En essayant de légitimer ses relations d'affaires à New York et en Italie en 1979, le mafieux vieillissant Don Michael Corleone cherche à se faire pardonner de ses péchés, tout en prenant so... Tout lireEn essayant de légitimer ses relations d'affaires à New York et en Italie en 1979, le mafieux vieillissant Don Michael Corleone cherche à se faire pardonner de ses péchés, tout en prenant son neveu Vincent Mancini sous son aile.En essayant de légitimer ses relations d'affaires à New York et en Italie en 1979, le mafieux vieillissant Don Michael Corleone cherche à se faire pardonner de ses péchés, tout en prenant son neveu Vincent Mancini sous son aile.
- Nommé pour 7 oscars
- 6 victoires et 23 nominations au total
Histoire
Le saviez-vous
- AnecdotesAl Pacino was offered $5 million to reprise his role as Michael. But Pacino wanted $7 million plus a percentage of the gross. Francis Ford Coppola refused. He threatened to rewrite the script by starting the story with Michael's funeral sequence instead of the film's introduction. Pacino agreed to the $5 million offer.
- GaffesWhen Cardinal Lamberto hears Michael Corleone's confession, he is not wearing the purple stole all priests wear during the sacrament. There is no reason why he wouldn't have one, since all priests carry one on their person at all times in case of emergency (such as giving absolution during last rites).
- Citations
Michael Corleone: Never hate your enemies. It affects your judgment.
- Générique farfeluThe original theatrical and home entertainment releases had the 1987 Paramount Pictures logo with the 1989 Paramount Communications byline, the pre-2020 Blu-Ray releases meanwhile had the 2002 Paramount logo with the 1995 Viacom byline tinted in sepia, and the post-2020 home entertainment releases and current streaming releases had the current Paramount logo with 2020 ViacomCBS byline.
- Autres versionsThe VHS release is called "Final Director's Cut", features 8 minutes of additional and alternate footage not included in theatrical version and has been the version released on all subsequent home media and television releases, until the 2020 "Coda" version. The theatricals version was released in certain non USA countries on VHS and DVD, but never on Blu Ray or 4K until the 2022 Godfather 50th anniversary box set. The changes mostly consist of additional footage, but some alternate footage and dialogue in select scenes. Full set of changes are as follows:
- New scene of Don Altabello giving to the Vito Andolini foundation (1.5m).
- There is an added scene in Michael's party of the Arch Bishop and Bj talking (30s).
- New scene of Michael and George Hamilton at breakfast; then Andrew Hagen enters and speaks with Michael (1m 18s).
- New establishing shot of the church before Michael and the Arch Bishops meeting (7s, this is the opening shot of the 'Coda version')
- New scene of Mary questioning Michael's motives on the rooftop (1m 30s).
- Alternate take of Altabello leaving the Chinese restaurant before entering Michael's car (-3s)
- Two medium close-ups shots of Mary and Vincent added to the scene where they make gnocchi (8s).
- New dialogue is added to Michael reprimanding Vincent, Connie, and Neri (30s).
- Alternate dialogue in the scene where Mary is being told to not date Vincent, by Mary. Then additional dialogue is given to Michael and Anthony (10s).
- New scene of Michael giving Anthony the drawing form part II (32s).
- New scene of a shot of Michael and Kay's car driving through the hills, which dissolves into the next new scene (16s).
- New scene of Michael and Kay standing outside the door of Vito's old house, which references a deleted scene from the first film (30s).
- Deleted dialogue after Kay comments about the puppet show (No time difference).
- New scene of a cycling priest with flowers, who then gives them to Kay (28s).
- Alternate dialogue between Michael and Kay at lunch. The 1991 cut is far more emotional, where as the the article cut is far less emotional, having the characters find a much more blatant peace.
- Two superimposed shots were cut from the Restoration (making no change in the timing.) When the new Pope is elected, the Restoration at around 2:05:04 shows three superimposed shots of newspaper front pages. But the Theatrical Version included two extra front pages not included in the Restoration: a German newspaper 15 seconds later, and then an Italian newspaper another 15 seconds after that.
- ConnexionsEdited into The Godfather Trilogy: 1901-1980 (1992)
Commentaire en vedette
First off, I adore the first two Godfather films. They were wonderfully made, scored, directed and acted with compelling elegiac stories. However, while I do not think it is as bad as it is made out to be, The Godfather Part III is a disappointment. I did like it in general, but in comparison to the first two it is like a distant relative.
Starting with the good things, it does look splendid. The cinematography is beautiful and the settings are superb. The music is also outstanding, and the direction is good. The acting is uneven, but not all of it is bad. Al Pacino does have a lot of fine moments as a more gentler Michael, while Andy Garcia is electrifying too.
However, I didn't like the story as much here. It lacked the elegiac feel of the first two, it has a lot of loose ends and there was a number of times I didn't know what was going on. The script isn't as thoughtful, intelligent or as sophisticated here, instead some of it is quite stilted. As much as I do love Diane Keaton I personally don't think she was necessary here, she served her purpose perfectly in the first two. Finally I have to concur about Sophia Coppola. She never convinces as the "symbol of innocence", and just comes across sometimes as embarrassing. Much has been said about the climax in the opera house, some loved it, others didn't. I think it was a mixed bag. I had no problem with Pacino, the way it was shot and the music but it did come across as very protracted.
So all in all, not awful, not great. 6/10 Bethany Cox
Starting with the good things, it does look splendid. The cinematography is beautiful and the settings are superb. The music is also outstanding, and the direction is good. The acting is uneven, but not all of it is bad. Al Pacino does have a lot of fine moments as a more gentler Michael, while Andy Garcia is electrifying too.
However, I didn't like the story as much here. It lacked the elegiac feel of the first two, it has a lot of loose ends and there was a number of times I didn't know what was going on. The script isn't as thoughtful, intelligent or as sophisticated here, instead some of it is quite stilted. As much as I do love Diane Keaton I personally don't think she was necessary here, she served her purpose perfectly in the first two. Finally I have to concur about Sophia Coppola. She never convinces as the "symbol of innocence", and just comes across sometimes as embarrassing. Much has been said about the climax in the opera house, some loved it, others didn't. I think it was a mixed bag. I had no problem with Pacino, the way it was shot and the music but it did come across as very protracted.
So all in all, not awful, not great. 6/10 Bethany Cox
- TheLittleSongbird
- 23 nov. 2010
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- How long is The Godfather Part III?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- The Godfather Part III
- Lieux de tournage
- Mare Chiaro bar "Toni's nut house" - 179 Mulberry Street, Little Italy, Manhattan, Ville de New York, New York, États-Unis(Actual owner Toni sat in background smoking cigar as always..)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 54 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 66 761 392 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 6 387 271 $ US
- 25 déc. 1990
- Brut – à l'échelle mondiale
- 136 861 392 $ US
- Durée2 heures 42 minutes
- Mixage
- Rapport de forme
- 1.85 : 1
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