En plein coeur de la Guerre de Cent Ans, le jeune Roi Henry V d'Angleterre se lance à la conquête de la France en 1415.En plein coeur de la Guerre de Cent Ans, le jeune Roi Henry V d'Angleterre se lance à la conquête de la France en 1415.En plein coeur de la Guerre de Cent Ans, le jeune Roi Henry V d'Angleterre se lance à la conquête de la France en 1415.
- A remporté 1 oscar
- 12 victoires et 13 nominations au total
- Gower
- (as Daniel Webb)
Histoire
Le saviez-vous
- AnecdotesThis was one of Marlon Brando's and Stanley Kubrick's favorite movies.
- GaffesIt's in William Shakespeare's text, but during the English lesson between Katherine and Alice, Katherine switches from the familiar "tu" (which is to be expected when a princess addresses a servant) to the formal "vous" (which would be appropriate for a younger person addressing an older one, were the younger one not of royal blood) in her first line of dialogue in this scene, and continues using it throughout thereafter.
- Citations
[Addressing the troops]
King Henry V: And Crispin Crispian shall ne'er go by from this day until the ending of the world but we in it shall be remembered. We few, we happy few, we band of brothers, For he today who sheds his blood with me shall be my brother, Be he ne'er so vile, this day shall gentle his condition, and gentlemen in England now abed shall think themselves acursed they were not here, and hold their manhoods cheap whilst any speaks, that fought with us upon St. Crispin's day!
- Générique farfeluThe Chorus starts the film by opening the doors to the English court in the Prologue, and ends the film by closing those doors in the Epilogue.
And then you see something that convinces you otherwise. For me, it was a field trip to the American Players Theatre for AP English class when I was 16. The play was The Taming of the Shrew. I couldn't tell you what the play was about, I couldn't name to you a single character from memory, but what I do remember is the excitement of watching actors take Shakespeare seriously. Even in a comedy, I could see passion in the performances. This wasn't 14-year-olds reciting "What light through yonder window breaks" in apathetic monotone, this was professionals who made Shakespeare's words sing, almost literally. It was an honest-to-God compelling show, and the first time I remember actually wanting to enjoy Shakespeare. I was with a crowd of people who seemed to get it. They laughed at the right times and they seemed to follow along with the story. If The Taming of the Shrew didn't spark in me a love for Shakespeare, it at least sparked a real interest.
But onto my main point; Kenneth Branagh's film adaptation of Henry V is the type of thing to spark even more than an interest in Shakespeare for those who were like me. All that business I encountered 9 years ago, the taking it seriously, the passion, the elaborate staging and electricity of a crowd who loved Shakespeare; all those feelings are magnified in Henry V. Here is a movie, Branagh's first ever, that so confidently "gets" Shakespeare, that it ends up an unconditional triumph.
The major achievement of Henry V, the story of the young English King's valiant attempt to lead an outnumbered force into the Battle of Agincourt, is that word; 'unconditional'. Here we have Shakespeare's prose, his setting, his characters. The movie is without modern punch-ups or any attempts to orient us by re-figuring the story. Barring modern-set narration by Derek Jacobi, Henry V is Straight 'Speare. And somehow, there are no excuses you have to make for Henry V. You don't have to put on the qualifiers, "Shakespeare's language is tough to understand", "Knowing English history would make things clearer", "You need to know the context of the era". No, Branagh overcomes these obstacles with three huge elements: knowledge, passion and artistry.
Firstly, his understanding of Henry V does wonders. I've never seen or read the play, I don't know what I'm talking about, but still, I can see that Branagh the actor and Branagh the director believe in what they are saying and showing. Maybe it's just a trick of the performance, but when King Henry bellows out the St. Crispin's Day speech, and Patrick Doyle's music swells, it's an ecstatic moment. I don't need someone to explain to me what every word means because Branagh knows it for me. You follow his performance through the film almost like an emotional translator. That's the passion I mentioned. Kenneth Branagh is wildly excited to share his love for Shakespeare with the audience and the same goes for the supporting cast. The memo got to Emma Thompson, Ian Holm, Brian Blessed and the rest; "This is fun, this is exciting. Play it so."
Then, most importantly, there is Branagh's direction. This is no filmed stage play, and that's a shameful understatement. In fact, Henry V is a stunning piece of cinematic Cin-E-ma. Robust, bold, and gorgeously mounted, Henry V's visual style is in the same league as the very best historical epics. We're talking Braveheart-level artistry from Branagh, who opens the movie on a One Perfect Shot stunner and barely lets up until the final battle. And what a battle his Agincourt is. One does not expect this kind of scope, brutality, and muddy, bloody catharsis out of a Shakespeare adaptation. Doyle's aforementioned music is incredible, marrying so perfectly to the rousing action.
This Henry V is a Movie movie. Not a quiet and respectful "film adaptation" but an engrossing, stand-up-and-cheer prestige action adventure. That it does this with all the Shakespearian elements intact is its greatest feat. No need for samurai stand-ins or translated dialogue or a modern day setting, this is Shakespeare, straight-up, and it rocks! Seeing Kenneth Branagh's enthusiastic debut film is enough to make you rethink those old high school prejudices. How can a movie with so many 'wherefore's and 'thou's be so badass?
92/100
- jaredpahl
- 8 févr. 2021
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Henry V.
- Lieux de tournage
- Crowlink, East Sussex, Angleterre, Royaume-Uni(exteriors: prologue - cliffs)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 9 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 10 161 099 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 64 933 $ US
- 12 nov. 1989
- Brut – à l'échelle mondiale
- 10 161 211 $ US
- Durée2 heures 17 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1