Ajouter une intrigue dans votre langueA psychologically damaged young man murders young women who sexually excite him.A psychologically damaged young man murders young women who sexually excite him.A psychologically damaged young man murders young women who sexually excite him.
Domingo Codesido Ascanio
- Julio Nieto
- (as David Carpenter)
Maria Rohm
- Teresa
- (as María Rohm)
Concha Gómez Conde
- Empleada pensión
- (as Concepción Gómez Conde)
Histoire
Le saviez-vous
- Citations
Julio Nieto: [calling Dona Dolores, after having attempted to garrote her] I'm very sorry.
Doña Dolores: It's not important!
- Bandes originalesNo le roces con tu sonrisa
Written by Ann Collin (as Collin), Jesús García de Dueñas (as Dueñas) and Pattuchi
Performed by Ann Collin
Published by Cam España S.A. Ediciones Musicales
Commentaire en vedette
A troubled young man goes around murdering women who sexually excite him.
It's not the most original concept in the world. There have been movies before and since that have dealt with a similar idea. But this Spanish production still registers. It has decent performances and a story that essentially holds up. But more importantly it has a good sense of style. The killer's inner turmoil is shown by flashbacks, close-ups of eyes and eerie music. In the murder scenes all of these elements kick in together and are well executed. Generally speaking, it's a well photographed film, with nice exterior shots of various Spanish locales and great detail of a religious festival incorporated into the story which adds good additional atmosphere. The killer's obsession with women's shoes also adds a further fetishtic detail; similarly, images and sounds of trains add additional material that recalls his past trauma. The music varies from cheesy Spanish pop to atmospheric glockenspiel and piano driven pieces.
It's a psychological thriller with some slasher violence. It's more interested in setting an atmosphere that glorifying in bloody mayhem though. Overall, it works pretty well. It's a stylish film and the Spanish feel to it adds a lot to the aesthetic. Definitely a movie that deserves to be more widely seen.
It's not the most original concept in the world. There have been movies before and since that have dealt with a similar idea. But this Spanish production still registers. It has decent performances and a story that essentially holds up. But more importantly it has a good sense of style. The killer's inner turmoil is shown by flashbacks, close-ups of eyes and eerie music. In the murder scenes all of these elements kick in together and are well executed. Generally speaking, it's a well photographed film, with nice exterior shots of various Spanish locales and great detail of a religious festival incorporated into the story which adds good additional atmosphere. The killer's obsession with women's shoes also adds a further fetishtic detail; similarly, images and sounds of trains add additional material that recalls his past trauma. The music varies from cheesy Spanish pop to atmospheric glockenspiel and piano driven pieces.
It's a psychological thriller with some slasher violence. It's more interested in setting an atmosphere that glorifying in bloody mayhem though. Overall, it works pretty well. It's a stylish film and the Spanish feel to it adds a lot to the aesthetic. Definitely a movie that deserves to be more widely seen.
- Red-Barracuda
- 7 avr. 2012
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Killer is Not Alone
- Lieux de tournage
- Malaga, Costa del Sol, Espagne(Semana Santa observances)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 21 minutes
- Mixage
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By what name was El asesino no está solo (1975) officially released in Canada in English?
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