Ajouter une intrigue dans votre langueA detective is assigned to track down and capture a crazed serial rapist.A detective is assigned to track down and capture a crazed serial rapist.A detective is assigned to track down and capture a crazed serial rapist.
Margaret Hayes
- Joyce Greenfield
- (as Maggie Hayes)
James Mitchum
- Art Jester
- (as Jim Mitchum)
Maila Nurmi
- The Poetess
- (as Vampira)
Norman Grabowski
- The Beat Beatnik
- (as Grabowski)
Louis Armstrong and His Band
- Louis Armstrong's Orchestra
- (as Louis Armstrong and His All-Stars)
Histoire
Le saviez-vous
- Anecdotes"On the Road" author Jack Kerouac was disturbed that his friend, author John Clellon Holmes, managed to get his "Beat Generation" novel "Go" into print before his own was published ("Go", in which Kerouac is a main character, was published in 1952, while "On the Road" was not published until 1957). Kerouac was worried that Holmes was plagiarizing him, although Holmes was careful to credit Kerouac with creating the term "Beat" for their generation, and much of the material was common among them and other writers of their circle, such as Allen Ginsberg. Ironically, producer Albert Zugsmith outfoxed Kerouac by copyrighting the term "The Beat Generation", which he used as the title of this egregious exploitation film, which was released by Metro-Goldwyn-Mayer in 1959. A year later, M.G.M. released a film of Kerouac's novel "The Subterraneans", made by with top talent: It proved to be a major disappointment as it grossly misrepresented the scene (as well as Kerouac's novel). Ironically, "The Subterraneans" probably is the premier contemporary movie about the Beats, as so few "Beat" movies were made (until Sur la route (2012)), the phenomenon occurring during a time of strict screen censorship in the United States. By the time censorship was lifted in 1967, the Beats had been supplanted by the Hippies.
- Citations
Georgia Altera: Would you rather be dead with him or alive with me?
- ConnexionsFeatured in Vampira and Me (2012)
Commentaire en vedette
Like a few others have already stated in these user comments, it's kind of surprising that the Metro-Goldwyn-Mayer studio of 1959 would get involved in a movie with a number of trashy elements. The movie has a number of flaws as well. The musical numbers seem out of place for a serious story, and there is also comedy relief that seems out of place. The movie is stretched out to the breaking point when a more compact telling was obviously needed. And the character of the rapist isn't really explored that well.
Still, there are some interesting things to be found here. The movie explores some topics like rape and abortion with effectiveness that even more than 50 years later still seems a little daring. Also, Ray Danton, despite a weakly written character, acts in a really slimy way that makes him an effective villain. While this material isn't enough to make the movie worth searching for, if it happens to come on your TV, people interested in 50s movie exploitation that was done while still hampered by a production code may find the movie of some interest.
Still, there are some interesting things to be found here. The movie explores some topics like rape and abortion with effectiveness that even more than 50 years later still seems a little daring. Also, Ray Danton, despite a weakly written character, acts in a really slimy way that makes him an effective villain. While this material isn't enough to make the movie worth searching for, if it happens to come on your TV, people interested in 50s movie exploitation that was done while still hampered by a production code may find the movie of some interest.
- Wizard-8
- 3 juill. 2013
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- How long is The Beat Generation?Propulsé par Alexa
Détails
- Durée1 heure 35 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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By what name was The Beat Generation (1959) officially released in Canada in English?
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