J.S. Cardones' spooky and sinister low budget retread of "Alien" and "The Thing" does have some good ideas going for it as a result, and is fairly well produced and directed on a low budget.
A top secret government project (they'll never run out of those in genre movies), located deep underground, is hard at work conducting sleep related experiments. One of their subjects has died violently and a NASA captain, Hickock (David Beecroft, 'Falcon Crest') arrives to investigate. What the project team has discovered is that these experiments have opened a path to some other dimension and now a hideous creature is on the loose, a creature that will make quick work of the characters while they try to figure out how to fight back.
Even if rather routine in the end, "Shadowzone" is a good example of its genre, with Cardone creating a solid atmosphere and some decent suspense. Karen Grossmans' cinematography is quite stylish and moody, and the production design by Don Day is likewise impressive. Richard Band supplies the spooky music score. Mark Shostrom creates some appropriately nasty monster effects and gore.
A solid cast including several familiar faces is fun to watch, especially old pros like James Hong ("Big Trouble in Little China"), as the scientist in charge, and Louise Fletcher ("One Flew Over the Cuckoo's Nest"), as his assistant. They're old fashioned mad scientists, to be sure, but this does add to the overall comfortable predictability of the material. Co-starring are Shawn Weatherly (Miss Universe, Miss USA, and Miss South Carolina of 1980) as a fellow scientist, Lu Leonard ("Starman") as the tough talking cook, Miguel A. Nunez Jr. ("The Return of the Living Dead") as reliable technician Wiley, and Frederick Flynn (Cardones' "The Slayer") as agitated, panicky custodian Shivers. Some of you will be interested to note that there is some nudity provided courtesy of bit players Maureen Flaherty and Robbie Rives.
The movie begins on an effectively ominous note and is consistent in tone and pace right up until a rather underwhelming finale. It's definitely recommended if you're a lover of B movies and Full Moon productions in particular.
Seven out of 10.
