Loretta Castorini, comptable de Brooklyn à New York, se trouve dans une situation difficile lorsqu'elle tombe amoureuse du frère de son fiancé.Loretta Castorini, comptable de Brooklyn à New York, se trouve dans une situation difficile lorsqu'elle tombe amoureuse du frère de son fiancé.Loretta Castorini, comptable de Brooklyn à New York, se trouve dans une situation difficile lorsqu'elle tombe amoureuse du frère de son fiancé.
- A remporté 3 oscars
- 18 victoires et 19 nominations au total
- Old Man
- (as Feodor Chaliapin)
Histoire
Le saviez-vous
- AnecdotesNicolas Cage's screen test didn't impress the studio, and they wanted to get someone else to play Ronny. But Cher insisted that Cage was the one to play that role, and threatened to quit unless he was hired. After a few days, the studio relented.
- GaffesLoretta says "ti amo" to her father, and he answers "ti amo." "I love you" is the accepted English translation, but "ti amo" refers only to romantic love, and would never be used between father and daughter. They would say "ti voglio bene" instead.
- Citations
Ronny Cammareri: Loretta, I love you. Not like they told you love is, and I didn't know this either, but love don't make things nice - it ruins everything. It breaks your heart. It makes things a mess. We aren't here to make things perfect. The snowflakes are perfect. The stars are perfect. Not us. Not us! We are here to ruin ourselves and to break our hearts and love the wrong people and *die*. The storybooks are *bullshit*. Now I want you to come upstairs with me and *get* in my bed!
- Générique farfeluAs the rest of the end credits roll, the moon is on the left side of the screen.
- ConnexionsEdited into The Clock (2010)
- Bandes originalesThat's Amore
Performed by Dean Martin
Courtesy of Capitol Records, Inc.
Music by Harry Warren (uncredited)
Lyrics by Jack Brooks (uncredited)
I am not a violent person, but "Old man . . . you give those dogs another piece of my meat and I'll kick ya til ya dead!" has got to be on my top ten list of memorable quotes.
I like the conversations around this family's kitchen table maybe because growing up, meals in my house were pretty silent even though there were seven of us. Funny that it took an Irish screenwriter to capture the Italian cadences. These people aren't caricatures of Italians or any other ethnicity, they are just a vocal family.
In another time, with just a few changes in the script, this story could have been high operatic drama. But it's not. It's a romantic comedy not a tragedy - even though it contains elements of tragedy - death under a bus, a lost limb, betrayal of marriage vows, and misinterpretations and misunderstandings.
But these characters TALK about what's on their minds. You want to know where the Met is located? You ask your hairdresser. You think your husband is flirting with another woman? You tell him that while you're both working behind the wine counter - in front of a customer. You're mad at your brother, you want to know why men need more than one woman, you want your son to pay for the wedding of his only daughter? If you really want to know, if you really want results or answers, you speak up!
Besides movies based on Agatha Christie novels, it is rare that a story ends with bringing the entire cast together more satisfyingly than "Moonstruck." The morning-after-the-opera scene in Rose Castorini's sunny kitchen with all the characters present is one that I can watch again and again. "You've got a love-bite on yer neck - your life's goin down the toilet!" "I want you to stop seeing her" "Who are we waiting for?" "Johnny Cammarari" "You're a part of the family!"
No matter what sort of table you grew up around, rent or buy this movie.
And remember, "No matter what you're gonna do you gonna die, just like everybody else!"
- yayamagic
- 4 juin 2003
- Lien permanent
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- How long is Moonstruck?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Moonstruck
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 15 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 80 640 528 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 127 599 $ US
- 20 déc. 1987
- Brut – à l'échelle mondiale
- 80 646 431 $ US
- Durée1 heure 42 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1