Ladybugs

1992
PG
1h 30m

ÉVALUATION IMDb

5,5/10

11 k

MA NOTE

Liretrailer1 min 50 s

1 vidéo

57 photos

Soccer Comedy Sport

Pour gravir les échelons de l'entreprise et atteindre le succès, un jeune homme accepte d'entraîner l'équipe de football féminine de l'entreprise, à l'aide de son arme secrète: le fils de sa... Tout lirePour gravir les échelons de l'entreprise et atteindre le succès, un jeune homme accepte d'entraîner l'équipe de football féminine de l'entreprise, à l'aide de son arme secrète: le fils de sa fiancée.Pour gravir les échelons de l'entreprise et atteindre le succès, un jeune homme accepte d'entraîner l'équipe de football féminine de l'entreprise, à l'aide de son arme secrète: le fils de sa fiancée.

Voir l’information sur la production à IMDbPro

ÉVALUATION IMDb

5,5/10

11 k

MA NOTE

Voir l’information sur la production à IMDbPro

Prix
- 3 nominations au total

Vidéos1

Trailer 1:50

Trailer

Photos57

+ 51

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Anecdotes
Near the beginning of the film, Jonathan Brandis' character Matthew calls Rodney Dangerfield's character Chester, "Chesterfield." Brandis had a habit in real-life of referring to certain friends in jest by adding "field" to the end of their names. It is rumored by some who knew him that he carried this over into the film and ad-libbed "Chesterfield" as an inside joke.

Gaffes
Chester is talking to Matthew from the van and Matthew is holding a football. A teacher asks Matthew if he is all right and we see Matthew holding his backpack and not the football. Earlier, Matthew left his backpack with his friend, who threw him the football.

Citations
Dave Mullen: You have five seconds to get Kimberly out of there.
[Chester hesitates]
Dave Mullen: There's nothing to think about. Get her out of there.
Chester: Look, we're not in your office now. Out here, I call the shots.
Dave Mullen: Looks like I misjudged you, Chester. I guess you don't care about your future with this company.
Chester: Right now, all I care about is this team.
Dave Mullen: Chester, you've forgotten what's important to you.
Chester: I didn't forget. You forgot. What's more important? That strangers look up to you or your own kid? Kimberly's playing today! And if it means my job, too bad.
Dave Mullen: Look, Chester, I just want to win today. I only want the best out there.
Chester: The best, the best. That's all I keep hearing. You want to be the best. Let me ask you this, what good is being the best if it brings out the worst in you?

Autres versions
When this movie is aired on network television, particulary the Disney Channel, TNT, and TBS, one line is shortened in the scene where Chester talks to the bartender. In the theatrical release, when the bartender asks what happened, Chester says "Well...I took her son...dressed him up as a girl, and talked him into playing with me". Then he is kicked out of the bar. In the TV version, he says "Well, I took her son, dressed him up as a girl.." Then we see him get kicked out. The reason for this cut is probably because it is too sexually suggestive.

Connexions
Featured in The Tonight Show Starring Johnny Carson: Beau Bridges/Bernadette Peters/Rodney Dangerfield (1992)

Bandes originales
Psych Em' Out
Written & Performed by D.A. Young
Published by Shelley / Young Publishing and Rud Mor Music Publishing

Commentaires des utilisateurs58

Commentaire

Commentaire en vedette

6/10

Inspiration

This is going to sound crazy to most of you, but here it goes. Ladybugs is one of a handful of films that made me want to be a film maker. Seriously! I was 14 when I saw Ladybugs for the first time on video. Once I watched it, I watched it again. Something about the movie interested me to be a storyteller myself. The direction, the story, even the location of the film inspired me to start writing, acting, and begin taking film classes. Something about this feel good movie made me want to make movies myself. At the time, Jonathan Brandis just started acting himself. HE had done the Never Ending Story a few years before and was an up and coming actor. A month ago, Jonathan Brandis was found dead in his LA apartment. Though I never met the man, nor worked on any of his films, his "legacy" if you can call it that, had left a mark. His talents end on such a short note, it is unfair that his best work will never be seen. Even though he has left some good and bad movies behind, I recall most of his work as work of talent and joy.

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Budget
- 20 000 000 $ US (estimation)
Brut – États-Unis et Canada
- 14 796 494 $ US
Fin de semaine d'ouverture – États-Unis et Canada
- 5 180 414 $ US
- 29 mars 1992
Brut – à l'échelle mondiale
- 14 796 494 $ US