Dans un avenir contrôlé par les entreprises, un sport ultraviolent qui représente le monde, et l'un de ses athlètes est là pour défier ceux qui le veulent hors du jeu.Dans un avenir contrôlé par les entreprises, un sport ultraviolent qui représente le monde, et l'un de ses athlètes est là pour défier ceux qui le veulent hors du jeu.Dans un avenir contrôlé par les entreprises, un sport ultraviolent qui représente le monde, et l'un de ses athlètes est là pour défier ceux qui le veulent hors du jeu.
- A remporté le prix 1 BAFTA Award
- 4 victoires et 5 nominations au total
- Bartholomew's Aide
- (as Rick Le Parmentier)
- Madrid Biker #1
- (uncredited)
- Houston Team Rookie
- (uncredited)
- Biker
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesThe game of Rollerball was so realistic that the cast, extras, and stunt performers played it between takes on the set.
- GaffesAt the beginning of the New York game, after many moments in the film where different characters have repeated that there would have been "no time limit", the scoreboard shows the countdown (starting from 20.00).
This is not actually a goof, as the game was still going to have 20-minute periods, but there was going to be no limit to the number of periods, hence "no time limit".
- Citations
Bartholomew: Sweet dreams, Moonpie. That's a bad habit you've got there. You know what that habit will make you dream, Moonpie? You'll dream you're an executive. You'll have your hands on all the controls, and you will wear a gray suit, and you will make decisions. But you know what, Moonpie? You know what those executives dream about out there behind their desks? They dream they're great Rollerballers. They dream they're Jonathan; they have muscles, they bash in faces.
- ConnexionsFeatured in Brubaker (1980)
- Bandes originalesToccata and Fugue in D minor, BWV 565
(uncredited)
Composed by Johann Sebastian Bach
Performed by Simon Preston and the London Symphony Orchestra
Conducted by André Previn
Now, having just watched the movie twice in a night, the second time with the director's commentary, I have finally got to grips with the scenes between the action, and discovered that I like it more than ever. The view of the future is not highly original; tipping its hat to the stratified societies foreseen by Orwell and Huxley, amongst others; but nevertheless the portrayal is engaging. Jewison astutely realised that only by filling in the image of the future society, the characters, and the political background against which the tournament unfolds, would the game be seen as truly REAL for the characters. In the meanwhile, he also has the chance to build suspense, upping the stakes for both the heroic gladiator/combateur Jonathon, and his would-be puppet master Bartholemew. In this way, when we come to watch the actual contests, our enthusiasm is whetted, and by making the rules progressively more dangerous with each passing game, the stakes grow ever higher.
The central themes of the movie are (i) loss-of-soul/nihilism/sensual-vs-spiritual-happiness, and (ii) individuality vs state control. Perhaps the best scenes elucidating these themes are the famous `tree killing' scene, and the conversation between Jonathon and Ella in the forest. The use of imagery and metaphor is widespread; I will mention only the terrific concept of the roulette wheel as game arena, with the players INSIDE, instead of outside; and the Circus Maximus parallel. You may draw many interesting conclusions from this about the director's and writer's intent.
My final word is: watch it once, soak up the action, and be bored by the rest. Then view it again, feel yourself in Jonathon's dilemma, experience his wrenching disappointment with the people in his life who betray him, and try to tear yourself away if you can as he is pushed inexorably to his fate in the arena of ROLLERBALL.
- nico_wabe
- 2 août 2001
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Роллербол
- Lieux de tournage
- BMW Building, Munich, Bavière, Allemagne(Energy Corporation headquarters)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 6 000 000 $ US (estimation)
- Durée2 heures 5 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.75 : 1