Topio stin omihli

1988
TV-MA
2h 7m

ÉVALUATION IMDb

MA NOTE

Ajouter une intrigue dans votre langueTwo children journey the long road to Germany to find the man they believe to be their father.Two children journey the long road to Germany to find the man they believe to be their father.Two children journey the long road to Germany to find the man they believe to be their father.

Voir l’information sur la production à IMDbPro

ÉVALUATION IMDb

7,9/10

10 k

MA NOTE

Voir l’information sur la production à IMDbPro

Prix
- 12 victoires et 5 nominations au total

Photos86

+ 79

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Nostalghia

Histoire

Modifier

Le saviez-vous

Modifier

Anecdotes
After the scene of the hand surfacing out from the sea, the young actor says the sentence 'Who, if I cried out, would hear me among the angels' hierarchies?'. This sentence is from The First Elegy by Rainer Maria Rilke.

Gaffes
When the truck pulls up at the truck stop, (at around 56 mins) there is a red and blue sticker in the bottom corner of the windshield. When it pulls over later on the side of the road, the sticker is in the centre of the windshield.

Citations
Orestis: Who am I? I'm a snail slithering away into nothingness... I don't know where I'm going. Once I thought I knew.

Générique farfelu
Opening titles: The band "The Last Drive" is heard from their Hitch-hyke records' "Underworld Shakedown" album (credit appears on the same screen with those for photography assistants).

Connexions
Featured in Les enfants jouent à la Russie (1993)

Bandes originales
The Night Of The Phantom
Written by Larry Slater & Larry Roquemore
Performed by The Last Drive

Commentaires des utilisateurs39

Commentaire

Commentaire en vedette

Contrived social metaphors, but has some emotion.

A broad social criticism on contemporary Greece of the 1980's. Some scenes more successful than others, and it does drag a bit and is, as is usual for Angelopoulos, a bit contrived. Worth making the effort for anyway. The most intense scenes are the rape scene which happens out of sight and consists of one long slow dolly shot, and the wedding scene in which the future of the bride is given metaphor by a dying horse being dragged down the road by a truck.