ÉVALUATION IMDb
7,3/10
16 k
MA NOTE
En plein Paris occupé, une actrice mariée à un propriétaire de théâtre juif doit le cacher des nazis tout en continuant de faire leur travail.En plein Paris occupé, une actrice mariée à un propriétaire de théâtre juif doit le cacher des nazis tout en continuant de faire leur travail.En plein Paris occupé, une actrice mariée à un propriétaire de théâtre juif doit le cacher des nazis tout en continuant de faire leur travail.
- Nommé pour 1 oscar
- 13 victoires et 7 nominations au total
René Dupré
- Valentin - Writer in Hotel Lobby
- (as Rene Dupre)
Rose Thiéry
- Mme. Thierry - Jacquôt's Mother
- (as Rose Thierry)
Histoire
Le saviez-vous
- AnecdotesIn his Chicago Sun-Times review, Roger Ebert wrote that the character of Daxiat, the collaborationist critic, "is such an evil monster that he must surely be inspired by someone Truffaut knows." Michel Daxiat was the pseudonym of the critic Alain Laubreaux (1899-1968), who wrote for the anti-Semitic journal "Je suis partout." The scene where Bernard gives him a beating is inspired by an incident when Jean Marais punched Laubreaux; after Liberation, Laubreaux shared the fate Daxiat suffers at the film's end.
- GaffesIn one scene in the cellar, during a conversation between Marion and Lucas, we can see the sound recordist hiding himself in a corner of the cellar.
- Citations
Marion Steiner: It takes two to love, as it takes two to hate. And I will keep loving you, in spite of yourself. My heart beats faster when I think of you. Nothing else matters.
- Bandes originalesBei mir Bist du Schön
(Vous êtes plus Belle que le Jour)
Music by Sholom Secunda
Lyrics by Jacob Jacobs
English lyrics by Cahn-Chaplin
French lyrics by Jacques Larue
Commentaire en vedette
An almost banal story about normal people which by its naturalness attains a truly remarkable human greatness. Against the background of nazi occupation of Paris with its whole train of treasons, pusillanimities, courage, resistance, collusions and collaboration with the enemy, indignities and oppression, a theatrical company staged underground by its director who is secretly hidden because he's Jewish, puts on the stage a play about love also repressed, a play however which resounds as a freedom although smothered shout in the darkness enveloping France and Europe by then. The acting performance of Depardieu and Deneuve is brilliant as usual although very simple and natural. Besides that, Deneuve is indeed one of the most beautiful movie stars we have ever seen. This movie is also a hymn to the theatre as free expression since ancient Greece, living through the love of those who devote themselves to it, very often with abnegation and in adverse conditions. It must by all means be seen because, in spite of all, it makes us believe in human virtues which keep pace here with the theatrical actors' talent.
- valadas
- 26 août 2003
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- How long is The Last Metro?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- The Last Metro
- Lieux de tournage
- Clichy, Hauts-de-Seine, France(sets, former chocolate factory)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 3 007 945 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 11 206 $ US
- 25 avr. 1999
- Brut – à l'échelle mondiale
- 3 007 945 $ US
- Durée2 heures 12 minutes
- Mixage
- Rapport de forme
- 1.66 : 1
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By what name was Le dernier métro (1980) officially released in India in English?
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