Ajouter une intrigue dans votre langueThe new warden of a small prison farm in Arkansas tries to clean it up of corruption after initially posing as an inmate.The new warden of a small prison farm in Arkansas tries to clean it up of corruption after initially posing as an inmate.The new warden of a small prison farm in Arkansas tries to clean it up of corruption after initially posing as an inmate.
- Nommé pour 1 oscar
- 1 victoire et 4 nominations au total
- Burl Willets
- (as Ronald C. Frazier)
- Duane Spivey
- (as David D. Harris)
Histoire
Le saviez-vous
- AnecdotesBased on the real-life efforts of former prison administrator Thomas O. Murton to reform Tucker and Cummins Prison Farms in Arkansas in 1967-68. The film was based on the 1969 book, "Accomplices to the Crime: The Arkansas Prison Scandal" by Murton and Joe Hyams. Murton also served as a technical adviser for the film.
- GaffesAt the end, when the car is leaving the prison, the grass around is violently shaking revealing the helicopter carrying the camera.
- Citations
Richard 'Dickie' Coombes: What you gon' do about Abraham?
Henry Brubaker: I've got Purcell filling out forms in triplicate, and I'm going to get him released just as soon as I-
Richard 'Dickie' Coombes: Now why do you wanna go and do that?
Henry Brubaker: Do what?
Richard 'Dickie' Coombes: Look, why don't you just leave him be. I mean, all he knows is this place.
Henry Brubaker: You - You knew that he had been in here as long as he'd been in here.
Richard 'Dickie' Coombes: Just leave him alone. He's not- He's not botherin' nobody here.
Henry Brubaker: Hey... You can't hide in prison forever, Coombes.
- Générique farfelu"We wish to pay tribute to Richard Ward, who played 'Abraham,' for a lifetime of very special work."
- ConnexionsFeatured in Siskel & Ebert & the Movies: Robert Redford (1992)
- Bandes originalesAll for the Love of Sunshine
(uncredited)
Written by Mike Curb, Harley Hatcher and Lalo Schifrin
Performed by Hank Williams Jr.
Heard when the steer is dropped off at the diner
The lead character, played by an unusual and remarkable Robert Redford, is introduced to us as a prisoner who barely speaks but observers everything concerning how inmates are treated by the guards, how the machine works behind bars and the constant brutality of the place. The plot twist to everyone is when he presents himself as the new warden and he sets up a whole reformation on the place, condemning what's wrong and doing what he believes it's right. There's plenty of benefits for the prisoners but the guards and the businessman who always gained advantages with the old administration aren't happy about this, and that misery and dissatisfaction goes back to the people who hired him, the governor and his staff who now pressure the man to go easy with his work. After all, they are losing a lot of money obtained with frauds and illegal schemes. One man alone means nothing so Brubaker is helped by some inmates and a local authority (Jane Alexander) who is close to the state governor, and will try to convince everyone that Brubaker's idealism if put to work can be profitable for everyone involved.
Brubaker's idea isn't just to denounce the illegal affairs of the state and make budget cuts. He's more concerned with the way convicted felons are treated, want to stop their exploitation and make the place a safe environment instead of the critical animal factories that don't punish anyone but is only useful to transform them into bigger monsters whose only fate is either death, or commit more violent crimes or to return to the animal factory again. Sure, this idea is good and valuable but not practical. In the film's case, it fails because one can't change a system unless if one being part of it; Brubaker made the terrible mistake of not firing the whole officials team, and those guys still managed to cause harm and work their way behind his back; and the people with the money will always speak higher.
Such idealism wouldn't work today, that's sure but it could worth a shot, specially in countries where the private initiative isn't the option (because politics are having their big time with a failing system that pays them well). Today's criminal minds are far more worse than the ones from the 1980's when this was made and they probably wouldn't leave a place where they could feel as if being on a hotel, practically with the cell keys on their hands, dictating orders like Pablo Escobar did in his "prison" time. But it can be made. And that final image of accomplish given here says everything even though things didn't turned the way it could.
The film has a fine progression and it's greatly well acted by Alexander, Redford and heightened by convincing performances from trustworthy character actors Everett McGill, David Keith, Yaphet Kotto, Matt Clark, M. Emmet Walsh, Murray Hamilton and a young Morgan Freeman. "Brubaker" has that rare quality of being dreamy, that enlightening power some movies have in our reality and we want to believe of making a dream possible. To change the world. 8/10
- Rodrigo_Amaro
- 10 sept. 2013
- Lien permanent
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Détails
Box-office
- Budget
- 7 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 37 121 708 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 2 748 079 $ US
- 22 juin 1980
- Brut – à l'échelle mondiale
- 37 121 708 $ US