ÉVALUATION IMDb
5,3/10
1,7 k
MA NOTE
Ajouter une intrigue dans votre langueAlice visits the magical kingdom on the other side of the looking glass.Alice visits the magical kingdom on the other side of the looking glass.Alice visits the magical kingdom on the other side of the looking glass.
- Nominé pour le prix 1 BAFTA Award
- 1 nomination au total
Louise Taylor-Smith
- Tiger Lily
- (as Louise J. Taylor)
Paulette P. Williams
- Daisy #1
- (as Paulette Williams)
Tania Luternauer
- Daisy #2
- (as Tanya Luternauer)
Siân Phillips
- Red Queen
- (as Sian Phillips)
Histoire
Le saviez-vous
- AnecdotesKate Beckinsale was pregnant with daughter Lily Mo Sheen while making this movie.
Commentaire en vedette
Without infringing on the IMDb guidelines, can I just suggest that this film is a disappointing visualisation of the greatest book ever written? Lewis Carroll's masterpiece is too mercurial to depict - taken out of its literary context, its ideas, incidents and characters simply don't make sense. Its humour and traumas are literary and philosophical. The filmmakers fail to adapt forms, instead relying on swathes of dialogue.
Different film styles are used to try and disrupt normality, a la Carroll, but the incoherent script, uncertain acting and muffled diction only grate. There is no sense of narrative momentum (even if only to be subverted), and targets are missed because it is unclear what they are. Changing the book's view from that of a child to a woman renders the whole exercise redundant. Graver still is the unwillingness to trust the audience - the dream/reality ambiguity, crucial to the book's meaning, is too clearcut. The colours and set design can be extremely beautiful though.
Different film styles are used to try and disrupt normality, a la Carroll, but the incoherent script, uncertain acting and muffled diction only grate. There is no sense of narrative momentum (even if only to be subverted), and targets are missed because it is unclear what they are. Changing the book's view from that of a child to a woman renders the whole exercise redundant. Graver still is the unwillingness to trust the audience - the dream/reality ambiguity, crucial to the book's meaning, is too clearcut. The colours and set design can be extremely beautiful though.
- alice liddell
- 25 janv. 2000
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By what name was Alice Through the Looking Glass (1998) officially released in Canada in English?
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