Emanuelle nera: Orient reportage

1976
R
1h 32m

ÉVALUATION IMDb

MA NOTE

Emmanuelle est envoyée à Bangkok pour une mission de journalisme. Là-bas, elle se lance dans sa propre exploration des secrets du plaisir sensuel. Tout en apprenant, elle révèle également pl... Tout lireEmmanuelle est envoyée à Bangkok pour une mission de journalisme. Là-bas, elle se lance dans sa propre exploration des secrets du plaisir sensuel. Tout en apprenant, elle révèle également plusieurs secrets propres à elle.Emmanuelle est envoyée à Bangkok pour une mission de journalisme. Là-bas, elle se lance dans sa propre exploration des secrets du plaisir sensuel. Tout en apprenant, elle révèle également plusieurs secrets propres à elle.

Voir l’information sur la production à IMDbPro

ÉVALUATION IMDb

4,4/10

1,3 k

MA NOTE

Voir l’information sur la production à IMDbPro

Anecdotes
When Black Emanuelle (1975) was a smash hit, Laura Gemser signed a contract with director Joe D'Amato (aka Aristide Massaccesi) for five more Emanuelle films. Gemser said years later that being nude and filming sex scenes for Black Emanuelle were awkward for her because she was very shy, but they got much worse working for D'Amato. He was an infamous director of sleazy exploitation films in 1970s Italy, and churned out hundreds of low budget films that left audiences in awe of how perverse and depraved they were. He ended up having Gemser filming every possible sex (straight and lesbian) and nude scene he could think of and filmed her from every possible angle,

Gaffes
In the English print opening credits, Venantino Venantini's surname is misspelled 'Venantim'.

Autres versions
The version distributed by City Nights Films (which is the version most often shown on US cable television) replaces the title and end credit sequences of Laura Gemser wandering around various locales with a sequence of titles on a black background. The love scenes are also majorly (and quite sloppily) cut, as are some more violent sequences.

Connexions
Featured in Joe Bob's Drive-In Theater: Episode dated 2 July 1994 (1994)

Bandes originales
Black Emanuelle
Written by Nico Fidenco
Performed by The Bulldogs

Commentaires des utilisateurs17

Commentaire

Commentaire en vedette

5/10

90 minutes of Laura Gemser and nothing else? Works for me!

This is the first, and most likely the only Joe D'Amato film ever to hit Belgian television screens. Quite logical, since the titles on his repertoire go from nauseating horror films ("Anthropophagous", "Beyond the Darkness") to hardcore porno flicks ("Tarzan X") and sometimes even a combination of both ("Erotic Nights of the Living Dead", "Porno Holocaust"). D'Amato pretty much behaves himself here and follows the formula of the original "Black Emanuelle" film, released one year before, but that doesn't mean avid D'Amato-fans have to worry, as there still is an enormous amount of genuine sleaze to enjoy. "Emanuelle in Bangkok" has virtually no plot at all and you can't even fully believe the title, as our sexy protagonist's journey to the Far East is very brief and she only has contact with two Asian people (a masseuse and a bell-boy). The film most "crucial" sequences are set on a cruise ship and in Morocco, where she has an off/on relationship with a persistent archaeologist. I have no complaints, though, since the camera beautifully captures Laura Gemser's erotic adventures with men, women, couples and herself. Joe D'Amato's trademarks are bizarrely tinted sexual situations, and there's only one such sequence in this film, namely the Japanese stripper who puts ping-pong balls up her vagina. Weird One aspect about "Emanuelle in Bangkok", as well as in the entire cycle, is downright brilliant and that's the music. Nico Fidenco's score is mesmerizing and, without exaggerating, at least ten times better than every other score that ever won an Oscar. The dazzling soundtrack alone makes "Emanuelle in Bangkok" a true cult classic that every fan of the genre will enjoy watching.