Partner.

ÉVALUATION IMDb

MA NOTE

Bernardo Bertolucci et son co-scénariste Gianni Amico s'inspirent du roman de Dostoievski paru en 1846 avant son emprisonnement, Le Double, qu'ils transposent en Italie durant les protestati... Tout lireBernardo Bertolucci et son co-scénariste Gianni Amico s'inspirent du roman de Dostoievski paru en 1846 avant son emprisonnement, Le Double, qu'ils transposent en Italie durant les protestations étudiantes contre la Guerre du Vietnam.Bernardo Bertolucci et son co-scénariste Gianni Amico s'inspirent du roman de Dostoievski paru en 1846 avant son emprisonnement, Le Double, qu'ils transposent en Italie durant les protestations étudiantes contre la Guerre du Vietnam.

Voir l’information sur la production à IMDbPro

ÉVALUATION IMDb

6,2/10

960

MA NOTE

Voir l’information sur la production à IMDbPro

Prix
- 1 nomination au total

Photos29

+ 23

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Histoire

Modifier

Le saviez-vous

Modifier

Citations
Giacobbe I and II: The things are not as we see, neither as we feel them generally. But it is as the theater shows us. The things are receptacles of evil, which is, of irreality. The theater is one of the ways that conduct men to reality. In the beginning, things were real, the world in its childhood was real, there was a ressonance on men. To look to the world at that time was to see the infinite. Now, something is growing inside of me, that doesn't come from me but it comes from the darkness inside of me. And soon there'll be nothing. Except our obscene masks that imitate reality in between the sputum and the manure of the world.

Connexions
Featured in La sua giornata di gloria (1969)

Bandes originales
Splash
Written by Audrey Nohra (as Nohra)
Composed by Ennio Morricone
Performed by Peeter Boom
Courtesy of C.A.M.

Commentaires des utilisateurs13

Commentaire

Commentaire en vedette

7/10

Cinema Omnivore - Partner (1968) 6.9/10

"Bertolucci's juvenilia, his Venice Golden Lion-nominated third feature PARTNER, made when he was 28, released months after the May 68 unrest, is an antisocial, subversive manifesto re-moulded out of Dostoevsky's novella "The Double" and has the Vietnamese flag prominently featured in it.

Clémenti plays Giacobbe, a young college professor, cynical, unstable, romantically frustrated, even psychotic and homicidal, meets his alter ego. Like two peas in a pod, they live together in Giacobbe's book-stacked apartment, but dissimilar to Dostoevsky's text, PARTNER doesn't overtly demarcate their disparate personalities, for most of the time, audience cannot tell which Giacobbe is present when only one of them is shown. "

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