Ajouter une intrigue dans votre langueThe life and career of Clarence Darrow, the noted American lawyer and civil libertarian.The life and career of Clarence Darrow, the noted American lawyer and civil libertarian.The life and career of Clarence Darrow, the noted American lawyer and civil libertarian.
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Histoire
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- AnecdotesKevin Spacey and Chris Cooper later appeared in Non coupable (1996) and Beauté américaine (1999). Barry Del Sherman also appears in Beauté américaine (1999).
- Citations
Clarence Darrow: [I was reading last night of the aspiration of the old Persian poet, Omar-Khayyam,he told the judge. It appealed to me as the highest that I can vision. I wish it was in my heart, and I wish it was in the hearts of all: So I be written in the Book of Love; I do not care about that Book above. Erase my name, or write it as you will, So I be written in the Book of Love]
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Wow, a Spacey film with no reviews. I picked this one up from a pirate seller here in Shanghai. It's pretty good. It's got that made-for-TV feel, which is a bit distracting, but with its obviously modest budget it turns in a decent performance -- though the voice-over by the protagonist's son is largely superfluous.
Spacey plays (the historical) Clarence Darrow, who turns from a meek early 20thC corporate lawyer into a champion of justice for the poor and downtrodden. Spacey nicely captures Darrow's growing surety and nuanced reaction to his growing fame. The resulting break-up of Darrow's marriage, however, is dealt with somewhat incoherently, though the aftermath of the break-up is tackled with more gusto.
The surrounding cast turn in a workmanlike performance, though there's a hint of evil-baron-twirling-moustache to some of the villains, and too much `ard -working `onesty to the poor folk (sort of Goody Blake and Harry Gill)
Darrow's rise was followed by a sharp fall; this too is covered pretty well. But his most famous case, The Scopes Trial, which was the one I most wanted to see (Spacey getting his teeth into the absurd christians) is not covered, merely voiced by his son. I'm not sure if that's a cop-out or quite admirable (cf. the son's voice-over ``The Scopes Trial, the one which everyone remembers him for..'').
Thus the film closes with Darrow's return to notoriety, trying to save a pair of murders the death sentence. This calls for the lawyer-film favorite, the barnstormer speech. It's a trope ripe for melodrama, but Spacey sees the trap and sidesteps it. The make-up (Darrow's now elderly) is a bit ropey, it's true -- but that's no impediment to the actor. None of your cocksure lawyer here; he's half-broken, half-unsure, passionate but querulous. Nor is the speech wrapped up in a couple of paragraphs; it's a lengthy, judicious affair, Spacey dominating the scene entirely.
In all, well worth a punt.
Spacey plays (the historical) Clarence Darrow, who turns from a meek early 20thC corporate lawyer into a champion of justice for the poor and downtrodden. Spacey nicely captures Darrow's growing surety and nuanced reaction to his growing fame. The resulting break-up of Darrow's marriage, however, is dealt with somewhat incoherently, though the aftermath of the break-up is tackled with more gusto.
The surrounding cast turn in a workmanlike performance, though there's a hint of evil-baron-twirling-moustache to some of the villains, and too much `ard -working `onesty to the poor folk (sort of Goody Blake and Harry Gill)
Darrow's rise was followed by a sharp fall; this too is covered pretty well. But his most famous case, The Scopes Trial, which was the one I most wanted to see (Spacey getting his teeth into the absurd christians) is not covered, merely voiced by his son. I'm not sure if that's a cop-out or quite admirable (cf. the son's voice-over ``The Scopes Trial, the one which everyone remembers him for..'').
Thus the film closes with Darrow's return to notoriety, trying to save a pair of murders the death sentence. This calls for the lawyer-film favorite, the barnstormer speech. It's a trope ripe for melodrama, but Spacey sees the trap and sidesteps it. The make-up (Darrow's now elderly) is a bit ropey, it's true -- but that's no impediment to the actor. None of your cocksure lawyer here; he's half-broken, half-unsure, passionate but querulous. Nor is the speech wrapped up in a couple of paragraphs; it's a lengthy, judicious affair, Spacey dominating the scene entirely.
In all, well worth a punt.
- lunarbeauty
- 16 oct. 2002
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- Durée1 heure 41 minutes
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What is the broadcast (satellite or terrestrial TV) release date of Darrow (1991) in Australia?
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