Un jeune policier doit empêcher une bombe d'exploser à bord d'un autobus en gardant une vitesse au-dessus de 80 km/h.Un jeune policier doit empêcher une bombe d'exploser à bord d'un autobus en gardant une vitesse au-dessus de 80 km/h.Un jeune policier doit empêcher une bombe d'exploser à bord d'un autobus en gardant une vitesse au-dessus de 80 km/h.
- A remporté 2 oscars
- 20 victoires et 20 nominations au total
Loretta Jean
- Bus Passenger #2
- (as Loretta Jean Crudup)
Histoire
Le saviez-vous
- AnecdotesKeanu Reeves breaking the glass on the bus door in the beginning of the bus chase was an accident, but director Jan de Bont liked its effect and it was left in the final cut.
- GaffesOn the train, the console is malfuntioning but Jack speeds the train up by shifting the lever forward so why not pull the lever back which would slow the train down.
- Citations
Howard Payne: Pop quiz, hotshot. There's a bomb on a bus. Once the bus goes 50 miles an hour, the bomb is armed. If it drops below 50, it blows up. What do you do? What do you do?
- Autres versionsTheatrical version had the 1981 20th Century Fox logo at the opening. All VHS, Laserdisc and DVD versions plaster this with the 1994 CGI logo (with the 1981 fanfare) that was used until 2009. However, the Blu-ray release and streaming prints restore the original 1981 logo.
- ConnexionsEdited into The Making of 'Speed' (1994)
- Bandes originalesA Million Miles Away
Written by Peter Case, Joey Alkes, and Chris Fradkin (as Chris Fredkin)
Produced by Ralph Sall
Performed by The Plimsouls
Commentaire en vedette
Speed is one of my favorite action movies of all time, just a notch below contemporaries like Terminator 2 and Die Hard. The premise is so simple that it's almost a parody of movie pitches (Homer Simpson's line was "I saw this movie about a bus that had to SPEED around a city, keeping its SPEED over fifty, and if its SPEED dropped, it would explode! I think it was called 'The Bus That Couldn't Slow Down'."). Fortunately this film came to be much better than the sum of its parts, and it's deservedly remembered as one of the most entertaining films of the 90s.
What distinguishes Speed is its humanity, due in no small part to the character of Annie (Sandra Bullock). The best example of this is the moment when Annie, while driving the bus, thinks she has struck a baby stroller. She becomes so distraught that she lets go of the steering wheel, never mind the fact that she is in charge of driving a bomb-laden bus through the L.A. suburbs. It's one of several moments that draw us into the film by helping us identify with the characters, and it's all the more elegant for its simplicity. This movie isn't complex, but it doesn't claim to be.
There is a certain irony that Speed succeeds so well on a human level, since Jan de Bont is not generally considered an "actor's director". He started as a cinematographer, and even when he talks about directing he discusses technical aspects and seldom mentions working with actors. Nowhere was this more evident than Speed 2, which pretty much killed his directorial career. Given that, it's all the more remarkable what he pulled off in the original Speed, as everything seemed to come together for him.
The overall performances really serve this picture well. Keanu is at his best (which is to say, mediocre), Sandra launched a career based on this movie, and Dennis Hopper did a wonderful job as the sardonic villain. Plus he has one of my favorite bad-guy lines of all time (Traven: "You're crazy." Payne: "Poor people are crazy, Jack. I'm eccentric.").
8/10
What distinguishes Speed is its humanity, due in no small part to the character of Annie (Sandra Bullock). The best example of this is the moment when Annie, while driving the bus, thinks she has struck a baby stroller. She becomes so distraught that she lets go of the steering wheel, never mind the fact that she is in charge of driving a bomb-laden bus through the L.A. suburbs. It's one of several moments that draw us into the film by helping us identify with the characters, and it's all the more elegant for its simplicity. This movie isn't complex, but it doesn't claim to be.
There is a certain irony that Speed succeeds so well on a human level, since Jan de Bont is not generally considered an "actor's director". He started as a cinematographer, and even when he talks about directing he discusses technical aspects and seldom mentions working with actors. Nowhere was this more evident than Speed 2, which pretty much killed his directorial career. Given that, it's all the more remarkable what he pulled off in the original Speed, as everything seemed to come together for him.
The overall performances really serve this picture well. Keanu is at his best (which is to say, mediocre), Sandra launched a career based on this movie, and Dennis Hopper did a wonderful job as the sardonic villain. Plus he has one of my favorite bad-guy lines of all time (Traven: "You're crazy." Payne: "Poor people are crazy, Jack. I'm eccentric.").
8/10
- jeremyglick
- 28 févr. 2005
- Lien permanent
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Détails
Box-office
- Budget
- 30 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 121 248 145 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 14 456 194 $ US
- 12 juin 1994
- Brut – à l'échelle mondiale
- 350 448 145 $ US
- Durée1 heure 56 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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