C'eravamo tanto amati

When nostalgia meets subtle humor, nonchalance and Italian "bigmouth"-way of expressing ideas, there's where you can find "C'eravamo tanto amati". The emotion is always there, but the smile is never far away.Italian filmmakers (not all, but Scola is definitely one of them)have this lovely way to make sad things seem quite funny (apart of one or two very touching scenes), and funny things a bit melancholic. This film talks to your heart. It appeals to a wide range of emotions, each of them never alone but delicately mixed with others. This story about love, friendship, political involvement, and their evolution (dilution?) through the years could have easily lost itself in drama and self-pity, or in first-degree optimism, which are the two great traps which lots of directors fall in. But Scola is far, far above that. This film is life as it goes. Special mentions to the scenes between Vittorio Gassmann and Giovanna Ralli.