Star Trek I: Le film

Titre original : Star Trek: The Motion Picture

1979
G
2h 23m

ÉVALUATION IMDb

6,4/10

98 k

MA NOTE

POPULARITÉ

3 976

364

Leonard Nimoy, William Shatner, and Persis Khambatta in Star Trek I: Le film (1979)

Home Video Trailer from Paramount Home Entertainment

Liretrailer1 min 53 s

2 vidéos

99+ photos

Sci-Fi Epic Space Sci-Fi Adventure Mystery Sci-Fi

Lorsqu'un vaisseau spatial extraterrestre d'une puissance énorme est repéré en approche de la Terre, l'amiral James T. Kirk reprend le commandement de l'USS Enterprise afin de l'intercepter.Lorsqu'un vaisseau spatial extraterrestre d'une puissance énorme est repéré en approche de la Terre, l'amiral James T. Kirk reprend le commandement de l'USS Enterprise afin de l'intercepter.Lorsqu'un vaisseau spatial extraterrestre d'une puissance énorme est repéré en approche de la Terre, l'amiral James T. Kirk reprend le commandement de l'USS Enterprise afin de l'intercepter.

Voir l’information sur la production à IMDbPro

ÉVALUATION IMDb

6,4/10

98 k

MA NOTE

POPULARITÉ

3 976

364

Voir l’information sur la production à IMDbPro

Nommé pour 3 oscars
- 4 victoires et 21 nominations au total

Vidéos2

Trailer 1:53

Star Trek: The Motion Picture

Clip 2:08

Star Trek: The Motion Picture: The Enterprise

Clip 2:08

Star Trek: The Motion Picture: The Enterprise

Photos269

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Histoire

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Anecdotes
When Captain Kirk addresses the crew before launching, many of the extras were noted Star Trek fans, including Bjo Trimble, co-organizer of the letter-writing campaign that kept Patrouille du cosmos (1966) alive for a third season.

Gaffes
When flying past Jupiter, three consecutive shots of Jupiter and its moons are shown. The first and third are from the POV of the ship as it approaches and passes Jupiter, and show the sunshine on planet and several moons coming from the port aft. The second shot shows the opposite angle of the oncoming ship, and the sunshine on the planet and 4 moons is coming from a different direction on each body, none of them from the port aft.

Citations
[last lines]
Chief DiFalco: Heading, sir?
Captain James T. Kirk: Out there... thataway.

Générique farfelu
End title: "The human adventure is just beginning."

Autres versions
On November 6, 2001, the Director's Edition supervised by Robert Wise was released on DVD and widescreen VHS, running 136 minutes. The material added to the film consists of the following:
The landscape of Vulcan was changed to include a yellowish sky and new landscape featuring massive statues. All other footage was tinted gold.
The matte painting of the Golden Gate Bridge in the scene where Kirk arrives at Starfleet Headquarters was replaced by a new CGI scene that shows Kirk's shuttle arriving at Starfleet. It is actually slightly longer than the original version.
The matte painting of Starfleet Command was improved with CGI effects, including an original series shuttle launched in the background.
In a close-up shot when Kirk first sees the new Enterprise from his shuttle, the image of the ship was superimposed over Kirk's face as a reflection in the shuttle's window.
After Kirk leaves the bridge, a short conversation between Sulu, Uhura and an alien officer was inserted.**
A new CGI shot of the Earth is shown on the viewscreen when the Enterprise leaves the planet.
A new CGI effect showing one of the Enterprise's nacelles was inserted into the window when Kirk, Spock and McCoy speak on the observation deck.
A new CGI shot was inserted which shows V'Ger's second energy torpedo vanishing before it could strike the Enterprise.
The energy probe that invades the bridge now approaches in a CGI exterior shot.
A new CGI shot shows the V'Ger vessel entering Earth orbit.
The scene in which Chekov burns his hand is much longer and shows Lt. Ilia healing him with her empathic powers instead of Nurse Chapel.**
The long walk to V'Ger was totally redone. There is now a walkway that materializes out of thin air, compared to the endless field in the original version.
The Enterprise's voyage to the center of V'Ger is slightly extended. It has a scene of Spock sharing a tear "for V'Ger" and Scotty ordered to self-destruct the ship if the landing party is unsuccessful.**
The small black "empty matte" in the window when Decker and Ilia confront each other in the recreation deck was replaced with a CGI shot of the V'Ger cloud interior.
The final explosion of V'Ger was slightly extended. The shot from the original version remained intact, but a new element of the vessel imploding its energy for the explosion was added.
New opening titles were commissioned for the film's opening. The opening titles now have a slight fading effect and are now seen over a background of stars. The text is colored a bright gold, compared to the original version's white.
The explosion in the wormhole was redone. There is now an exterior shot of the asteroid exploding and the wormhole disintegrating. Additionally, the viewfinder in the next shot is enhanced to show sparks and debris.
The final message to the audience, "The human adventure is just beginning", was altered. In the original version, the starfield cuts away to a blank title card showing the text. In the Director's Edition, the starfield was extended by a few seconds to allow the text, colored bright gold, to fade into the picture.
The ending credits were slightly altered. The text, as with the opening titles and the final "human adventure" text, was changed color, from white to a bright gold. Additionally, the music was slightly extended to add new Director's Edition credits.
An all-new sound mix was commissioned, keeping the music and dialog intact, and adding new effects for almost all scenes. For example, the Enterprise computer voice alarms are now replaced with klaxon sirens, the lightning effects have new echoes, and a blend of Enterprise bridge sound effects from the original Star Trek series, Star Trek II: The Wrath of Khan, and Star Trek VI: The Undiscovered Country have been added into the background of scenes taking place on the bridge. The new mix is in Dolby 5.1 EX Surround.
The footage from 1979 was digitally restored and remastered, and combined with the new CGI elements.
The opening overture has been restored to its full length. It is also played over a CGI starfield, rather than the blank screen in the original version.
A slight dialog alteration was made: In the 1979 and 1983 versions, the V'Ger cloud is said to be "over 82 AUs in diameter" which equals 7.626 billion miles across - much too large for the Enterprise to realistically travel to the heart of the cloud at subwarp speeds within a reasonable length of time. For the Director's Edition, the Epsilon 9 commander's dialog was altered so that the cloud is now said to be a (somewhat) more reasonable "over 2 AUs", or 186 million miles.
The producers of the Director's Edition submitted the film for re-rating by the MPAA, hoping for a PG rating rather than the original G rating which they believed carried a negative association; the basis for the higher rating was the intensified soundtrack. Oddly, when the original theatrical version was released on DVD and Blu-ray in 2009, it carried no MPAA rating.
Scenes previously available in the "special longer version."

