angèle, who is going from one fling to another. Angèle doesn't believe in love anymore. She thinks it only brings pain and that love is a form of slavery. She's a very attractive woman but looks sad all the time and her friends notice.
Audrey Tautou plays Marie, another worker at the salon, and she's a plain country girl who starts having an affair with a much older man. Mathilde Seigner plays Samantha, who is tough on the outside and has lots of boyfriends, but is hurting inside (she tries to kill herself on Christmas Eve).
But Angèle is the focus of this film. We see her sitting with a man in a train station cafe at the beginning of the film, confident that he's enamored with her, but he brushes her aside, saying it was just an affair, and walks away. Then Madame Nadine, the beauty shop owner, tells her she needs to fix her appearance and apply more makeup, which only adds to her depression.
Along comes Antoine, a much younger man, who saw the spat at the train station and who follows Angèle back to where she works. He approaches her and professes his love for her, really his obsession for her. Angèle isn't interested in a relationship and Antoine isn't interested in casual sex, so things don't look good for the pair. But as the story progresses, she opens up to him and by the end they're both in love with each other.
I would have liked the film more than I did if the character of Antoine had been different. He's got a good physique and is much younger than Angèle, so I can see why she'd be attracted to him, and she's a good-looking woman, so I can see him being attracted to her, but as two people, I didn't really see the chemistry between them. Antoine seemed a bit too immature to make this romance seem true. But he is open and tender, and Angèle is vulnerable and needs some extra care, so maybe that's the key.
Anyway, the characters were all interesting and the acting well-done. There was a tender poignancy in the relationships between the people in the beauty shop and their customers, as well as some pretty funny scenes, and the film explores some adult themes about the nature of love and relationships, so I would definitely recommend this one even if it might have been better.
- senortuffy
- 25 oct. 2003
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Venus Beauty Institute
- Lieux de tournage
- Rue de Patay, Paris 13, Paris, France(beauty salon standing at the east corner with Rue de Domrémy)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 850 000 € (estimation)
- Brut – États-Unis et Canada
- 465 080 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 32 150 $ US
- 29 oct. 2000
- Brut – à l'échelle mondiale
- 495 870 $ US
- Durée1 heure 45 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Vénus beauté (institut) (1999) officially released in Canada in English?
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