Une adaptation du « Magicien d'Oz » qui tente de capturer l'essence de l'histoire afro-américaine.Une adaptation du « Magicien d'Oz » qui tente de capturer l'essence de l'histoire afro-américaine.Une adaptation du « Magicien d'Oz » qui tente de capturer l'essence de l'histoire afro-américaine.
- Nommé pour 4 oscars
- 2 victoires et 11 nominations au total
Toney Brealond
- Gold Footman
- (as Tony Brealond)
Histoire
Le saviez-vous
- AnecdotesIn his book "Making Movies," Sidney Lumet admits that filming the Emerald City sequence on the plaza at the World Trade Center had to be cut short because of wind and scheduling. The red sequence had to be shortened due to a lighting error, and there was no time to re-shoot. The Port Authority would not allow more time to fix mistakes.
- GaffesAunt Em comments that Dorothy has never been south of 125th Street in the Manhattan neighborhood of Harlem. However, Dorothy later gives her address as being on Prospect Place, which is in Brooklyn, miles southeast of Harlem.
- Générique farfeluFitzstephens, Jack ... Music Editor & Guru
- Autres versionsWhen this movie debuted on CBS, the network trimmed several scenes to fit in a 3 hour block with commercials. Several omitted scenes includes:
- The arrival of the baby and its family at Aunt Emme's party.
- Some of the dancing and the Poms sequence with the Munchkins (it cut from them going down the stairs to some of them doing acrobatics).
- Portions of "Mean Ole Lion".
- The chase sequence in the subway platform omits how the Scarecrow and the Tin Man are rescued by the Lion.
- The Poppy Girls close-up shot.
- Dance portions in the Emerald City during the Green and Red clothing.
- The entire Emerald City Motel sequence
- Dorothy asking the guards of the gate how to get to Evilynn's. (It cut from RIchard Pryor peeking out to the time clock at the sweat shop).
- ConnexionsEdited into The Arrivals (2008)
- Bandes originalesYou Can't Win, You Can't Break Even
Written by Charlie Smalls
Performed by Michael Jackson (uncredited) and The Four Crows (uncredited)
Commentaire en vedette
I'm sure the idea for "The Wiz" looked good on paper: a modern, all-black musical retelling of "The Wizard of Oz," with the boroughs of New York subbing in for the Emerald City and environs. Indeed, nothing is wrong with the concept--revisions and re-imaginings can work, and have been part of music theater for almost as long as the genre has existed. But for every "West Side Story," we get something like...well, like this.
Dorothy (Diana Ross) here is a 24-year-old Harlem schoolteacher, and as the story opens we are treated to scenes of her Aunt Em telling her to switch her kindergarten students for high schoolers, move out of the house, and basically get on with her life. But Dorothy doesn't want to, because--well, she's scared, I guess. Certainly not because she finds her current job enjoyable or fulfilling, or is better working with younger kids than with teenagers, or doesn't make enough money to afford the rents in New York City. So it's off to Oz, where she metaphorically sorts out her problems by killing witches and associating with strange men. (One of those strange men, the Scarecrow, is played by Michael Jackson--and you can write your own joke from here.)
It's always irritating when the directors of movie musicals hire actors who can't sing (as in "Paint Your Wagon"), but "The Wiz" proves that hiring singers who can't act is just as bad. Ross makes Dorothy so whiny, ineffective, and unappealing that you simply want to slap her. Jackson's not much better, delivering all his lines in the same breathy monotone--although it is nice to watch him back when he was at the threshold of a productive and memorable music career, instead of the disturbing self-caricature he has become. Everyone else hams it up accordingly, especially Richard Pryor as the title character.
Of course, neither director Sidney Lumet nor writers William F. Brown and Joel Schumacher made things any easier for the cast to begin with. Between the three of them, they leave no point unhit with a sledgehammer, and no stereotype unexploited (the worst: the crows who harass the Scarecrow, who bear a resemblance to the ones in "Dumbo" and who, I'm guessing, are all named Jim). With the exception of a celebratory dance after the Wicked Witch's demise, the choreography is rather bland and photographed in an uninvolving manner. The action frequently drags too long, leaving us looking at the time clock on the DVD player when we should be watching the characters.
There is a great book out there by Gregory Maguire called "Wicked" (which itself is now a Broadway musical). It reimagines Oz in a thoughtful and interesting manner. Read it instead.
Dorothy (Diana Ross) here is a 24-year-old Harlem schoolteacher, and as the story opens we are treated to scenes of her Aunt Em telling her to switch her kindergarten students for high schoolers, move out of the house, and basically get on with her life. But Dorothy doesn't want to, because--well, she's scared, I guess. Certainly not because she finds her current job enjoyable or fulfilling, or is better working with younger kids than with teenagers, or doesn't make enough money to afford the rents in New York City. So it's off to Oz, where she metaphorically sorts out her problems by killing witches and associating with strange men. (One of those strange men, the Scarecrow, is played by Michael Jackson--and you can write your own joke from here.)
It's always irritating when the directors of movie musicals hire actors who can't sing (as in "Paint Your Wagon"), but "The Wiz" proves that hiring singers who can't act is just as bad. Ross makes Dorothy so whiny, ineffective, and unappealing that you simply want to slap her. Jackson's not much better, delivering all his lines in the same breathy monotone--although it is nice to watch him back when he was at the threshold of a productive and memorable music career, instead of the disturbing self-caricature he has become. Everyone else hams it up accordingly, especially Richard Pryor as the title character.
Of course, neither director Sidney Lumet nor writers William F. Brown and Joel Schumacher made things any easier for the cast to begin with. Between the three of them, they leave no point unhit with a sledgehammer, and no stereotype unexploited (the worst: the crows who harass the Scarecrow, who bear a resemblance to the ones in "Dumbo" and who, I'm guessing, are all named Jim). With the exception of a celebratory dance after the Wicked Witch's demise, the choreography is rather bland and photographed in an uninvolving manner. The action frequently drags too long, leaving us looking at the time clock on the DVD player when we should be watching the characters.
There is a great book out there by Gregory Maguire called "Wicked" (which itself is now a Broadway musical). It reimagines Oz in a thoughtful and interesting manner. Read it instead.
- divaclv
- 7 oct. 2004
- Lien permanent
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
- How long is The Wiz?Propulsé par Alexa
Détails
Box-office
- Budget
- 24 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 21 049 053 $ US
- Brut – à l'échelle mondiale
- 21 049 647 $ US
- Durée2 heures 14 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was Le magicien d'Oz (1978) officially released in India in English?
Répondre