Ajouter une intrigue dans votre langueIn Britain, bodies of NATO paratroopers are being snatched during routine jumps by a mysterious red-beam of alien origin.In Britain, bodies of NATO paratroopers are being snatched during routine jumps by a mysterious red-beam of alien origin.In Britain, bodies of NATO paratroopers are being snatched during routine jumps by a mysterious red-beam of alien origin.
Hilary Heath
- Julie Slade
- (as Hilary Dwyer)
Pamela Conway
- Lorna
- (as Lorna Wilde)
Carol Hawkins
- Paula
- (as Carolanne Hawkings)
Histoire
Le saviez-vous
- AnecdotesActress Hilary Heath who plays Julie is not mentioned in the cast list at the end of the film.
- GaffesWhen Bob Megan undertakes his aerial jump, it's clearly only actor Patrick Allen in close-up shots.
- Autres versionsThe film was originally passed uncut as an 'X' for cinema by the BBFC before poor sales led to the film being recalled and re-cut for an 'A' certificate. The cuts included edits to Lorna's swimming scene to remove nudity and a shortening of the love scene between Lorna and Bob. The version issued by Anchor Bay in the Tigon Collection box set is the edited print.
- ConnexionsReferenced in Discussing the Pod (2013)
Commentaire en vedette
A few minutes of well-shot footage of parachute jumps and aerobatic flying seem the real impetus for this British science fiction picture. When there are no bodies hurtling towards the ground or planes shooting past each other, what's left is a bad script with far too many scenes of men in suits talking in offices and not nearly enough science or action. Since it was made for a family audience, there isn't even much in the way of female flesh.
Patrick Allen and his improbably large chin take the lead. His character, a NATO troubleshooter, is big on the sub-James Bond womanising and tough posturing. Yet for all his smooth lines and fetching cardigans, he does curiously little to actually solve the mystery of disappearing military parachutists. Plot development consists of supporting characters waving a Geiger counter over a few things while Allen chases the girls.
George Sanders is normally a reliable figure (see the far superior Psychomania, for instance), but he is wasted here as a personality-deficient general. Hilary Dwyer has the requisite qualities for a female star, being very pretty and a great screamer. Lorna Wilde is quite fetching as a mysterious blonde, but the rest of the cast do little.
This is a competently-made film from people who understood the limitations of their budget, limitations which mean rare special effects and few action sequences. The real problem is an absence of ideas or any ambition beyond filling the screen for 90 minutes. Once all the aerial footage has been used up, what is left is a very unoriginal story with little imagination or characterisation and lots of dialogue of a "The minister isn't going to like this" type. Nonetheless, Reg Tilsley's jazz score deserves a mention, ratcheting the tension even when the most mundane action is unfolding on screen.
It's hard to recommend this film when there are so many better British exploitation films from the era; it lacks even any Austin Powers-ish campness and shows nothing of 1960s Britain. As an attempt at family-friendly science fiction from Tigon, a studio better known for its sexually-frank horror, it's a slight curio of film history. For entertainment, you're better off jumping out of a plane, or even watching an in-flight movie.
Patrick Allen and his improbably large chin take the lead. His character, a NATO troubleshooter, is big on the sub-James Bond womanising and tough posturing. Yet for all his smooth lines and fetching cardigans, he does curiously little to actually solve the mystery of disappearing military parachutists. Plot development consists of supporting characters waving a Geiger counter over a few things while Allen chases the girls.
George Sanders is normally a reliable figure (see the far superior Psychomania, for instance), but he is wasted here as a personality-deficient general. Hilary Dwyer has the requisite qualities for a female star, being very pretty and a great screamer. Lorna Wilde is quite fetching as a mysterious blonde, but the rest of the cast do little.
This is a competently-made film from people who understood the limitations of their budget, limitations which mean rare special effects and few action sequences. The real problem is an absence of ideas or any ambition beyond filling the screen for 90 minutes. Once all the aerial footage has been used up, what is left is a very unoriginal story with little imagination or characterisation and lots of dialogue of a "The minister isn't going to like this" type. Nonetheless, Reg Tilsley's jazz score deserves a mention, ratcheting the tension even when the most mundane action is unfolding on screen.
It's hard to recommend this film when there are so many better British exploitation films from the era; it lacks even any Austin Powers-ish campness and shows nothing of 1960s Britain. As an attempt at family-friendly science fiction from Tigon, a studio better known for its sexually-frank horror, it's a slight curio of film history. For entertainment, you're better off jumping out of a plane, or even watching an in-flight movie.
- pottedstu
- 26 mars 2005
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- How long is The Body Stealers?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Invasion of the Body Stealers
- Lieux de tournage
- Shepperton Studios, Shepperton, Surrey, Angleterre, Royaume-Uni(studio: filmed at Shepperton Studios)
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 31 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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By what name was The Body Stealers (1969) officially released in India in English?
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