Un triangle amoureux se développe entre un vampire, élégant mais dangereux, son compagnon violoncelliste et un gérontologue.Un triangle amoureux se développe entre un vampire, élégant mais dangereux, son compagnon violoncelliste et un gérontologue.Un triangle amoureux se développe entre un vampire, élégant mais dangereux, son compagnon violoncelliste et un gérontologue.
- Prix
- 3 nominations au total
Histoire
Le saviez-vous
- AnecdotesDavid Bowie actually learned to play the cello for his music scenes.
- GaffesWhen Sarah is on the TV program discussing the condition Progeria, she pronounces it "Pra-j-eriah'. The correct pronunciation is "Pro-geria."
- Citations
Sarah Roberts: What's that piece you're playing?
Miriam Blaylock: It's "Lakme" by Delibes. Lakme is a Brahmin princess in India, she has a slave named Malika.
Sarah Roberts: Malika...
Miriam Blaylock: In a magical garden they sing how they follow the stream to its source, gliding over the water.
Sarah Roberts: Is it a love song?
Miriam Blaylock: I told you, it was sung by two women.
Sarah Roberts: It sounds like a love song.
Miriam Blaylock: Then I suppose that's what it is.
Sarah Roberts: Are you making a pass at me, Mrs. Blaylock?
Miriam Blaylock: Miriam.
Sarah Roberts: Miriam.
Miriam Blaylock: Not that I'm aware of, Sarah.
[Sarah smiles, shakes her head, and then spills wine on her top]
- Générique farfeluIronically, in the credits Willem Dafoe is identified as "2nd Phone Booth Youth"; whereas, he is the first "Phone Booth Youth" to be seen and speak in the Phone Booth scene. Likewise, John Pankow is noted in the credits as "1st Phone Booth Youth"; whereas, he is actually the second "Phone Booth Youth" to be seen and say his lines.
- ConnexionsFeatured in At the Movies: Adult Sexuality (1983)
- Bandes originalesLe Gibet
by Maurice Ravel
Published by Arima and Durand SA
Music Supervised and Arranged by Howard Blake
Whitley Streiber's highly suspenseful and thematically rich novel is transformed into something entirely different by Tony Scott.
The film is a dream-like arthouse horror pic with diamond-studded production values.
Catherine Deneuve is very, very good as eternal blood drinker Miriam Blaylock. Although it has never been acknowledged (as far as I know), the look and behavior of her screen character is a "re-imagining" of Delphine Seyrig's peerless vampire Countess Bathory from Harry Kummel's 1971 classic DAUGHTERS OF DARKNESS.
David Bowie is superb as Deneve's not-so-immortal beloved and convinces us to emphasize with his condition (he is aging rapidly)
This was Tony Scott's first feature and it is a beautiful piece of work that is rich in texture and design and demonstrates adroit control of cinematic craft.
The sound design and rich catalog of music cues are pitch perfect.
Certainly bearing little resemblance to Streiber's novel (just as Michael Wadleigh's WOLFEN also moved away from same author's source), THE HUNGER is, nevertheless, gorgeous art.
- fertilecelluloid
- 25 janv. 2004
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Hunger
- Lieux de tournage
- 6 Chesterfield Gardens, Londres, Angleterre, Royaume-Uni(Miriam & John Blaylock's house)
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 5 979 292 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 1 832 898 $ US
- 1 mai 1983
- Brut – à l'échelle mondiale
- 5 991 807 $ US