Body

Titre original : Body of Evidence

1993
R
1h 39m

ÉVALUATION IMDb

4,6/10

17 k

MA NOTE

POPULARITÉ

4 318

530

Liretrailer1 min 54 s

1 vidéo

78 photos

Erotic Thriller Legal Drama Drama Thriller

Un avocat défend une femme accusée d'avoir tué son amant plus âgé en ayant des relations sexuelles avec lui.Un avocat défend une femme accusée d'avoir tué son amant plus âgé en ayant des relations sexuelles avec lui.Un avocat défend une femme accusée d'avoir tué son amant plus âgé en ayant des relations sexuelles avec lui.

Voir l’information sur la production à IMDbPro

ÉVALUATION IMDb

4,6/10

17 k

MA NOTE

POPULARITÉ

4 318

530

Voir l’information sur la production à IMDbPro

Prix
- 1 victoire et 8 nominations au total

Vidéos1

Trailer 1:54

Body of Evidence

Photos78

+ 72

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Anecdotes
In a radio interview with Sway Calloway, Willem Dafoe confirmed that the scene in the parking garage is genuine, no body doubles were used.

Gaffes
A detective states that the reason the police called the District Attorney is because the victim, Andrew Marsh, was handcuffed at the time of death. However, in the opening scene it is obvious that the dead man is not handcuffed. Moreover, if he were, it would almost conclusively prove Rebecca's guilt - if she did not kill him, she would have untied him before leaving. And despite this supposedly being the sole reason for Rebecca's arrest and prosecution, whether the deceased was or wasn't handcuffed at the time of his death is never mentioned again, by anybody.

Citations
Rebecca Carlson: All we did was make love.
Frank Dulaney: In handcuffs.
Rebecca Carlson: It was different, but it was still making love. Have you ever seen animals make love, Frank? It's intense. It's violent. But they never really hurt each other.
Frank Dulaney: We're not animals.
Rebecca Carlson: Yes, we are.

Autres versions
Three versions of this movie have been released: an R-rated theatrical version, a NC-17 version and an unrated video version. European release is the NC-17 cut.

Connexions
Featured in Siskel & Ebert & the Movies: Memo to the Academy - 1993 (1993)

Bandes originales
The Passion Theme
Written by Graeme Revell, Jeff Silbar, and Warren Hill.
Performed by Warren Hill

Commentaires des utilisateurs107

Commentaire

Commentaire en vedette

5/10

Don't see the TV version

(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon.)

Not that there is a TV version.

We could also call this 'Madonna on top' or 'Madonna in charge' or maybe 'She can show you the power you can have from the prone position.' The one thing about Madonna, other than having no shame (and I admire her for that) is that she can crawl and not feel the slightest bit reduced.

She's not especially bad in this mediocre thriller, nor especially good. The script is ridiculous and the treatment without a hint of nuance or subtlety. William Dafoe and Joe Mantegna seemed to be acting on rote and Anne Archer was a wash. The problem is the movie is so obviously fake that it's like watching bad TV. There's no point other than kinky sex. I'm not sure why Madonna agreed to do this. I can't believe she needed the money, nor can I believe she didn't care about her reputation as a performing artist. I think her appearance here exposes her weakness: simply put, she has bad taste because this could not in any way further her career.

On the plus side I saw the unrated version and she was very sexy.

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Budget
- 30 000 000 $ US (estimation)
Brut – États-Unis et Canada
- 13 273 595 $ US
Fin de semaine d'ouverture – États-Unis et Canada
- 7 365 429 $ US
- 18 janv. 1993
Brut – à l'échelle mondiale
- 13 273 595 $ US