Salo: Les 120 Jours de Sodome

Titre original : Salò o le 120 giornate di Sodoma

1975
R
1h 57m

ÉVALUATION IMDb

5,8/10

69 k

MA NOTE

POPULARITÉ

179

'Terrifier 3' kicks off our IMDb Staff Picks list of Endurance Horror, or films that truly put you through a gauntlet of blood, gore, and clown violence. For rubberneckers and hardcore horror fans alike, here are 6 more Endurance Horror classics for your Watchlist, including 'Audition' (1999), 'The Sadness' (2021), 'Martyrs' (2008), and more.

Lireclip3 min 12 s

Regarder If You Liked Terrifier 3, Watchlist These Endurance Horror Classics

2 vidéos

97 photos

Period Drama Teen Drama Tragedy Drama

En Italie, au cours de la Seconde Guerre mondiale, quatre libertins fascistes rassemblent neuf jeunes hommes et jeunes filles et les soumettent à cent vingt jours de torture physique, mental... Tout lireEn Italie, au cours de la Seconde Guerre mondiale, quatre libertins fascistes rassemblent neuf jeunes hommes et jeunes filles et les soumettent à cent vingt jours de torture physique, mentale et sexuelle.En Italie, au cours de la Seconde Guerre mondiale, quatre libertins fascistes rassemblent neuf jeunes hommes et jeunes filles et les soumettent à cent vingt jours de torture physique, mentale et sexuelle.

Voir l’information sur la production à IMDbPro

ÉVALUATION IMDb

5,8/10

69 k

MA NOTE

POPULARITÉ

179

Voir l’information sur la production à IMDbPro

Prix
- 1 victoire au total

Vidéos2

Trailer 3:59

Trailer [OV]

Clip 3:12

If You Liked Terrifier 3, Watchlist These Endurance Horror Classics

Clip 3:12

If You Liked Terrifier 3, Watchlist These Endurance Horror Classics

Photos97

+ 93

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Histoire

Modifier

Le saviez-vous

Modifier

Anecdotes
Despite the grim subject throughout the film, in an interview on the second disc of the Criterion Collection box set, actress Hélène Surgère claimed the mood was actually rather jovial on the set and that none of the teenage actors were actually harmed or traumatized. She said the abundance of teenagers who had never acted before led the mood to be happy and at times, even fun, with the cast often playing practical jokes on each other. She also said that the movie was literally "made" in the editing room and the filmmakers had no idea how grim a movie it was until they saw the finished product at the premiere.

Gaffes
When the Duke kisses several victims during Sergio and Renata's wedding, some victims and Ezio begin to laugh, off the character.

Citations
The President: [while eating a meal of feces] Carlo, do this with your fingers.
[the President sticks two fingers in his mouth]
The President: And say, "I can't eat rice with my fingers like this."
Male Victim: [with fingers in his mouth] I can't eat rice.
The President: Then eat shit, you little bastard.

Générique farfelu
Essential Bibliography: Roland Barthes: 'Sade, Fourier, Loyola' (Editions du Seuil); Maurice Blanchot: "Lautréamont et Sade' (Editions de Minuit; in Italy Dedalo Libri); Simone de Beauvoir: 'Faut-il brûler Sade' (Editions Gaimard); Pierre Klossowski: 'Sade mon prochain, le philosophe scélérat' (Editions du Seuil; in Italy SugarCo Edizioni); Philippe Sollers: 'L'écriture et l'experience des limites' (Editions du Seuil)

Autres versions
The film was rejected for cinema by the BBFC in 1976 and a private showing of the uncut version at the Old Compton Cinema Club in London's Soho resulted in a police raid and confiscation of the movie. A heavily edited version - minus 6 minutes of footage including scenes of torture, homosexuality and excrement eating, and including a 4 minute prologue describing the history of the town of Salo - was later prepared by UK censor James Ferman for club showings. The film was finally passed completely uncut for cinema and video in the UK in December 2000.

Connexions
Edited into Histoire(s) du cinéma: Une histoire seule (1989)

Bandes originales
Prelude in C minor
(uncredited)
Composed by Frédéric Chopin (uncredited)
Played by Arnaldo Graziosi (uncredited)

Commentaires des utilisateurs493

Commentaire en vedette

end of way

disturbing. this is the basic conclusion about the last film by Pasolini. denunciation of fascism and bourgeoisie. a masterpiece. last fight of Pasolini against his demons. disgusting. a trash. demonstration of madness. chaotic and boring and scatological. for me, it is only the end of a way. a kind of verdict. after a career in search of truth and beauty and the measure. Salo is a social and political manifesto. attack against hypocrisy and denunciation of the traces of fascism. a film as a form of exorcism. cruel and honest and hopeless. but, after 40 years, it is perceived in different manner. its message is suffocated by the violence of images. the temptation to discover it as portrait of consumerism is covered by the forms of eroticism. and about the waves of prejudices. it is a Pasolini. the last. this is only important thing. the rest - manifestation of personal perceptions.