ÉVALUATION IMDb
6,4/10
1,3 k
MA NOTE
Ajouter une intrigue dans votre langueThree movie genres of the 1930s--boxing films, World War I aviation dramas, and backstage Broadway musicals--are satirized using the same cast.Three movie genres of the 1930s--boxing films, World War I aviation dramas, and backstage Broadway musicals--are satirized using the same cast.Three movie genres of the 1930s--boxing films, World War I aviation dramas, and backstage Broadway musicals--are satirized using the same cast.
- Prix
- 3 victoires et 10 nominations au total
Peter Stader
- Barney Keegle (segment "Dynamite Hands")
- (as Peter T. Stader)
Jimmy Lennon Sr.
- The Announcer (segment "Dynamite Hands")
- (as James Lennon)
Histoire
Le saviez-vous
- AnecdotesIn the original theatrical release, "Dynamite Hands" which was filmed in color, was printed in black and white. The home video version uses the original color footage. Contrary to rumors, the video version was not colorized.
- GaffesAssuming Baxter's Beauties of 1933 had actually been shot in 1933, it would have used two-strip Technicolor, also known as Red Technicolor because it is particularly good at photographing the red spectrum. This is shot in the three-strip process, or Blue Technicolor, which would not be introduced until 1935. Additionally, most musicals would not be shot completely in color until the 1940s.
- Citations
Joey Popchik: When a man says what's right, what's good, what's real, and what's true, then his mouth is ten feet tall.
- Générique farfeluThe cast list in the closing credits is divided into two sections with headings Dynamite Hands and Baxter's Beauties of 1933.
- Autres versionsIn the theatrical and pay-tv release, the first half of "Movie, Movie" is in black and white, while both halves are often shown in color in commercial TV.
- Bandes originalesOverture to Baxter's Beauties of 1933
Music by Ralph Burns and Buster Davis
Performed by Ralph Burns and the Orchestra
Commentaire en vedette
A quick glance at the user comments will tell you that this film is worth seeing. I'm neither a musical fanatic nor a boxing enthusiast, but the numbers, performances and nuances were entrancing.
Somehow, Donen found the perfect blend for the self-reflexive genre picture, a combination that is exceedingly difficult for modern filmmakers to get a handle on. The viewer is watching a spoof yet all of the elements are still real. We feel for the pitifully archetypal characters because it seems that they realize their fate as symbols. George C. Scott's glances of reaction, just askew of breaking the third wall, depict someone who is aware of his limited fate, but still experiences with all of his emotions every situation as if he doesn't know it's coming. In this way, the actors, as in the Brechtian mode of theater, are somewhat like audience members themselves. They know the story and the ending, but they can't help suspending their disbelief, just for fun.
The musical numbers work in the same way. They are spoofs, fulfilling specific purposes and making all the proper illusions, yet are thoroughly enjoyable as musical numbers.
"Movie Movie" isn't necessarily a great movie, but it gives the illusion of greatness in its sincerity. In a medium where the audience often feels that they are the butt of a joke only the director knows the setup to, "Movie Movie" puts across the feeling that the director genuinely enjoys movies and expects everyone involved to derive the same pleasure from them.
Somehow, Donen found the perfect blend for the self-reflexive genre picture, a combination that is exceedingly difficult for modern filmmakers to get a handle on. The viewer is watching a spoof yet all of the elements are still real. We feel for the pitifully archetypal characters because it seems that they realize their fate as symbols. George C. Scott's glances of reaction, just askew of breaking the third wall, depict someone who is aware of his limited fate, but still experiences with all of his emotions every situation as if he doesn't know it's coming. In this way, the actors, as in the Brechtian mode of theater, are somewhat like audience members themselves. They know the story and the ending, but they can't help suspending their disbelief, just for fun.
The musical numbers work in the same way. They are spoofs, fulfilling specific purposes and making all the proper illusions, yet are thoroughly enjoyable as musical numbers.
"Movie Movie" isn't necessarily a great movie, but it gives the illusion of greatness in its sincerity. In a medium where the audience often feels that they are the butt of a joke only the director knows the setup to, "Movie Movie" puts across the feeling that the director genuinely enjoys movies and expects everyone involved to derive the same pleasure from them.
- kellybob
- 18 mars 2002
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- How long is Movie Movie?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Double Feature
- Lieux de tournage
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 6 000 000 $ US (estimation)
- Durée1 heure 45 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Movie Movie (1978) officially released in India in English?
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