ÉVALUATION IMDb
6,6/10
22 k
MA NOTE
John Shaft est embauché par un criminel pour retrouver sa fille kidnappée.John Shaft est embauché par un criminel pour retrouver sa fille kidnappée.John Shaft est embauché par un criminel pour retrouver sa fille kidnappée.
- A remporté 1 oscar
- 6 victoires et 6 nominations au total
Histoire
Le saviez-vous
- AnecdotesIsaac Hayes was the first African-American to win the Academy Award for Best Song. In fact, he was also the first African-American to win an Oscar for a non-acting category.
- GaffesWhen Shaft pushes one of Bumpy's goons into his office, the sound of glass breaking is heard, but the glass window in the office door is clearly undamaged until a short time later.
- Citations
John Shaft: Don't let your mouth get your ass in trouble.
- Autres versionsCBS edited 28 minutes from this film for its 1975 network television premiere.
- ConnexionsFeatured in Soul in Cinema: Filming Shaft on Location (1971)
Commentaire en vedette
John Shaft is a private detective in Harlem. He is hired by pimp and drug dealer Bumpy Jonas to find Bumpy's daughter who has been kidnapped by an unknown party. Shaft investigates the local Panther organisation but ultimately finds that an Italian mob is trying to move in on Bumpy's territory. With all parties at conflict Shaft must keep his cool to get the girl back.
Ay the start of a decade filled with cheap movies aimed at getting the black audience a product aimed at them in particular. Many of these were poor but Shaft stood out because it could have been a film in it's own right. The story is a normal detective movie with a black twist and that helps because it's not forced at all. The story is gritty and tough as befits the setting and the hero.
Shaft is tough but hadn't yet turned into 007 (as he did in Shaft's Big Score), this makes him tough but also keeps him down to earth. Roundtree handles himself sexily and looks great the film very much revolves around his performance and he holds the attention easily.
The film eventually gets into gun fights and an exciting conclusion but really this is all about mood and funk. And it delivers both.
Ay the start of a decade filled with cheap movies aimed at getting the black audience a product aimed at them in particular. Many of these were poor but Shaft stood out because it could have been a film in it's own right. The story is a normal detective movie with a black twist and that helps because it's not forced at all. The story is gritty and tough as befits the setting and the hero.
Shaft is tough but hadn't yet turned into 007 (as he did in Shaft's Big Score), this makes him tough but also keeps him down to earth. Roundtree handles himself sexily and looks great the film very much revolves around his performance and he holds the attention easily.
The film eventually gets into gun fights and an exciting conclusion but really this is all about mood and funk. And it delivers both.
- bob the moo
- 26 mai 2002
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Les nuits rouges de Harlem
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 125 000 $ US (estimation)
- Durée1 heure 40 minutes
- Mixage
- Rapport de forme
- 1.85 : 1
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