Le scientifique Sam Beckett se retrouve coincé dans le passé, où il "saute" dans les corps de différentes personnes régulièrement.Le scientifique Sam Beckett se retrouve coincé dans le passé, où il "saute" dans les corps de différentes personnes régulièrement.Le scientifique Sam Beckett se retrouve coincé dans le passé, où il "saute" dans les corps de différentes personnes régulièrement.
- A remporté 6 prix Primetime Emmy
- 18 victoires et 43 nominations au total
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- AnecdotesIn the scenes where Sam Beckett is seeing someone else's reflection in the mirror these scenes are shot on a dual set using a clear glass mirror in which Scott Bakula would stand on one side and the actor or actress he'd leap into would stand on the other side.
- GaffesFor the "mirror reflections" in which Sam sees whom he leaps into, the series used a dual set with a clear glass in the "mirror". Scott Bakula would stand on one side, and the actor playing the person he leaped into on the other. Looking closely at the glass, Bakula's reflection can sometimes be seen, especially if the mirror is near a source of light like sunshine.
- Autres versionsAirings on the Comet digital channel have a recap of the previous episode at the top of some Season 2 shows, and restores Sam's end-of-episode leaps into a rerun, as originally aired, instead of the next scheduled first-run episode.
- ConnexionsFeatured in The Chronic Rift: Quantum Leap (1990)
- Bandes originalesPrologue (Saga Sell)
Written by Mike Post and Velton Ray Bunch
Performed by Velton Ray Bunch with Deborah Pratt (voice over)
Courtesy of Music Corp. of America (BMI)
Commentaire en vedette
I was so busy rearing two kids as a single mom while working, volunteering, and taking college courses that I totally missed the original run of the series. I'm playing catch up now, watching the re-runs on Sci-Fi. I happened to run into it just a few months ago -- and only b/c I stayed up too late one night. At first, I thought it was just *too cute,* but now I'm hooked. If I can't stay up till 2AM, I have to record it to find out how the next episode goes. It's fabulous!
I especially like how the show leads me to examine the history of the years between the 1950's through the 1980's -- the good, the bad, and the very, very ugly (e.g., the segregated South). Sure, it's encapsulated into a 60 minute segment, but the writers managed to hit enough of the key points to make it worth the air space. And sure, it's P.C. -- sometimes simplistically so -- but that only goes with the territory of the show's premise, which is the hope that we can make this world a better place for everyone, regardless of race, creed, color, national origin, mental abilities, or socio-economic class. That's not a bad philosophy. In fact, it's the same hope that led me to bear children, and then rear them to have hope for their own futures.
I especially like how the show leads me to examine the history of the years between the 1950's through the 1980's -- the good, the bad, and the very, very ugly (e.g., the segregated South). Sure, it's encapsulated into a 60 minute segment, but the writers managed to hit enough of the key points to make it worth the air space. And sure, it's P.C. -- sometimes simplistically so -- but that only goes with the territory of the show's premise, which is the hope that we can make this world a better place for everyone, regardless of race, creed, color, national origin, mental abilities, or socio-economic class. That's not a bad philosophy. In fact, it's the same hope that led me to bear children, and then rear them to have hope for their own futures.
- lovejoypeaceharmony
- 9 oct. 2005
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