ÉVALUATION IMDb
5,9/10
12 k
MA NOTE
Lorsqu'un tableau est qualifié de blasphématoire, un jeune ministre et sa femme rendent visite à l'artiste, et aux trois modèles sexuellement ludiques vivant avec lui.Lorsqu'un tableau est qualifié de blasphématoire, un jeune ministre et sa femme rendent visite à l'artiste, et aux trois modèles sexuellement ludiques vivant avec lui.Lorsqu'un tableau est qualifié de blasphématoire, un jeune ministre et sa femme rendent visite à l'artiste, et aux trois modèles sexuellement ludiques vivant avec lui.
- Prix
- 1 victoire et 4 nominations au total
Tziporah Malkah
- Pru
- (as Kate Fischer)
Histoire
Le saviez-vous
- AnecdotesAlthough this is a work of fiction, it is centered around a real person. Norman Lindsay was a real-life artist and author in Australia during the early 1900s. Several of his books have been adapted into movies, including Age of Consent (1969) which tells a different version of this same story.
- GaffesIn the first dining room scene, as Norman leaves the table, Giddy offers Estella some tea. Moments later in the scene, as Tony is speaking, Giddy and Estella can be seen repeating the action in the background.
- Générique farfeluThe situations depicted in this film are fictitious and do not represent events in the lives of Rose, Norman, Jane and Honey Lindsay.
- Autres versionsAccording to the Technical Specifications link for this page on IMDB, there are two different versions of this film: "1 hr 38 min (98 min)," and "1 hr 34 min (94 min) (Canada)."
- ConnexionsEdited from A Steam Train Passes (1974)
- Bandes originalesGrey Funnel Line
Written by Cyril Tawney
Dick James Music, Ltd.
Performed by Silly Sisters
Courtesy of Chrysalis Records, Ltd.
Commentaire en vedette
I knew nothing about this movie, but offered to accompany a woman I had known for some time, but had never been on more than vaguely friendly terms. I was not prepared for the charm, playfulness, joy and raw sensuality that this film captured. Sam Neill is the ultimate sensualist, yet indulges his children's fancies with innocent abandon. Hugh Grant is a likable doofus, and he is far outpaced by Tara Fitzgerald's acceptance of the pleasures of the flesh. In many ways, this couple reminded me of Brad & Janet in "Rocky Horror" - the man is either unable or too clueless to accept the sensual awakening that his companion does. Thus, I was pleased at my date's choice of film, and any discomfort of my own at being seduced by the screen on a first date soon passed from my date's reactions to the sexy scenes. On the anniversary of that date, I paid the outrageous price of $59.95 for a VHS copy, and the repeat viewings were as pleasant as th first. We later married, and this was her idea, too.
P.S.: I recommend "The Advocate" for those who like "Sirens".
P.P.S.: I agree for the most part with Eamon Buchanan's comments, but, the models were "painted"in the nude, not "painting", and it was the Anglican church that was upset, not the Catholic (the Campions could not have been married if they were Catholic).
P.S.: I recommend "The Advocate" for those who like "Sirens".
P.P.S.: I agree for the most part with Eamon Buchanan's comments, but, the models were "painted"in the nude, not "painting", and it was the Anglican church that was upset, not the Catholic (the Campions could not have been married if they were Catholic).
- runar-4
- 22 juin 2002
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Détails
Box-office
- Brut – États-Unis et Canada
- 7 770 731 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 34 299 $ US
- 6 mars 1994
- Brut – à l'échelle mondiale
- 7 770 731 $ US
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