ÉVALUATION IMDb
5,5/10
4,7 k
MA NOTE
Pendant ses vacances en Italie, une jeune et belle touriste américaine se retrouve invitée dans une villa côtière habitée par un groupe d'étranges personnes.Pendant ses vacances en Italie, une jeune et belle touriste américaine se retrouve invitée dans une villa côtière habitée par un groupe d'étranges personnes.Pendant ses vacances en Italie, une jeune et belle touriste américaine se retrouve invitée dans une villa côtière habitée par un groupe d'étranges personnes.
Henning Schlüter
- Catone
- (as Henning Schlueter)
Mogens von Gadow
- German #1
- (as Mogen von Gadow)
Histoire
Le saviez-vous
- AnecdotesWhen producer Robert Evans was trying to coax Roman Polanski to direct Chinatown (1974), he found Polanski thoroughly absorbed with this film, to the extent that he had bought a 50% share in it. Evans eventually lured Polanski by saying that whatever "What" made in its opening week, he would pay him as his salary for directing "Chinatown". Polanski readily agreed to this, expecting "What" to do well as he considered it the best thing he had done up to that point. Unluckily for Polanski, "What" only grossed $64 on its first week.
- GaffesNancy's hands are well manicured throughout the movie, but quite ordinary during close-ups, when she's supposedly playing the piano.
- Générique farfeluThe opening titles are written in Nancy's diary.
- ConnexionsEdited into Marcello, una vita dolce (2006)
Commentaire en vedette
Words seem rather moot in attempting to describe a film of this nature. Roman Polanski's bizarre, unfunny, yet beautifully-made film about a beautiful but naive American who becomes trapped in a decadent setting of horny Italians and indifferent foreigners is almost too embarrassing to be associated with the great director. And yet, it kept my interest practically the whole way through.
Roger Ebert has often noted that it takes a great director to make a truly awful film. Polanski surely is talented but is this film a travesty? The truth of the matter remains that it is surely one most Polanski fans either have not seen or are avoiding like the plague. This may be a good idea. Nevertheless, there are reasons why this film seems to haunt the fringes of the cinematic world. It has often been compared to Alice in Wonderland with its plot of a young girl being thrown into one crazy situation after another within a confined space. As for any possible meaning or symbolism behind these set pieces, I have no clue.
Perhaps we are not supposed to look too closely. Maybe this is Polanski trying to relax and make a comedy, mixed inevitably with his trademark absurdity and sadness. In the end, the traits which make Polanski unique remain visible despite the surface appearing much too seedy and unwholesome for the average film viewer. This is a film that cannot be recommended or hated, only observed of how bizarre it truly is.
Roger Ebert has often noted that it takes a great director to make a truly awful film. Polanski surely is talented but is this film a travesty? The truth of the matter remains that it is surely one most Polanski fans either have not seen or are avoiding like the plague. This may be a good idea. Nevertheless, there are reasons why this film seems to haunt the fringes of the cinematic world. It has often been compared to Alice in Wonderland with its plot of a young girl being thrown into one crazy situation after another within a confined space. As for any possible meaning or symbolism behind these set pieces, I have no clue.
Perhaps we are not supposed to look too closely. Maybe this is Polanski trying to relax and make a comedy, mixed inevitably with his trademark absurdity and sadness. In the end, the traits which make Polanski unique remain visible despite the surface appearing much too seedy and unwholesome for the average film viewer. This is a film that cannot be recommended or hated, only observed of how bizarre it truly is.
- bobsgrock
- 23 mai 2012
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Détails
Box-office
- Brut – États-Unis et Canada
- 64 $ US
- Durée1 heure 54 minutes
- Rapport de forme
- 2.35 : 1
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