ÉVALUATION IMDb
6,6/10
89 k
MA NOTE
Un sous-marin allemand est abordé par des sous-mariniers américains déguisés qui tentent de capturer leur machine à chiffrer Enigma.Un sous-marin allemand est abordé par des sous-mariniers américains déguisés qui tentent de capturer leur machine à chiffrer Enigma.Un sous-marin allemand est abordé par des sous-mariniers américains déguisés qui tentent de capturer leur machine à chiffrer Enigma.
- A remporté 1 oscar
- 4 victoires et 10 nominations au total
Terrence 'T.C.' Carson
- Eddie
- (as T.C. Carson)
Histoire
Le saviez-vous
- AnecdotesThe caption before the end credits, detailing the fact that the Royal Navy captured the first Enigma machine, was only added after an outcry in Britain, where it was believed that Hollywood was trying to claim the credit for the Americans (whose forces captured no German Naval Enigma material until 1944).
- GaffesAt the beginning of the movie when the U-571 is under depth charge attack from the British destroyer, the order is given to surface the sub due to damage. When they surface, the Captain reports "All clear!" and orders lookouts to the bridge. What happened to the British destroyer that was just attacking them? It should have still been nearby and would have seen them surface.
- Citations
Chief Klough: You're the skipper now. And the skipper always knows what to do whether he does or not.
- Autres versionsAt least one version of the theatrical release contained no subtitles for the opening scene aboard the German submarine. This was possibly to increase dramatic effect, placing emphasis on the acting and visuals rather than the dialogue.
- ConnexionsEdited into In Enemy Hands (2004)
- Bandes originalesLover, Come Back to Me
Written by Sigmund Romberg, Oscar Hammerstein II
(performed at the wedding reception while Dahlgreen is talking to Tyler)
Commentaire en vedette
I saw U-571 last Friday.
I loved every second of it. Throughout the movie, I don't know who's knuckles were whiter; mine clutching the theatre seat, or the actors who grabbed whatever they could while being depth-charged.
This movie was pure non-stop action, from beginning to end. You are there, really there, experiencing the gripping fear of submarine warfare.
I believe that was the intention of the movie and if so, accomplished that superbly. I think the acting, camera work, and sound was excellent.
Now, regarding other issues.
The movie is NOT historical; it is fictional. It is based (loosely) on history (history being that there once were German and Allied submarines that fought in a war known as World War II, and that there was a German code machine the Allies called the "enigma").
Not only is it not historical regarding the event (the capturing of U-571 and the enigma code machine by Americans) but in many other areas such as what submarines of that era and their weapons could and could not do (such as dogfighting underwater with torpedo's).
Don't look for character development either. There isn't much. It's more like the first 1/2 hour of "Saving Private Ryan" (the landing on the beach episode ) throughout the length of the movie.
Thankfully, in my opinion of what a "war" movie should be, it was not muddled up with "love" scenes or anything stupid and mushy like most are. And also, thankfully, there wasn't "angel music" playing all the time. The second "trailer" was misleading in that it showed a ball-room dance, leading the viewer to believe there was some "love" interests, and played angel music, of which there was neither in the movie. It was just man-to-man combat and basic survival.
I hope everyone who sees it will enjoy it for what it is and not concentrate on, or blame it for what it isn't.
Enough analyzing -- Go see it! I suggest choosing a modern theatre with a big-screen and digital sound system.
Salut!
JG2"FireCat!
I loved every second of it. Throughout the movie, I don't know who's knuckles were whiter; mine clutching the theatre seat, or the actors who grabbed whatever they could while being depth-charged.
This movie was pure non-stop action, from beginning to end. You are there, really there, experiencing the gripping fear of submarine warfare.
I believe that was the intention of the movie and if so, accomplished that superbly. I think the acting, camera work, and sound was excellent.
Now, regarding other issues.
The movie is NOT historical; it is fictional. It is based (loosely) on history (history being that there once were German and Allied submarines that fought in a war known as World War II, and that there was a German code machine the Allies called the "enigma").
Not only is it not historical regarding the event (the capturing of U-571 and the enigma code machine by Americans) but in many other areas such as what submarines of that era and their weapons could and could not do (such as dogfighting underwater with torpedo's).
Don't look for character development either. There isn't much. It's more like the first 1/2 hour of "Saving Private Ryan" (the landing on the beach episode ) throughout the length of the movie.
Thankfully, in my opinion of what a "war" movie should be, it was not muddled up with "love" scenes or anything stupid and mushy like most are. And also, thankfully, there wasn't "angel music" playing all the time. The second "trailer" was misleading in that it showed a ball-room dance, leading the viewer to believe there was some "love" interests, and played angel music, of which there was neither in the movie. It was just man-to-man combat and basic survival.
I hope everyone who sees it will enjoy it for what it is and not concentrate on, or blame it for what it isn't.
Enough analyzing -- Go see it! I suggest choosing a modern theatre with a big-screen and digital sound system.
Salut!
JG2"FireCat!
- jg2firecat
- 22 avr. 2000
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- U-571: La batalla del Atlántico
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 62 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 77 122 415 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 19 553 310 $ US
- 23 avr. 2000
- Brut – à l'échelle mondiale
- 127 666 415 $ US
- Durée1 heure 56 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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