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Carrington

  • 1995
  • 14+
  • 2h 1m
ÉVALUATION IMDb
6,8/10
5,9 k
MA NOTE
Jonathan Pryce and Emma Thompson in Carrington (1995)
Home Video Trailer from MGM Home Entertainment
Liretrailer0 min 31 s
1 vidéo
18 photos
Period DramaBiographyDramaRomance

Ajouter une intrigue dans votre langueThe platonic relationship between artist Dora Carrington and writer Lytton Strachey in the early twentieth century.The platonic relationship between artist Dora Carrington and writer Lytton Strachey in the early twentieth century.The platonic relationship between artist Dora Carrington and writer Lytton Strachey in the early twentieth century.

  • Director
    • Christopher Hampton
  • Writers
    • Christopher Hampton
    • Michael Holroyd
  • Stars
    • Emma Thompson
    • Jonathan Pryce
    • Steven Waddington
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,8/10
    5,9 k
    MA NOTE
    • Director
      • Christopher Hampton
    • Writers
      • Christopher Hampton
      • Michael Holroyd
    • Stars
      • Emma Thompson
      • Jonathan Pryce
      • Steven Waddington
    • 60Commentaires d'utilisateurs
    • 21Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
    • Nominé pour le prix 2 BAFTA Awards
      • 7 victoires et 9 nominations au total

    Vidéos1

    Carrington
    Trailer 0:31
    Carrington

    Photos18

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    Rôles principaux25

    Modifier
    Emma Thompson
    Emma Thompson
    • Dora Carrington
    Jonathan Pryce
    Jonathan Pryce
    • Lytton Strachey
    Steven Waddington
    Steven Waddington
    • Ralph Partridge
    Samuel West
    Samuel West
    • Gerald Brenan
    Rufus Sewell
    Rufus Sewell
    • Mark Gertler
    Penelope Wilton
    Penelope Wilton
    • Lady Ottoline Morrell
    Janet McTeer
    Janet McTeer
    • Vanessa Bell
    Peter Blythe
    Peter Blythe
    • Phillip Morrell
    Jeremy Northam
    Jeremy Northam
    • Beacus Penrose
    Alex Kingston
    Alex Kingston
    • Frances Partridge
    Sebastian Harcombe
    • Roger Senhouse
    Richard Clifford
    Richard Clifford
    • Clive Bell
    David Ryall
    David Ryall
    • Mayor
    Stephen Boxer
    Stephen Boxer
    • Military Rep
    Annabel Mullion
    Annabel Mullion
    • Mary Hutchinson
    Gary Turner
    • Duncan Grant
    Georgiana Dacombe
    • Marjorie Gertler
    Helen Blatch
    • Nurse
    • Director
      • Christopher Hampton
    • Writers
      • Christopher Hampton
      • Michael Holroyd
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Histoire

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    Le saviez-vous

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    • Anecdotes
      During the press tour for the movie, Dame Emma Thompson told reporters how she enjoyed doing nude scenes, particularly since she was not a standard Hollywood "hard-body".
    • Citations

      Dora Carrington: [voice-over, a letter] My dearest Lytton, There is a great deal to say, and I feel very incompetent to write it today. You see, I knew there was nothing really to hope for from you, well, ever since the beginning. All these years, I have known all along that my life with you was limited. Lytton, you're the only person who I ever had an all-absorbing passion for. I shall never have another. I couldn't, now. I had one of the most self-abasing loves that a person can have. It's too much of a strain to be quite alone here, waiting to see you, or craning my nose and eyes out of the top window at 44, Gordon Square to see if you were coming down the street. Ralph said you were nervous lest I'd feel I have some sort of claim on you, and that all your friends wondered how you could have stood me so long, as I didn't understand a word of literature. That was wrong. For nobody, I think, could have loved the Ballards, Donne, and Macaulay's Essays and, best of all, Lytton's Essays, as much as I. You never knew, or never will know, the very big and devastating love I had for you. How I adored every hair, every curl of your beard. Just thinking of you now makes me cry so I can't see this paper. Once you said to me - that Wednesday afternoon in the sitting room - you loved me as a friend. Could you tell it to me again. Yours, Carrington.

