Une blonde mystérieuse tue la patiente d'un psychiatre, puis s'en prend à la call-girl, témoin du meurtre.Une blonde mystérieuse tue la patiente d'un psychiatre, puis s'en prend à la call-girl, témoin du meurtre.Une blonde mystérieuse tue la patiente d'un psychiatre, puis s'en prend à la call-girl, témoin du meurtre.
- Prix
- 1 victoire et 10 nominations au total
Anneka Di Lorenzo
- Nurse
- (as Anneka De Lorenzo)
Histoire
Le saviez-vous
- AnecdotesAngie Dickinson said the scene where her character gets seduced in the back of a taxicab was filmed on-location in New York City, where several gawkers observed the scene and shouted, "Right on, Police Woman!" (referring to her previous television role as the title character on Police Woman (1974)).
- Gaffes(at around 55 mins) Peter Miller looks in the visor of his Super 8 camera. The format of the visor is 'Cinemascope', which never has been really possible with S8. Later, when the resulting movie is seen, it is in the standard 4/3 format.
- Citations
Liz Blake: Do you want to fuck me?
Dr. Robert Elliott: Oh, yes.
Liz Blake: Well, why don't you?
Dr. Robert Elliott: Because I'm a doctor and...
Liz Blake: Fucked a lot of doctors.
Dr. Robert Elliott: ...and I'm married.
Liz Blake: Fucked a lot of them, too.
- Autres versionsNBC edited 14 minutes from this film for its 1982 network television premiere.
- ConnexionsEdited into Sex at 24 Frames Per Second (2003)
Commentaire en vedette
"Dressed to Kill" is an intense, dreamy, erotically charged thriller, and clearly another of filmmaker Brian De Palma's homages to the works of Alfred Hitchcock. It manages the neat trick of being fairly classy and rather trashy at the same time, as De Palma brings all of his directing skill to bear. This may not be his best but it's certainly one of his most well known, thanks in no small part to the excellent star trio of Michael Caine, Angie Dickinson, and Nancy Allen; Allen, of course, was married to De Palma at the time.
Caine plays an eminent psychiatrist, Dr. Robert Elliott, and Dickinson portrays Kate Miller, one of his patients who's not getting any sexual fulfillment in her life. Unfortunately, once she is able to experience an afternoon of passion the satisfaction is short lived, as a tall, cold looking blonde woman in sunglasses and trenchcoat slashes her to death with a straight razor. (This has to rank as one of the scariest ever elevator rides captured on film.) A witness on the scene is high priced call girl Liz Blake (Allen), who's accused of the crime after stupidly picking up the murder weapon. So she ends up working with Kate's son Peter (Keith Gordon) to try to identify the woman, who Liz and Peter guess to be another of Elliott's patients.
In the opening minutes of his film De Palma shows you what you're going to be in for, showing Dickinson pleasuring herself in the shower (intercutting shots of Dickinson with those of a body double) until a male stranger materializes behinds her and starts forcing himself on her. The combination of sex and danger is always stressed in this movie; as we will learn our killer has some severe psycho sexual problems. There are some highly memorable sequences, such as an extended seduction taking place inside an art museum, that being followed by a steamy coupling in the back of a cab. Other aspects that make it effective are Jerry Greenberg's editing (this was the man that cut "The French Connection", after all), Ralf Bode's widescreen cinematography, and Pino Donaggio's haunting music.
The actors each get an impressive showcase; both Dickinson and Allen look amazing to boot. Included in the cast are Dennis Franz as the investigating detective, David Margulies as the psychiatrist who explains everything for us in the end in case we didn't already get it, William Finley who does some uncredited voice work, and Brandon Maggart in a brief bit as a john.
Overall, the film has a definite ability to get under one's skin. It's often genuinely spooky and could easily shock more sensitive viewers due to the level of sexual frankness on display. While subtlety may be in short supply, it's hard to deny the ability of "Dressed to Kill" to manipulate us into a state of excitement and expectation.
Eight out of 10.
Caine plays an eminent psychiatrist, Dr. Robert Elliott, and Dickinson portrays Kate Miller, one of his patients who's not getting any sexual fulfillment in her life. Unfortunately, once she is able to experience an afternoon of passion the satisfaction is short lived, as a tall, cold looking blonde woman in sunglasses and trenchcoat slashes her to death with a straight razor. (This has to rank as one of the scariest ever elevator rides captured on film.) A witness on the scene is high priced call girl Liz Blake (Allen), who's accused of the crime after stupidly picking up the murder weapon. So she ends up working with Kate's son Peter (Keith Gordon) to try to identify the woman, who Liz and Peter guess to be another of Elliott's patients.
In the opening minutes of his film De Palma shows you what you're going to be in for, showing Dickinson pleasuring herself in the shower (intercutting shots of Dickinson with those of a body double) until a male stranger materializes behinds her and starts forcing himself on her. The combination of sex and danger is always stressed in this movie; as we will learn our killer has some severe psycho sexual problems. There are some highly memorable sequences, such as an extended seduction taking place inside an art museum, that being followed by a steamy coupling in the back of a cab. Other aspects that make it effective are Jerry Greenberg's editing (this was the man that cut "The French Connection", after all), Ralf Bode's widescreen cinematography, and Pino Donaggio's haunting music.
The actors each get an impressive showcase; both Dickinson and Allen look amazing to boot. Included in the cast are Dennis Franz as the investigating detective, David Margulies as the psychiatrist who explains everything for us in the end in case we didn't already get it, William Finley who does some uncredited voice work, and Brandon Maggart in a brief bit as a john.
Overall, the film has a definite ability to get under one's skin. It's often genuinely spooky and could easily shock more sensitive viewers due to the level of sexual frankness on display. While subtlety may be in short supply, it's hard to deny the ability of "Dressed to Kill" to manipulate us into a state of excitement and expectation.
Eight out of 10.
- Hey_Sweden
- 4 janv. 2013
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Dressed to Kill
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 6 500 000 $ US (estimation)
- Brut – États-Unis et Canada
- 31 899 000 $ US
- Brut – à l'échelle mondiale
- 31 899 000 $ US
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