Les mésaventures d'un groupe pop en difficulté.Les mésaventures d'un groupe pop en difficulté.Les mésaventures d'un groupe pop en difficulté.
- A remporté 2 prix Primetime Emmy
- 3 victoires et 2 nominations au total
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- AnecdotesWhen the TV series was about to be renewed for a third season, The Monkees wanted to change it from a half-hour sitcom to an hour-long variety show where they would introduce new artists; however, NBC gave the group an ultimatum: stick with the format as it was or be canceled. They stuck to their guns and, as a result, the TV series was canceled after two seasons.
- GaffesIn a number of episodes from season 2 of this TV series, Micky Dolenz's hair changes back and forth from a straight look to a curly "permed" look. This was due to the fact that these episodes were filmed at two different times: first in the spring of 1967 (during which time a number of the actual episodes' story lines were filmed) and then later that autumn (during which time all of the episodes' song performances were filmed). During the summer break, Dolenz let his hair grow out. The difference is perhaps most noticeable in the episode A Nice Place to Visit (1967) where, at one moment, Dolenz is performing a song with his hair curly and then, in another moment, is seen leaving the stage with his hair straight.
- Générique farfeluThe Christmas Show (1967) departs from the usual stills montage by ending with The Monkees giving the TV audience a Christmas wish of peace. The group then brings the crew members onto the set and gives them all a very happy and raucous opportunity to give their loved ones at home a Christmas greeting, all while the closing credits play over this.
- Autres versionsSeveral episodes of this TV series, either when shown in network reruns (i.e., the CBS run) or in syndication, had newer songs replacing older ones on their soundtracks.
- ConnexionsFeatured in TV Guide: 40th Anniversary Special (1993)
- Bandes originales(Theme from) The Monkees
(uncredited)
Written by Tommy Boyce & Bobby Hart
Performed by The Monkees
Produced by Tommy Boyce, Bobby Hart & Jack Keller
[title theme]
Commentaire en vedette
The Monkees may have been created as a Beatles-of-America series, but like The Fab Four the show and the group within had a pivotal role in pop music history. While the concept of quick-edit rock music pieces began with A Hard Days Night and its sequels, it was The Monkees that really fleshed out the concept that today is known as the music video.
The power of television proved itself with Monkee-mania, and seeing the series and listening to the records four decades after their debut reveals how fresh and engaging both still are. The sit-com concept was basically parodied, and the free-wheeling styles of Micky Dolenz, Michael Nesmith, Peter Tork, and David Jones made the parodies all the more cutting and funny. There is a magnetism to Micky, Mike, Peter, and Davy that still shows in the show and the music; the use of session hipsters in the backing tracks certainly created a strong baseline at the beginning, but in concert with session help or all on their own (in the album Headquarters and the songs from which the show made use), it was Micky, Mike, Peter, and Davy who gave the music a stamp that was undeniably theirs.
The same is true of the show - other singers have shown engaging humor (Alison Krauss is one of the funniest), but none show the magnetic zaniness of The Monkees (if anything, Ms. Krauss' sense of humor is more like Mike Nesmith's than anything).
This is why the show and the group will always endure.
The power of television proved itself with Monkee-mania, and seeing the series and listening to the records four decades after their debut reveals how fresh and engaging both still are. The sit-com concept was basically parodied, and the free-wheeling styles of Micky Dolenz, Michael Nesmith, Peter Tork, and David Jones made the parodies all the more cutting and funny. There is a magnetism to Micky, Mike, Peter, and Davy that still shows in the show and the music; the use of session hipsters in the backing tracks certainly created a strong baseline at the beginning, but in concert with session help or all on their own (in the album Headquarters and the songs from which the show made use), it was Micky, Mike, Peter, and Davy who gave the music a stamp that was undeniably theirs.
The same is true of the show - other singers have shown engaging humor (Alison Krauss is one of the funniest), but none show the magnetic zaniness of The Monkees (if anything, Ms. Krauss' sense of humor is more like Mike Nesmith's than anything).
This is why the show and the group will always endure.
- stp43
- 22 oct. 2002
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- Durée30 minutes
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- 1.33 : 1
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