      Lytton Strachey: [voice-over, his written reply] My dearest and best, Do you know how difficult I find it to express my feelings, either in letters or talk ? Do you really want me to tell you that I love you as a friend ? But of course that is absurd. And you do know very well that I love you as something more than a friend, you angelic creature, whose goodness has made me happy for years. Your letter made me cry. I feel a poor, old, miserable creature. If there was a chance that your decision meant that I should somehow or other lose you, I don't think I could bear it. You and Ralph and our life at Tidmarsh are what I care for most in the world.

    • Connexions
      Featured in Emma Thompson om 'Carrington' (1995)
    • Bandes originales
      Adagio from 'String Quintet in C Major', D. 956, op. post. 163
      Composed by Franz Schubert

    Commentaires des utilisateurs60

    Commentaire
    Commentaire
    Commentaire en vedette

    No, she accepted. It was ghastly.

    I would like to go back for a moment and dig deeper into the idea of full circle. I caught this idea as I was watching this film, and I thought it was amazing the way the director showed this transition. The first person, outside of Lytton, that Carrington falls for is a man who is only interested in a physical relationship. Although she claims she is not interested in him sexually, it is at this time in Carrington's life, she is interested in a man's mind, not what is under his pants. She breaks off this relationship to live with Lytton, a man who can give her the intellect that she desires. As Carrington grows older, she finds comfort in physical relationships. In fact, the majority of this film is about physical relationships. Carrington is never hesitant to jump into the arms of another man. A part of me thinks that she is constantly trying to find another Lytton out there, but there is another part of me that says that she was just trying to get the physical from men, because she had the perfect man at home (Lytton of course). So after being with a man that only wants to have a physical relationship, she jumps into the arms of a soldier. One that is great with the physical, amazing towards Lytton, and perfect for Carrington. As this comes to a surprising end, we see her jump into a relationship that was purely sexual. There was no interaction between the two except for when they were on his boat having sex.

    Carrington experiences the best sex of her life with this man, but it again ... much like the others ... comes to a complete halt when he tells her that he is not really interested in her sexually. Odd, isn't how this films started with Carrington and her first boyfriend. We have come full circle.

    If we were to look at this film in a symmetrical angle, we would notice a circle outside with Lytton in the direct center of this circle. The circle would represent Carrington's life. All around the circle would be the men that she has been with, while Lytton would be her stability point. All throughout her encounters with other men she always is able to find comfort with her center figure ... Lytton. If you watch this film closely, you will notice that there is only one point in the movie where Carrington goes outside the circle. It is when she is having a party at her house. Carrington goes outside only to sit down on a stump that happens to be facing the house. She is able to see all the windows in the house, and all of her past lovers with their new ones. Even Lytton with his new boyfriend.

    This is the moment that we see Carrington thinking about her life. Seeing what she has been a part of, and watching it somewhat crumble down. This is her only moment outside of the circle that she has built. Lytton is the foundation to this circle, and it is obvious that without Lytton everything around Carrington must crumble as well.

    That my friends, is how you build a love story.

    Grade: *** out of *****
    • film-critic
    • 24 sept. 2004
    • Lien permanent

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    FAQ19

    • How long is Carrington?Propulsé par Alexa

    Détails

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    • Date de sortie
      • 2 mai 1995 (France)
    • Pays d’origine
      • United Kingdom
      • France
    • Langue
      • English
    • Aussi connu sous le nom de
      • Керрінгтон
    • Lieux de tournage
      • Cliveden House, Taplow, Buckinghamshire, Angleterre, Royaume-Uni
    • sociétés de production
      • PolyGram Filmed Entertainment
      • Freeway Films
      • Cinéa
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Brut – États-Unis et Canada
      • 3 242 342 $ US
    • Fin de semaine d'ouverture – États-Unis et Canada
      • 151 722 $ US
      • 12 nov. 1995
    • Brut – à l'échelle mondiale
      • 3 242 342 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 1 minute
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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