28 Up
- Téléfilm
- 1984
- 2h 16m
ÉVALUATION IMDb
8,2/10
3,2 k
MA NOTE
Ajouter une intrigue dans votre langueThis eye-opening episode uncovers human nature and the desire to survive and succeed in all its heart-breaking glory.This eye-opening episode uncovers human nature and the desire to survive and succeed in all its heart-breaking glory.This eye-opening episode uncovers human nature and the desire to survive and succeed in all its heart-breaking glory.
- A remporté le prix 1 BAFTA Award
- 3 victoires et 3 nominations au total
Bruce Balden
- Self
- (as Bruce)
Jacqueline Bassett
- Self
- (as Jackie)
Symon Basterfield
- Self
- (as Simon)
Andrew Brackfield
- Self
- (as Andrew)
John Brisby
- Self
- (archive footage)
- (as John)
Peter Davies
- Self
- (as Peter)
Suzanne Dewey
- Self
- (as Suzi)
Charles Furneaux
- Self
- (archive footage)
- (as Charles)
Nicholas Hitchon
- Self
- (as Nick)
Neil Hughes
- Self
- (as Neil)
Lynn Johnson
- Self
- (as Lynn)
Paul Kligerman
- Self
- (as Paul)
Susan Sullivan
- Self
- (as Sue)
Tony Walker
- Self
- (as Tony)
Michael Apted
- Interviewer
- (voice)
- (uncredited)
Michelle Murphy
- Self (age 7, with Tony)
- (archive footage)
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesPeter Davies lost his job as a teacher because of the anti-Thatcher comments he made in this film.
- Citations
Neil Hughes: If the state didn't give us any money, it would probably just mean crime and I'm glad I don't have to steal to keep myself alive. If the money runs out then for a few days there's nowhere to go and that's all you can do, I simply have to find the warmest shed I can find.
- ConnexionsFeatured in 35 Up (1991)
Commentaire en vedette
"Give me the child until he is seven, and I will give you the man." So goes the old proverb, and the proof is in this fascinating documentary, the fourth chapter in an ambitious, ongoing epic of non-fiction filmmaking already two decades in the making at the time.
The project began in the middle 1960s as a modest examination of English class divisions in a group of seven-year old children from different social backgrounds, and has been updated every seven years to show their progress through adolescence to young adulthood. Each individual biography resists the pre-determined notions of (specifically English) status and privilege around which the entire cycle of films is based, becoming instead a record of the same, sometimes rocky path to maturity followed by everyone, regardless of upbringing. At age seven every child is carefree and impressionable; at fourteen most are sullen and inhibited, uncomfortable in puberty; at twenty-one they are, by degrees, poised to reach their potential: eager and naive or cynical and confused.
And by age 28 their niche in society has been secured, for better or (sadly) for worse. The candid self-analysis, and the range of insight and opinion, makes the film (individually, and as a series) an invaluable document of human growth and development, as well as an irresistible reminder of our own personal destiny.
The project began in the middle 1960s as a modest examination of English class divisions in a group of seven-year old children from different social backgrounds, and has been updated every seven years to show their progress through adolescence to young adulthood. Each individual biography resists the pre-determined notions of (specifically English) status and privilege around which the entire cycle of films is based, becoming instead a record of the same, sometimes rocky path to maturity followed by everyone, regardless of upbringing. At age seven every child is carefree and impressionable; at fourteen most are sullen and inhibited, uncomfortable in puberty; at twenty-one they are, by degrees, poised to reach their potential: eager and naive or cynical and confused.
And by age 28 their niche in society has been secured, for better or (sadly) for worse. The candid self-analysis, and the range of insight and opinion, makes the film (individually, and as a series) an invaluable document of human growth and development, as well as an irresistible reminder of our own personal destiny.
- mjneu59
- 10 janv. 2011
- Lien permanent
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Détails
- Durée2 heures 16 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.33 : 1
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