Dans le New York des années 30, The Shadow combat son ennemi juré, Shiwan Khan, qui construit une bombe atomique.Dans le New York des années 30, The Shadow combat son ennemi juré, Shiwan Khan, qui construit une bombe atomique.Dans le New York des années 30, The Shadow combat son ennemi juré, Shiwan Khan, qui construit une bombe atomique.
- Prix
- 4 nominations au total
- Singer
- (as Sinoa)
Histoire
Le saviez-vous
- AnecdotesWhen Shiwan Khan and Lamont Cranston first meet, their dialogue about where Cranston purchased his tie is a spoof on product placement during the radio airing of The Shadow.
- GaffesThe wire insulation on the bomb is modern day plastics not the correct cloth type for the day, and the nylon wire ties wouldn't be invented for another 30 years or so. The timer in the bomb used a display tube called the Nixie tube to show the digits of the countdown. The original Nixie tube was patented in 1938, but it looked like a small TV screen on which the numbers were displayed. The tube design used in the bomb was not introduced until 1962.
- Citations
Margo Lane: Oh, God I dreamed.
Lamont Cranston: So did I. What did you dream?
Margo Lane: I was lying naked on a beach in the South Seas. The tide was coming up to my toes. The sun was beating down. My skin hot and cool at the same time. It was wonderful. What was yours?
Lamont Cranston: I dreamed I tore all the skin off my face and was somebody else underneath.
Margo Lane: You have problems.
Lamont Cranston: I'm aware of that.
- ConnexionsEdited into Taylor Dayne: Original Sin (1995)
- Bandes originalesOriginal Sin (Theme from 'The Shadow')
Written, Produced and Arranged by Jim Steinman
Performed by Taylor Dayne
Courtesy of Arista Records, Inc.
The Shadow is shown in this highly stylized big screen adaptation of the 30's radio show , the once starred by Orson Welles . Film gets exotic locations , derring-do adventures ,rip roaring , action-packed , tongue in check , it's a cinematic roller coaster pretty entertaining and with well made set pieces action , including numerous and elaborate FX . This exciting picture provides splendid production design by Joseph Nemec , while done more dynamically elsewhere , are fun and outstanding . This is an ambitious fantasy adventure with breathtaking special effects ; it has some well-staged scenes whose effectiveness owes much to Russell Mulcahy's strong pictorial sense . Older kids , teenagers may find the proceedings a bit hokey and paying little attention to logic , but everyone seems to be having a good time . The picture is a crossover among comic-strip hero , superhero feats , Saturday matinée serials and old-fashioned thirties movies . As this runs like an old Republic serial of the thirties or Forties on a multi-million dollar budget . Its arresting visuals , lavish realization and crude energy put filmmaker Russell Mulcahy on the map . Much of the dialogue springs as if balloons from the printed page and the interpretation is appropriately rudimentary . The picture has great loads of action , special effects abundant , glamorous cinematography by Stephen Burum and spectacular Jerry Goldsmith's musical score , including an enjoyable leitmotif .
The motion picture includes an interesting script by prestigious David Koepp and was rightly directed by Russell Mulcahy . Russell for some time worked in Britain as a filmmaker of video clips , but returned to his native country , Australia , to make his first fictional movie , ¨Razorback¨ . He was able to get the backing for what proved to be his greatest success ¨Highlander¨ . It led to two sequels , the first of which was realized by himself titled ¨Quickening¨ . He subsequently directed ¨Resurrection¨with Charlie Sheen and ¨Talos the mummy¨ , among others . Despite major stars and big budgets with which to work have not fulfilled their potential and he seemed less commanding with players than with action . The flick will appeal to adventure fans and comic-books enthusiastic . Rating : Good and amusing. Well worth seeing.
- ma-cortes
- 24 févr. 2013
- Lien permanent
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Détails
Box-office
- Budget
- 25 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 32 063 435 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 11 713 845 $ US
- 4 juill. 1994
- Brut – à l'échelle mondiale
- 48 063 435 $ US
- Durée1 heure 48 minutes
- Couleur
- Mixage