Georgy Girl

1966
R
1h 39m

ÉVALUATION IMDb

6,9/10

4,3 k

MA NOTE

Liretrailer2 min 33 s

1 vidéo

16 photos

Comedy Drama Romance

Une fille traditionnelle résiste aux avances d'un échangiste qui la veut comme sa maîtresse dans les années 1960 à Londres.Une fille traditionnelle résiste aux avances d'un échangiste qui la veut comme sa maîtresse dans les années 1960 à Londres.Une fille traditionnelle résiste aux avances d'un échangiste qui la veut comme sa maîtresse dans les années 1960 à Londres.

Voir l’information sur la production à IMDbPro

ÉVALUATION IMDb

6,9/10

4,3 k

MA NOTE

Voir l’information sur la production à IMDbPro

Nommé pour 4 oscars
- 6 victoires et 17 nominations au total

Vidéos1

Trailer 2:33

Georgy Girl

Photos16

+ 8

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Loin de la foule déchaînée

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Un mari idéal

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Un amour pas comme les autres

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Histoire

Modifier

Le saviez-vous

Modifier

Anecdotes
Vanessa Redgrave backed out of the role of Georgy just before shooting started. Her sister Lynn picked up the part instead.

Gaffes
In the early scene at the piano where Georgy's father has brought her a dress to wear to a birthday party, she's wearing glasses when he starts to say, "Oh, please yourself," but not wearing them before he finishes the line.

Citations
Georgy: No matter what I try... God's always got a custard pie up his sleeve.

Connexions
Featured in The Lady with the Torch (1999)

Bandes originales
Georgy Girl
Music by Tom Springfield
Lyrics by Jim Dale
Performed by The Seekers

Commentaires des utilisateurs74

Commentaire

Commentaire en vedette

8/10

So ahead of its time

Georgy Girl is an amazing film that's was in the front of a new wave of more realistic, unblinking films by the Brits. The film doesn't flinch when depicting or talking about accidental pregnancy, abortion, mothers not interested in their babies. They're just a part of life, nothing to moralize about or to spotlight as big drama. Imagine any film from the U.S. in the mid 1960s taking on these issues at all, much less in the matter-of-fact way that Georgy Girl does. Georgy Girl and Darling strike me as two mid-60's British films that herald a new age--greater reality; women's freedom to choose partners and to define their romantic and sexual connections in their own way. Another very modern aspect of the film is the absence of any person taking the moral high ground; every character is on their own, and depicted irreverently, with warts, but also warmly.