Female Athletes (1980) is an unapologetic and unabashedly explicit foray into the world of adult cinema. Directed by the infamous Leonard Kirtman, this film is a testament to his controversial reputation and unyielding focus on sex. With a 4/10 rating, it stands as Kirtman's best work, offering a glimpse into the seedy underbelly of the adult industry through the lens of his distinctive style.
The film follows the rise of an editor for a sports magazine, played by porn star Annette Haven. The opening 30 minutes serve as a showcase for Haven's character, featuring sensual encounters with prominent names in the industry, including Paul Thomas, Desiree Cousteau, and John C. Holmes. These encounters are not merely gratuitous but are structured and well-executed, providing a glimpse of Kirtman's ability to helm sharp and impactful scenes.
However, it is in the remaining runtime that Kirtman's penchant for piling up pretty girls and unabashed attention-grabbing tactics truly comes to the fore. The film delves into tales of sexual escapades in various settings, from a martial arts studio to a swimming pool and even Thomas' personal orgy. The cast delivers decent performances, but it is the explicit sex scenes that take center stage, with Kirtman ensuring they are front and center.
While Kirtman may not be lauded as a masterful filmmaker, he understands his audience. His single-minded approach to erotica, stripping away any niceties or embellishments, has garnered a fanbase. This film, in particular, stands as a testament to his ability to deliver what his audience craves.
Despite its focus on adult content, Female Athletes offers a glimpse into the seedy and often controversial world of its director. Kirtman's reputation precedes him, with stories of his involvement in the horror stories of '70s skin flick starlets. This film, therefore, becomes an intriguing insight into a figure that is universally despised yet undeniably talented in delivering content that resonates with his audience.
In conclusion, Female Athletes is a skin-deep yet captivating journey into the explicit. It stands as a testament to Kirtman's ability to deliver what his audience desires, unapologetically presenting sex as the driving force of his films. While it may not be a masterpiece of cinematography, it certainly leaves its mark, much like the controversial director himself.
Stand-out scenes include the opening 30 minutes, showcasing Haven's rise with well-structured and sensual encounters, and the orgy scene, which is an unapologetic display of Kirtman's signature style.
