Rob, propriétaire d'un magasin de disques écrit des listes sur tout, il raconte ses cinq principales ruptures, dont celle en cours.Rob, propriétaire d'un magasin de disques écrit des listes sur tout, il raconte ses cinq principales ruptures, dont celle en cours.Rob, propriétaire d'un magasin de disques écrit des listes sur tout, il raconte ses cinq principales ruptures, dont celle en cours.
- Nominé pour le prix 1 BAFTA Award
- 3 victoires et 22 nominations au total
Histoire
Le saviez-vous
- AnecdotesJohn Cusack and the screenwriters wrote the script with Jack Black in mind for the role of Barry. He nearly turned the role down, but reconsidered.
- Gaffes"Janie Jones" by The Clash is listed as a "side one, track one." While it is indeed the first track on The Clash's British debut album, and the book was set in England, the film was moved to the USA, where the album started with "Clash City Rockers." But as record geeks, they would have been familiar with the British album as well, and could well have regarded it as the true debut album.
- Citations
[first lines]
Rob: What came first, the music or the misery? People worry about kids playing with guns, or watching violent videos, that some sort of culture of violence will take them over. Nobody worries about kids listening to thousands, literally thousands of songs about heartbreak, rejection, pain, misery and loss. Did I listen to pop music because I was miserable? Or was I miserable because I listened to pop music?
- Générique farfeluCatherine Zeta Jones is only credited in the final cast list and not in main credits
- Autres versionsBeverly D'Angelo appears as a woman attempting to sell her husband's vintage record collection to John Cusack's character. The scene was deleted but included with several others on the DVD release.
- ConnexionsFeatured in Siskel & Ebert & the Movies: The Early Line: The Academy Awards (2000)
- Bandes originalesYou're Gonna Miss Me
Written by Roky Erickson
Performed by 13th Floor Elevators (as The Thirteenth Floor Elevators)
Courtesy of Charly Licensing APS
By Arrangement with Celebrity Licensing Inc.
Personally, I think John Cusack's character is one of the most engaging in the comedy genre of the last decade. This is the kind of character I like: simple and complex at the same time, just like in real life. Somebody likable but annoying at times. Again, I feel a deep personal connection with him, and I understand him every time, even when he acts stupid.
But he is not alone. The rest of the cast is terrific.
Anyway, don't forget this is a comedy. You will laugh your ass off with some situations and dialogue. Hilarity comes from many different sources: you've got black humor, silly humor, complex (people would say "intelligent", but I despise the term) humor... Special mention goes to Tim Robbins paying a visit to the record store. Genius.
On a very personal level, I think there's a magnificent scene that sums up the heart and the brains of this movie. John Cusack talks to the camera (something that happens often) instructing the audience on how to make a perfect music compilation for your loved one. If you like that concept, the movie will grab you and won't let you go. If that idea doesn't sound seductive to you, you might just have a good time. If you are a rock music devotee, this flick is heaven.
RATING: 9.0
- Patuquitos
- 8 oct. 2005
- Lien permanent
Meilleurs choix
- How long is High Fidelity?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- High Fidelity
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 27 287 137 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 6 429 107 $ US
- 2 avr. 2000
- Brut – à l'échelle mondiale
- 47 126 295 $ US
- Durée1 heure 53 minutes
- Mixage
- Rapport de forme
- 1.85 : 1