ÉVALUATION IMDb
7,3/10
11 k
MA NOTE
Un jeune pianiste noir s'embarque dans la vie d'une famille blanche de la haute bourgeoisie parmi les tensions raciales, l'infidélité, la violence et autres événements nostalgiques du début ... Tout lireUn jeune pianiste noir s'embarque dans la vie d'une famille blanche de la haute bourgeoisie parmi les tensions raciales, l'infidélité, la violence et autres événements nostalgiques du début des années 1900 à New York.Un jeune pianiste noir s'embarque dans la vie d'une famille blanche de la haute bourgeoisie parmi les tensions raciales, l'infidélité, la violence et autres événements nostalgiques du début des années 1900 à New York.
- Nommé pour 8 oscars
- 2 victoires et 22 nominations au total
Jeffrey DeMunn
- Houdini
- (as Jeff Demunn)
Histoire
Le saviez-vous
- AnecdotesJames Cagney had been advised by his doctors and caregivers that making a film at this point in his life was very important for his health. The actor never flew, so he and his wife took an ocean liner to London, where his scenes were filmed. Despite his numerous infirmities, he stayed on-set during his fellow actors' close-ups to give them line readings.
- GaffesCharles W. Fairbanks was not Vice President when he ran with Theodore Roosevelt in 1904. He was a Senator from Indiana, chosen as Roosevelt's running mate that year. Roosevelt was William McKinley's Vice President; he became president when McKinley was assassinated, and had no Vice President for his first term.
- Citations
Coalhouse Walker Jr.: I read music so good, white folks think I'm fakin' it.
- Autres versionsA work print version was included on the film's US Blu-ray release in 2021. It runs 19 minutes longer than the theatrical version.
- ConnexionsFeatured in James Cagney: That Yankee Doodle Dandy (1981)
Commentaire en vedette
"Ragtime" may have some flaws, but overall it's an impressive recreation of NYC of the earliest years of the 20th century, and tells a VERY compelling series of stories. Scripted by Michael Weller, based on the novel by E.L. Doctorow, it has an eclectic cast, just FULL of familiar faces, that bring life to a colourful array of characters. Among the story threads: a piano player named Coalhouse Walker, Jr. (Howard E. Rollins, Jr.) comes into the life of a upper crust white family (James Olson, Mary Steenburgen, Brad Dourif), a pampered young wife (Elizabeth McGovern) makes the acquaintance of a talented street vendor (Mandy Patinkin), her husband (Robert Joy) is incensed over a nude statue for which she supposedly modelled, and Coalhouse is motivated to righteous fury when racist whites foul up his prized car, and he isn't able to obtain justice through the normal channels.
Ultimately, the film does lose a little something once it drops other story threads to focus on the Coalhouse Walker saga, but it's beautifully done in so many ways: period recreation, music (by Randy Newman), atmosphere, etc. It's appropriately uncomfortable in detailing the incredible racism displayed by some of the white characters, but that is contrasted with much more open-minded and compassionate individuals. The cast couldn't be more engaging; chief among them is top-billed legend James Cagney, in his first feature after a 20 year hiatus, and which would turn out to be his final feature film appearance. This viewer will refrain from wasting paragraph space in listing all of the talent that director Milos Forman parades before us, but it's worth noting that Jeff Daniels and Samuel L. Jackson both made their feature debuts here.
Real-life characters such as Stanford White, Harry Houdini, Booker T. Washington, and Police Commissioner Waldo (Cagney's role) mix with fictional ones in material that would have seemed a natural for Robert Altman (who was, in fact, the original director). It's rich in emotion, and has some humour to it, as well. It may not be completely effective all the way to the end, but it's quite the experience anyway.
Eight out of 10.
Ultimately, the film does lose a little something once it drops other story threads to focus on the Coalhouse Walker saga, but it's beautifully done in so many ways: period recreation, music (by Randy Newman), atmosphere, etc. It's appropriately uncomfortable in detailing the incredible racism displayed by some of the white characters, but that is contrasted with much more open-minded and compassionate individuals. The cast couldn't be more engaging; chief among them is top-billed legend James Cagney, in his first feature after a 20 year hiatus, and which would turn out to be his final feature film appearance. This viewer will refrain from wasting paragraph space in listing all of the talent that director Milos Forman parades before us, but it's worth noting that Jeff Daniels and Samuel L. Jackson both made their feature debuts here.
Real-life characters such as Stanford White, Harry Houdini, Booker T. Washington, and Police Commissioner Waldo (Cagney's role) mix with fictional ones in material that would have seemed a natural for Robert Altman (who was, in fact, the original director). It's rich in emotion, and has some humour to it, as well. It may not be completely effective all the way to the end, but it's quite the experience anyway.
Eight out of 10.
- Hey_Sweden
- 24 nov. 2019
- Lien permanent
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- How long is Ragtime?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Ragtime. Tiempo de injusticia
- Lieux de tournage
- 81 West Main Street, Mt. Kisco, New York, États-Unis(as Ragtime Victorian mansion)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 14 920 781 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 151 351 $ US
- 22 nov. 1981
- Brut – à l'échelle mondiale
- 14 920 781 $ US
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