Académie de police 4: Aux armes citoyens
Titre original : Police Academy 4: Citizens on Patrol
ÉVALUATION IMDb
5,0/10
47 k
MA NOTE
Les diplômés inadaptés de l'Académie de police (1984) sont maintenant chargés de former un groupe de civils volontaires pour lutter contre le crime qui sévit à nouveau dans les rues.Les diplômés inadaptés de l'Académie de police (1984) sont maintenant chargés de former un groupe de civils volontaires pour lutter contre le crime qui sévit à nouveau dans les rues.Les diplômés inadaptés de l'Académie de police (1984) sont maintenant chargés de former un groupe de civils volontaires pour lutter contre le crime qui sévit à nouveau dans les rues.
- Prix
- 2 nominations au total
Histoire
Le saviez-vous
- AnecdotesThe collapse of her first marriage contributed to Sharon Stone's decision to work on this movie. Of wanting to have some fun after a difficult period in her life, she said that "hanging out with a gang of comedians, it was the best therapy."
- Gaffes(at around 43 mins) When Harris and Proctor enter The Blue Oyster, Proctor acts like he is unfamiliar with the venue. This is despite the fact that in Académie de police 2: Au boulot (1985), Proctor recited the bar's street address from memory, while in Académie de police 3: Instructeurs de choc (1986), a naked Proctor stumbled into the same building while trying to hide.
- Citations
Captain Harris: Don't touch those! Don't you ever touch my balls without asking!
- Autres versionsAlthough the cinema version was intact the UK video version was cut by 8 secs to remove shots of Mahoney displaying a tube of Super Glue before administering it to Harris's megaphone. The cuts were restored in the upgraded 12 certificate DVD.
- ConnexionsEdited from Académie de police 2: Au boulot (1985)
- Bandes originalesCitizens On Patrol
Performed by Michael Winslow and The L.A. Dream Team
Produced by Steve Tyrell
Written by Michael Stuart Ani and Arthur Funaro
The L.A. Dream Team appears courtesy of MCA Records
Commentaire en vedette
Indeed, that is the question many were asking in 1987, as the series soon turned into too much of a not so good thing. Sadly, it was only going to get worse from here. I've tried no less than three times to sit through Mission To Moscow, and it is just impossible. About the only reason to bother with episodes three through six is so you can see the final episode where Cast Member X decided they'd had enough. Or when Event Number X that was referenced in a sequel took place.
Another big problem with PA4 (and boy, there are many) is the change in target audience. Sure, episodes 1 through 3 could be enjoyed by children with two digits in their age, but the primary audience was adults who didn't have very high standards. Unfortunately, someone in the film studio must have decided that the writers have to please everybody, and so they watered down the humour as far as they could without getting a G rating. That, more than anything, is what hurts Police Academy sequels 4 onwards.
Steve Guttenberg must have taken one look at the finished product and wondered why he didn't quit about three films ago. Bob Goldthwait picks up the slack in terms of comedy, but his act is also watered down a tad too far, ditching any vocal expression of his character in favour of shouting and screaming at anyone and everyone. Which might work for a comedy about mental patients who have been neglected by the system for too long, but not when your character is meant to be a police officer. But then again, the whole premise is built on a notoriously shaky ground.
Every Police Academy film has at least one celebrity (other than George Gaynes) who wishes they had never appeared in the film. Sharon Stone gets her turn her, and despite what they say about her appearance in everything after Basic Instinct, at least she looks capable of acting. But amongst this lot, I'm sure a dead goldfish would appear to be emoting effectively.
Overall, PA4 gets a 2 out of ten from me. It stands as a good relic of what happens when you try to appeal to everyone, and it does have some genuinely funny moments, but it just cannot hold a candle to its predecessors, especially the first.
Another big problem with PA4 (and boy, there are many) is the change in target audience. Sure, episodes 1 through 3 could be enjoyed by children with two digits in their age, but the primary audience was adults who didn't have very high standards. Unfortunately, someone in the film studio must have decided that the writers have to please everybody, and so they watered down the humour as far as they could without getting a G rating. That, more than anything, is what hurts Police Academy sequels 4 onwards.
Steve Guttenberg must have taken one look at the finished product and wondered why he didn't quit about three films ago. Bob Goldthwait picks up the slack in terms of comedy, but his act is also watered down a tad too far, ditching any vocal expression of his character in favour of shouting and screaming at anyone and everyone. Which might work for a comedy about mental patients who have been neglected by the system for too long, but not when your character is meant to be a police officer. But then again, the whole premise is built on a notoriously shaky ground.
Every Police Academy film has at least one celebrity (other than George Gaynes) who wishes they had never appeared in the film. Sharon Stone gets her turn her, and despite what they say about her appearance in everything after Basic Instinct, at least she looks capable of acting. But amongst this lot, I'm sure a dead goldfish would appear to be emoting effectively.
Overall, PA4 gets a 2 out of ten from me. It stands as a good relic of what happens when you try to appeal to everyone, and it does have some genuinely funny moments, but it just cannot hold a candle to its predecessors, especially the first.
- mentalcritic
- 28 déc. 2003
- Lien permanent
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Police Academy 4: Citizens on Patrol
- Lieux de tournage
- Gator Bowl Stadium, Jacksonville, Floride, États-Unis(Proctor's football sideline experience)
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 28 061 343 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 8 482 487 $ US
- 5 avr. 1987
- Brut – à l'échelle mondiale
- 28 061 343 $ US
- Durée1 heure 28 minutes
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was Académie de police 4: Aux armes citoyens (1987) officially released in India in English?
Répondre