Oliver Reed once said that "Hammer gave me my start, (Michael) Winner gave me my craft, and (Ken) Russell gave me my art." Well in 1963's THE SCARLET / CRIMSON BLADE you can see the arrival of the Oliver Reed we all know 5 years before his international success in OLIVER!. Here he crystallizes his screen trademarks. The quiet voice that can suddenly erupt, the smoldering look of rage and/or pain, and his sheer physical presence that can dominate the screen. This was Reed's penultimate film with Hammer (out of 6) and he owns the movie.
Although the nominal stars are Lionel Jeffries (usually known for comic roles in movies like CHITTY CHITTY BANG BANG but quite good here) ,Jack Hedley and June Thornburn, Reed's portrayal of the adventurer Captain Tom Sylvester is clearly the focus of the film. Writer-director John Gilling, who made a number of films for Hammer including the celebrated "Cornish Double Feature" THE PLAGUE OF THE ZOMBIES and THE REPTILE, had worked with Reed before on THE PIRATES OF BLOOD RIVER showing that he could handle the actor as well as make a well mounted period action-adventure movie.
The story is set in 1648. Colonel Judd (Jeffries), once a royalist but now a follower of Cromwell, is trying to capture King Charles I to further his own career. Sylvester (Reed) is his second in command and has eyes for Judd's daughter Claire (Thornburn) who is secretly helping the local Royalists led by Edward Beverly (Hedley) aka The Scarlet Blade (the movie's original title). Claire exploits Sylvester's feelings for her while really loving Beverly. When Sylvester realizes this he is none too pleased but, rather than flying into a typical rage, Reed internalizes his anger and makes us feel his character's pain and sadness at what has happened.
The rest of the film is a solid period adventure yarn with swordfights and ambushes and an authentic look to the film despite the low budget. In fact parts of this film reminded me of Michael Reeves' WITCHFINDER GENERAL with Vincent Price made 5 years later only less brutal. This release of the American version (hence the title change) is its first appearance ever and the transfer is first rate. Not a great film by any means but a surprisingly engaging one thanks to Oliver Reed...For more reviews visit The Capsule Critic.