Connexions
Edited into Star trek II: La colère de Khan (1982)

Bandes originales
Theme from 'Star Trek: The television Series'
Written by Alexander Courage and Gene Roddenberry

Commentaires des utilisateurs592

Commentaire

Commentaire en vedette

6/10

Is This All We Are, Is There Nothing More?

I've heard George Lucas talk about the change of pacing between films of the 1970's and of films now. He talked about how the pacing of the first Star Wars film was considered rapid at the time but by today's standards, pretty slow. I feel the same can be said about the first Star Trek film (The Motion Picture). The first hour of this film is quite a drag. The special effects are dated, but sometimes that can be forgiven if the story around it is epic (Original Star Wars). The story for this film is embroiled in mystery as we don't even know who or what the villain is for close to an hour and a half.

Overall, I think I can say I enjoyed watching Star Trek: The Motion Picture as it brings back all of the same characters and dynamics from the original series, but the story dragged and I don't feel like this was the particular plot they should have revolved the first feature film around.

The enterprise this time is investigating an alien spacecraft that gets mysteriously close to earth, known as V'Ger. Captain Kirk returned back to his position as head of the Starship Enterprise. Kirk replaced the new head of the enterprise, Decker. Obviously, you know that the dynamic between the two will have plenty of tension knowing there's two captains in the same ship, but it doesn't go to the extent that a normal Hollywood film would do.

Yes, the tone and feel of the film is the same as the series but I think it was lacking the magic. There's a lot of time in the film spent on showing the numerous special effects shots and set pieces they created for the film. With that said, I don't feel like there was enough time spent on character development for people who didn't know the characters from the TV show.

It's not that Star Trek: The Motion Picture isn't a good entry in the series, it's just that there's merely nothing special at all about the film. Its constantly told to us that this mission is to save the entire human race and has a huge scope, but we don't really see that being played out. I liked the ending reveal involving V'Ger, but it didn't save the film from being an average entry in a history franchise.

+Same feel as the series

+Cool reveal

-Don't get a sense of the scope they were going for

-Too much time spent on establishing shots and showing off average special effects

6.3/10

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Détails

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Date de sortie
- 8 décembre 1979 (United States)
Pays d’origine
- United States
Site officiel
- Startrek.com
Langues
- English
- Klingon
Aussi connu sous le nom de
- Patrouille du cosmos
Lieux de tournage
- Yellowstone National Park, Wyoming, ÉTATS-UNIS(portions of planet Vulcan sequence filmed at Minerva Terrace)
sociétés de production
Consultez plus de crédits d'entreprise sur IMDbPro

Box-office

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Budget
- 35 000 000 $ US (estimation)
Brut – États-Unis et Canada
- 82 604 699 $ US
Fin de semaine d'ouverture – États-Unis et Canada
- 11 926 421 $ US
- 9 déc. 1979
Brut – à l'échelle mondiale
- 82 676 805 $ US